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Page 33 text:
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Page 32 text:
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SYMPHONY BAND De ee Pictures, clockwise beginning at top: (1st row) Debra Young, Sue Schultz, Joanne Klein, Karen Crane, Randy Weiser, Renee Walton, Linda Olson, Linda Watkins, (2nd row) Pam Hammond, Mickie Maynard, Joe Flynn, Laurene Rourke, Lori Hopp, Wendy Johnston, Judy Forbes, Janet Savery, Michele Pingel, (3rd row) Debbie Willis, Alice Ferguson, Diane Chisolm, Debra Bass, Beth Worsham, Teresa Whittaker, Brenda Watkins, Melanie Blair, Sylvia Campbell, Lori Burrell, Gwendia Graessley. Percussion: Eddie Walker, Jay Wiard, Tim O'Hara, Larry Williams, Mike King, Gary Weiser. Brass: Carol Scherer, Brenda Greene, Peggy Luckhardt, Greg Irwin, Jim Bingham, Mark Hayes, Mike Turner, Paul Hause, Mark McClure, Rick Sayers. Saxophones: Brad Angelocci, Sam Jensen, Tim Barnabei, Steve Turner, Paul DeVee, Tim Burandt, Dave Martelle, Mary Jackson. Trombones: (ist row) Tom Clark, Mike Mill, Stuart Meyer, Denise Andrews, Alan Grams, Don Woodring, Steve Townsend, Tim Stachlewitz, (2nd row) Bill Bradley, Jim Waldsmith, Scott Wiard, Alvin Grams, Larry Hamilton, Dave Raymond.
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Page 34 text:
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THE MOUSE THAT ROARED The Drama Dept. chose to present “The Mouse that Roared” for their 1974 opening pro- duction. “Roars” could be heard coming from the auditorium for weeks during rehearsals, as the tiny country of Grand Fenwick was prepar- ing for its military attack against the U.S. “The Mouse that Roared” was faced with a new auditorium that was not yet ‘‘broken in”. It was necessary for the crew to become familiar with a whole new collection of lights, plugs, microphones, tools, consoles, curtains and props. Once these technicalities were mastered, the cast was plagued with an incredible number of accidents. However, true to the code “The show must go on”, the play opened with a broken leg, a sprained ankle, a broken elbow, an understudy and numerous severely bruised performers. Despite these obstacles, the cast and crew were successful in providing the audience with 62 an enjoyable evenings’ entertainment.
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