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Page 19 text:
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K.-- ■fiS 1 HH R ' f tjx; J - i ' 1 1 - (B) Firing th« crowd into a Mazina, hand-clapping insanity. Boston Matt out tha familiar chord of Long TInw at th« Convontlon Contar Arana which was axpandod to accommodato tuch mob anthraiiing avants (photo by Mooro). (D) Displaying a uniqualy chargad magnotism, Willi Nal- ' I nusiclans (photo by SI lalNartin son parforms with his family In th Municipal Auditorium. Scribblad across tha fac of Willia ' s Spanish-stylo INartin guitar aro namas of various musicians (photo by Slyman). (F) Lead vocalist for th« Canadian based Rush, Goddy Lea solos on tha double-nocfced bass and guitar (photo by Mooro). SHOWS, Sf AXS, MUSIC CAI rfVArC FOttOWCKS When the lights dimmed, the low murmur of the crowd changed to a deafening roar. A performer appeared in the glow of the spotlights, exciting the fans to a fever-frenzied pitch as the first faint chords of guitar and bass filtered through the massive black amplifiers positioned above the stage; everyone was no w in concert. Whether it was rock or country. Rush or Willie Nelson, Churchill students flocked in groves to witness their favorite recording stars in concert. Boston, Steve Martin, Aerosmith, Styx and the unforgettable Billy Joel each played to near full seating capacity. Yet, the actual performance was only the grand finale. End- less hours spent standing in lines and camping out on the side- walk to buy tickets were as much a part of the experience as the concert; not to mention the weeks of saving every cent in order to purchase the symbolic T-shirt. In as little time as four weeks, the more avid concert goer could have easily spent a small fortune on tickets alone. But, if the music was satisfying and the show phenomenal, no one minded the empty pockets — that is until tickets went on sale for the next concert.
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Page 18 text:
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(A) After weeks of waiting, San Antonio fans were rewarded with a wild and crazy performance from
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Page 20 text:
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