Yeshiva University High School For Girls - Elchanette Yearbook (Brooklyn, NY)

 - Class of 1954

Page 15 of 84

 

Yeshiva University High School For Girls - Elchanette Yearbook (Brooklyn, NY) online collection, 1954 Edition, Page 15 of 84
Page 15 of 84



Yeshiva University High School For Girls - Elchanette Yearbook (Brooklyn, NY) online collection, 1954 Edition, Page 14
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Yeshiva University High School For Girls - Elchanette Yearbook (Brooklyn, NY) online collection, 1954 Edition, Page 16
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Page 15 text:

ww You and I have often hummed the haunting and hopeful tune of Ani- Maamin, and many are the times that we whirled deliriously to the rhythm of the Horah, or pitched in joyously to the Zmirot around the Shabbat table. Yet, have we ever stopped to wonder at the origin of this music? As long as it Hlls our hearts with joy, or brings a reminder of our glorious history and accurately expresses our emotions in beauty and splendor and sadness, this is all that matters. However, there is a great satisfaction in knowing that not only the un- known composers of these Nigunim were Iewish, but for us girls, there is the added pat-on-the-back of discovering that a large slice of this musical genius is composed of Iewish women. Since Miriam the Prophetess led the Daughters of Israel in song while courageously crossing the Red Sea, Iewish women composers and musicians have expressed their hopes and anguish, and translated their thoughts into immortal music. Iewish music has captured the colors of the skies beneath which our people have wandered. French, Russian, German-there is a dash, a sparkling of every land, in the gay and sad notes of our songs. But the leitmotif is its unique quality, the individual emphasis that singles it out from all the other music in the world. I am speaking, of course, of the Yiddish touchf' How can I best describe this touch peculiar to our music? Perhaps, if you think back to all the Iewish music you have heard, you will grasp what I mean. Do you recall that quality of sadness, elusive and tantalizing, that note of joy that carries a future promise rather than a past regret, the mingling of tears and smiles? That is the Yiddish touch. Like our people, our music has the heart of youth and the head of age. We are the oldest in wisdom, learning and experience. But ever, and at all times, we have sung with the conviction, enthusiasm, and open heart of eternal youthi. Our music is a conglomeration of our experiences. We suffered-it is in our music. We hoped-that is in our music too. We never despaired-our history proves that, and our music accents it. Rilqlqz' Gordon

Page 14 text:

Sarah Bernhardt One of the greatest talents that one can possess is the ability to convey thoughts and emotions to others. This is the rare quality that is to be found in all great actors. This trait requires an understanding of human emotions which is often brought about by personal conflicts and ordeals. Such was the case with Sarah Bernhardt, in the opinion of some, the greatest actress who ever lived. Sarah was born in Paris, France, in the year 1845. She was of Iewish descent. At twelve, her parents had her baptized, and upon her own request she was committed to a convent. At the age of 13, she entered the Conservatoire. There she won second prize for comedy and for drama. This inspired her to pursue an acting career. At seventeen, Sarah made her debut as an actress at the Comedie Francaise. After her debut she came to the decision that her life's desire was acting. She lived for the moments when she could stand on the stage and hear the applause of the audience, the great mass of people whom- she took close to her heart at every performance. Sarah found it easy to captivate the audi- ence after a short time, for the spell of her acting was rare and beautiful. Performances multiplied in number, and her fame spread. The power of her emotional acting, her magnetic personality, and her voix d'or soon made Sarah Bernhardt recognized unquestionably as being the greatest actress of her day. After breaking ties with the Academic Francaise, she started on a world tour. In 1914, The Legion of Honour was conferred upon her. An accident necessitated the amputation of Sarah's leg. Nevertheless, when the World War came she played at the front, toured America and went to London. Most actors are known only for the moment. When they die, their fame dies. When Sarah Bernhardt died, in Paris, in the year 1923, her fame con- tinued to live. She disproved the theory of the heartless public. Sarah will always be remembered as a courageous woman who was endowed with the power of bringing whatever emotions she wished to the hearts of others. She made them forget their heartaches, and brought them into a world of fantasy, enjoyable to all. Unfortunately, she could not escape the reality of her own misfortunes. lust as Sarah Bernhardt did not forsake her public at the time of her sorrow, we shall not forsake her memory for a long time to come. Naomi Roizmafz



Page 16 text:

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Suggestions in the Yeshiva University High School For Girls - Elchanette Yearbook (Brooklyn, NY) collection:

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Yeshiva University High School For Girls - Elchanette Yearbook (Brooklyn, NY) online collection, 1952 Edition, Page 1

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Yeshiva University High School For Girls - Elchanette Yearbook (Brooklyn, NY) online collection, 1953 Edition, Page 1

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Yeshiva University High School For Girls - Elchanette Yearbook (Brooklyn, NY) online collection, 1955 Edition, Page 1

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Yeshiva University High School For Girls - Elchanette Yearbook (Brooklyn, NY) online collection, 1956 Edition, Page 1

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