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Page 39 text:
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,weet land James Flint Musical numberswere arranged by Mrs. Holman, Marilyn Wal- ters, and L. Belz. Vesta Boyles idea of different periods of time and lo- cale. The story concerned the adven- tures of Barnaby Goodchild fplayed by Jim Flintj as he carried the spirit of song and dance from generation to generation of Americans. Along the way he was ac- companied by the love of a young girl fGloria Nelsonj and hindered by the inter- ference of a bigot, John Dillon. Janice Morton, Frank Phelps, and Bill Edwards were in charge of the technical aspects of the production. Gloria Nelson withdraws from the villainies of John Dillon. Speakeasy crowd in scene from roaring twenties. Z
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Page 38 text:
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John Dillon finds himself a Vic- I tim of the pillory and of Vesta Boyles. Can-Can girls A. Greger A. Sprenger B. Greger Sing Ou 57 . ff K fQ.Elff?zQf52 A Yyriifr 9- V. me a N A wig z , iw55H:Q.g , I ,.,.,. .. jl!1!? ' K Gloria Nelson John Dillon Eg-O35 Sweet LEE a musical comedy in two acts, was presented February 21 and 22 under the combined direction of George L. Meshke and Lawrence Belz. More than fifty students participated in the production which traced the develop- ment of American folk and popular music from the days of the Pilgrims to 1930. Special costumes, lighting, and scenic effects were developed to help convey the Jim Flint teaches the Illinois farmers how to square dance.
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Page 40 text:
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Spring O WIND, IF WINTER COMES, CAN SPRING BE FAR BEHIND? --SHELLEY
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