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Page 29 text:
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' - Director J. Christopher Martin goes over the blocking of the scene “Bread and Freedom” with some members of the chorus , B «■■■■■ )ng ‘, Despite the difficult and irregular ag- ' score, clarinetists Amy Callahan and a- ' Laura Johnson handle it with ease in «!■■«■» K ■ ■ M M ■ ■ I the pit orchestra. m ■ « ■ « » ■ ■■■■■■ U —B i i a a S a a a a a a a a a a a i aaaaaaaaaaaaaaaaaaaaa ■ aaaaaaaaaaaaaaaaaaai aaaaaaaaaaaaaaaaaaaaa aaaaaaaaaaaaaaaaaaaai aaaaaaaaaaaaaaaaaaaaa aaaaaaaaaaaaaaaaaaaai aaaaaaaaaaaaaaaaaaaaa aaaaaaaaaaaaaaaaaaaai ■ aaaaaaaaaaaaaaaaaaaa aaaaaaaaaaaaaaaaaaaai aaaaaaaaaaaaaaaaaaaaa aaaaaaaaaaaaaaaaaaaa aaaaaaaaaaaaaaaaaaaaa ..aaaaaaaaaaaaaaaaaa Taking a break from one of the many long rehearsals are Steve Buttacavoli, Zoe Dag¬ gett, Jay Moore, Margaret Behnke, and Ka¬ tie Daggett. m ' m w ' m ' h ■ H ■ M M M M H M K I a a a a tie Daggett. ■ X ■ H I a a a a a a a a a a a a a a a a aaaaaaaaaaaaaaaaa ..aaaaaaaaaaaaaaaaa aaaaaaaaaaaaaaaaaa aaaaaaaaaaaaaaaaaa aaaaaaaaaaaaaaaaaa aaaaaaaaaaaaaaaaaa aaaaaaaaaaaaaaaaaa aaaaaaaaaaaaaaaaaa aaaaaaaaaaaaaaaaaa aaaaaaaaaaaaaaaaaa aaaaaaaaaaaaaaaaaa aaaaaaaaaaaaaaaaaa aaaaaaaaaaaaaaaaaa aaaaaaaaaB«»»------- aaaaaaaaaaaaaaaaaaaa aaaaaaaaaaaaaaaaaaaa aaaaaaaaaaar”“ ““aaa .aaaa „ a a a a HXHKHBUO h h h aaaaaaaaaaa Jvventy-five aaaaaaaaaaaa ' aaa aaaaaaaaaaa aaaa aaaaaaaaaaaaaaaaaaaa aaaaaaaaaaaaaaaaaaaa ..aaaaaaaaaaaaaaaaaa
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Page 28 text:
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h ' O h my homeland, my homeland, goodbye.” Fog lay thick and in the distance a light flickered. As the fog cleared a tall, robed figured appeared holding a torch. It was the Statue of Li¬ berty. Cheers of “Long Live Columbus!” echoed through the theater as the spring musical, “Rags” was brought to life on the Winchester High School stage. The setting; New York City, 1910. This was the story of Re¬ becca Hershkowitz (Kim Lo- vins), a Russian Jewish immi¬ grant, and the struggles she and her friends faced in America. Each of the characters had his or her own conflicts and trials in their attempts to start over and begins a new life in the “land of oppurtunity”. The choice for “Rags” as the spring musical was an unusual one for the high school, for very few people had heard about it, but after listening to the sound¬ track, many couldn’t wait to produce it. “Rags” was a very Listening to notes about their acting from the director are Tom Moore, John Segota, Lydia Cooper, Kim Lovins, and Katie Daggett. new play, for it had closed a lit¬ tle over a year before rehearsals started. For this reason, many of the parts of the play, such as the score and script did not come until late, for they were still being rewritten and final¬ ized. However, the director, J. Christopher Martin, was able to overcome this initial setback by working with the materials that were ready and available. Despite these obstacles, the cast saw that an enourmous task was set before them, for the show required a serious com¬ mitment from each and every member of the cast. As senior Kelly Scott who plays the role of Sophie says, “The play is a lot of fun but it’s a lot of work, too.” This production was espe¬ cially difficult for a high school, but it was handled like any pro¬ fessional production. In the end, the cast was able to put on quite a great production.In the end, it was all summed up as sopho¬ more Lorette McWilliams said, “I was always really enthusisa- tic about the play. There was a lot of work that went into it from everybody and I think it was a great show as a result.” -John Segota “Instead of being a hoky kind of play, this musi¬ cal de¬ manded both great singing and act¬ ing, which we had in a very tal- e n t e d cast” - h a w n ■h-
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