Wilson College - Conococheague Yearbook (Chambersburg, PA)

Text from Pages 1 - 220 of the 1977 volume:

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MICHELLE CHASE 'TIT TSS y . 1. wi . .- 1 I am not sure what waits beyond the but I'l1 travel down the to have a look . .. wg block street IANET ROBINSON MEDICAL TECHNOLOGY You know that I can usually make anyone laugh but only those closest to me cry My self portralt to you Karen Ianet, 19 The language of friendship is not words, but meanings. It is an intelligence above language. KAREN SCHREIBER BIOLOGY Softly, quietly, unobtrusively she comes up. Karen is a very mysterious, quiet and Wonderful human being. you're not always conscious she's there until she laughs, or warms up the atmosphere with that beautiful smile. She's in love with Michael, sews like a regular seamstress, does a mean Bump, loves popcorn and studies whole lots . . . Karen, a beautiful lady, who offers the world many beautiful things. KIM KIRSCHNER BIOLOGY Kimmy Sue- turn around, Buddy's missing! Oh well, turn on the stereo, listen to Barbra and forget about it. I-le'll show up somewhere. By the way, you really should get him a new ribbon. Kimmy Sue- the girl with the mysterious middle name. Don't tell us-we'll guess sooner or later. Kimmy Sue- up to eyeballs with involvement. Not only immersed in her books, but in everything from CGA to Nerds. She can't float, but she sure can handle a hockey stick. Kimmy Sue- occasional partier and all time friend. All the cliches about friendship hold true with Kimmer. Chad-up Kim, you know it's the truth. She'll listen and try to help. When you're at the brink of a nervous breakdown, she'll somehow make it all okay. Flash that smile Kimmy-we'll all forget our troubles. And the best is yet to come This is only the beginning And we've only just begun To realize the best is yet to come. Carole King .-'- 1 , ,y MAUREEN GILLMEYER PSYCHOLOGY Persistant, at times confused, or mildly hysterical, this is one side of Maureen. And yet, if ever there was anyone who would be Willing to lend a helping hand or stand behind her friends, it is also Maureen. Whether you need a basketball manager, a temporary senior assistant, a calculus Whiz, a babysitter or a good listener, she will never fail to come to the aid of friends who need her or to do everything in her power to help them. Seldom does one find a more resourceful or determined person. Altogether, Maureen is, undoubtedly, a person worth knowing and a friend worth having. 22. yr CAROLYN DESALES WHITELY PSYCHOLOGY HULLO D! Do you know that I know that she knows that he knows that we all know? Oh hell, who knows? HULLO D! Bum dee bumm bum bum . . . memories of Ben . . . HULLO D! In quietness and confidence, continuously decked out in Bobbie Brooks styles. She likes to look nice for any occasion and frequently puts us all to shame . . . HULLO D! The long lanky mermaid trying to disguise her laughter during the famed Nereids performances . . . HULLO D! She is a quiet sort but in her four years at Wilson has developed an uncanny ability to instigate laughter among those around her . . . HULLO D! Iust remember pie, it's AWWLL RIGHT and remember all the parties we had . . . Good Luck D-Baboon will miss you. BONNIE HOCK ENGLISH NA . 5? , .J HQ, X WAJ ' vYf.f'! X--5 J 'x . W K DREW MESSNER PSYCHOLOGY A frlend IS a hard th1ng to be And yet how many tlmes have you rescued me from lish n1ghts you know Drew I really hate tish and live Hsh days m one week IS a real bummer 1n my l1fe A frlend IS a sensltlve person Not everyone knows how to be as sens1t1ve as you are Drew You know a real fr1end IS someone who IS aware of your every mood Somehow, whenever I stomp 1nto my room, slam the door, throw my books on the floor and grumble a hello to you, you seem to sense my bad mood How you do 1t 1S a mystery to me And the way you cheer me up Wlth those warm carlng words lump up, Woman I guess 1tS all part of your maglcal mystery frlendshlp spell Actually your frlendshlp means a lot to me Drew, and I'm glad your name IS we1rd or else I mlght not have gotten to know you Remember that day 1n Educatlon? I appremate all those tlmes you l1stened when 1t really helped to talk Drew, I'm yust really glad you're a frlend You know, thank you IS a hard th1ng to say, but to a frlend who understands, l1stens, and cares It 1sn't hard It's too bad that most thlngs are sald much too late th1s should all have been Sald long ago I want to tell you now Drew, before any more t1me escapes Thank you for be1ng my frlend 25 I A -.IA 3, 1- . i .. J., L-'ps' ,uri .... . '. ' 5 ' -i ' 5. . ' NAA, , . . . , A U u D. - P . 'f lg ,-lg L .1 s , 1- - ' ,VU- 5 , . A--Kr.. . I H' 2 . 7 -if ,, .1 K- Y- .-'4...4 - -qi, ', 1 'A -,.: , - -I wa' ' 0 . , ' .....' ' I 1, . - . '. - , f-. au fr, I , ,.-Q - V, ml' H.. -- ., -' s ' . 3. . 1 . A . , . Life is far too important a thing ever to talk seriously about. Oscar Wilde DEBI HOGAN BIOLOGY Education is what you have leftover after you have forgotten everything you have learned. ., . . v - 11.-4 11 L'-1' 'f- .',u ,ug--u v 'f' . '. liz' I ' nv '5 V ' -er ' rgqfg ny 1 5,1 I 1-'VJ--'f:5.A 3 a'+,.3-'af gf- Y 1, f as-41. ,- W . A p i e 9:35 .f'af?4e4gf:aa,:f,5fofff1H f :1,Bw,. - 1 . l , '- rg ., ., , W . , ? Yr .H , -xl 1 fi sl f ' -6' 1 J 1 x.- 'i 'sw Q V w ' , fm.-. x. 1 , --HQ 1. 4, - -,f,:, ,-M ' ,g.-1. , ff' , uw. . V 1. f J' 3,31-'lX'f 5-'-1 f ' ,1-if Qgiilfg.-:nl 4 .-4 .-' J 1. ' wigs' 1,.- qw'-,Q ,gr . ,.,1 , lj ern-,f-1 4 -Vg.-f., . fr. l gf . 1 s- fs ,- .,,1 x ,fp?',3h-.'Q,z-w f -'rl-,1f,Q:x. .-.-1:14 v . U , - . Wigs. w-f'-pf-44. ,- gf .Q .. Qt -1: , 1 My . As, --'J--I T, lv 1 lf- es,-.4 1,14 V 'Shirley . -f.'2.- 523511-.lfry h,+.g..5T7. - LA .', '12-f--l'Z'g, 'ga'- l!'.192!g' Q'f',1lf:iu3i',a.g.'m '--.Alf . -119312 EMILY HARRISON God gave us memories so we'd always have roses in December. PAULA MARGARET BREEN ENGLISH X IOURNALISM ju Falling, falling, bang! Paula, do you really enjoy sitting on that icy pavement? Well, my old Long Islander, time is still ahead of us and tugging us along. We can't even slow it down, though we've tried. You've come a long way, Punkin. Iust think, you've progressed from Elmer Fudd to Tootsie Birdlegs fthat's progress?j And what keeps you going? Beside inspiration from midnight calls to the radio and Ioe Namath's feet, part of the force is your enthusiasm for life, which not only shines in you but radiates to those you know. You've been changing, Paul P. - from K.P. to Rhombus, from Shakespeare to Oates, from Prentis to Riddle. But you've stayed the same - in your loyalty to Elton Iohn, in your loyalty to your ideals, in your loyalty to laughter but more than that, in your loyalty to your friends. And we thank you for that Paula, and we thank you for you. We'll always be bosom buddies, Friends, sisters, and pals, We'll always be dear companions, Orphan Annie and Sandy, like Amos and Andy - that's us! , from Mame 28 Making friends for the world to see, Let the people know, you've got what you need, With a friend at hand you will see the light, If your friends are there, then everything's all right. Elton Iohn HELEN KATHERINE KLEID ECONOMICS You are something else D1dd1n Your taste in music ranges from the Doobie Brothers to Dan Fogelberg and your stereo lets everyone know it Why do your shoulders shake when you laugh silently? Hee hee' Four years is a long time huh turkey You re the girl from HGIIHIHIB PA Or is it Pittsburgh? I don t care I hate school I dont understand I feel awful Hit the road Remember the ghosts in Prentls loft and the scratching on the wall? Our nights cruising Chambersburg and the night at Dunkin Donuts? Our favorite pastime IS thinking of nicknames We re the Three Musketeers Then there s Tootsie Pioneer Mr Ed Cutie Moby D1ck and Glant Elf just to name a few Oh yeah Ioe Namath and Iohn Denver D1dd1n those us who have you as our friend see you as the sister we never had or another member of our family We love you Helen Kay and we re not ashamed to say so Helen never say goodbye well catch you later' 29 . ' . , . , I ' ' GI 7 U If I! If I li CI I7 CI ' ' ' 7 9 I 9 . . ' ' I 1 ' 1 l . , . , of I n 9 . , . , ' I . SAINT GAYLE Martyr of the Sordid Stape Patron Saint of the oppressed and I sa A -oi pl N21 .1 A 5' S s ' i ,. x over-worked Theater Personnel I L A GAYLE A. GRAY SPANISH ! POLITICAL SCIENCE Well Gayle, you thought you'd never get out of this place . . . You've made it! Of course, you had help - Ziggy, E.I., Tommy, and all those gorgeous men in your room. And through it all you've remained the perfect Moon Child - ready with a smile and comforting words, always there to be a Friend. Love and happiness to you, and thanks for everything. Look around and choose your own ground For long you live and high you fly And smiles you'1l give and tears you'll cry And all you touch and all you see Is all your life will ever be. Pink Floyd 30 CANDY DALLAS PSYCHOLOGY l l Hey... What can you say about a girl named Candy who comes from Dallas - oops! I mean a girl named Candy Dallas who comes from Cincinnati? She's got flaming red hair fQueen Bess materialj with a personality to match - what others can't beg she is . . . a smile when youire down, a listening ear, or someone to share your happiness with - sounds like perfection . . . it is . . . but! don't catch her off guard with a Tab in one hand and a pizza with the Words fminus the onionsj in the other hand, or too much V.O. 5 and a greasy kerchief, and beware of the cue stick - she's hell on the pool table, and better yet on the tennis courts - such grace, and don't give her fish or she may just tell you jump up , and we all know what that means! But I guess the best thing to say about a girl named Candy Dallas is that she's a good student f??j, a good laugh, a good cry, a good sport, but mainly a good friend . . . Hey . . . ELIZABETH A. LUND FINE ARTS my roads call me, lures me west, east, south, and north: my roads lead men homewards, my road leads me forth. Iohn Masefield L CRYSTAL GASKINS POLITICAL SCIENCE ,ann 1:- S? 3 KAREN SLAMAS I never came to you my lrlend And went away wlthout Some new enrlchment of the heart More falth and less of doubt More courae for the days ahead And often ln great need Comlng to you I went away Comforted 1ndeed How can I End the sh1n1ng words The glowmg phrase that tells All that your love has meant to me All that your frlendshlp spells? There IS no word no phrase for you On whom I so depend All I can say to you IS th1s God Bless You Preclous Friend Grace Noll Orwell X ff' PSYCHOLOGY -.-- gm ,V ' . ,, T ' f 'nf , . ' 1, . if ' f ' 113, 13 , If ll ' ' 'II' . I If f N L I 5,1 1. , - - v - NIL K.. E M W V W 1 , '-, at . X A X, -any ,gy I Q, . 95, X , 4 .ffl-L' - ,tl I 4. ' Y A . .-.N y W Q ,. I Q . ....- - If A .ago ,' Q 'Ns frm- ,J 'U-' t. mp M V .' ,, 5'7 , dl , ,' -- V v , p, 1 'K ' 'I . N e W f -I 'fl' . l fy ' 1. -, Q, :lj 1 ,- , I-1 Q H -' fffv- . I , I I .ag -' ., Uh e. 'ji ' A ll ll I rl .. fn!! tt,-. , G, . ,- 4' ll 4,1 . U .em l gf: fl I ,I ! 9 S 9 1 7 . . . , SUSAN M. ROCKEY CLASSICS Seagull, you're blushing again! Well, that's you. Susie May, Master Boogie, Lucy, Elmer Fudd, Mame and Rockey Raccoon. Remember the Roman Banquet - could you ever forget??? Above all, you're my friend. Friend encompasses so many things: laughing with you, yelling at you, crying with you, worrying with you, and talking with you . . . We have so many memories from our four years here. The times we made faces at you singing in choir, the tango you did on Charlie, Sir Christopher hung on your door-knob, all- nighters for our art exams, the pictures of us with Margaret Chase Smith. You've often said to me, We're getting old. True, but you will never be old. Nobody knows me, not even myself, is now an infamous line. Few people may ever know you as well as a couple of us do. All I can say is that others will be missing a lot if they never meet you. As a sentimentalist I'll say that being your friend is one of the nicest things in the world. Take care Susie - see ya! Winter, spring, summer, or fall, All you have to do is call, And I'll be there, You've got a friend. Carole King FELICIA SATCI-IELL FINE ARTS To dance IS to move to sense to know to feel free to be aware to have control to be alone and to be together to celebrate the Joy of llfe. .fx Ng I , . FAYE WILSON RELIGION STUDIES If you could put . . . A tremendous smile and crazy hair Eyes that laugh and cry with you Pancakes and a cup of ice and love in one person . . . you'd have Faye. Romans 13:7-10 Discharge your obligations to all meng pay tax and toll, reverence and respect, to those to whom they are due. Leave no claim outstanding against you, expect that of mutual love . . . Love your neighbor as yourself . . . IEAN STOKEY BIOLOGY Q r TRACY POWELL PSYCHOLOGY .ff-4'f' V. I I, ROSLYN P. SMITH MUSIC ! VOICE You are a person of many talents no matter what you may say. The time is not now it is forever to remember. The good and the bad times. Volleyball, basketball, I-Term, Woof, singing, dancing, and more singing. It would be impossible and most unfair to try to capture those moments that will always be . . . All I can say to you Roz isg Occasionally two friends may be drawn together by an intangible magnetism - an understanding of each others heart or a delight in each others presence. We LOVE you Roslyn. 41 175- ' 'Tax BARBARA NAEGELE BIOLOGY Give me the strength to accept those things I cannot change, Courage to change those things I can, And the Wisdom to know the difference. GAYE MOORE FINE ARTS I DANCE I saw a leaf turning in the wind Funny how it seemed as though a change would soon begin I saw a leaf glowing in the sun Toughening other branches filled with moments yet to come And suddenly it was changing Reaching past the other leaves so still and green And then I fell and came to rest upon my hand And I held it and started spinning Now look at me turning in the wind Frightened by uncertainty of looking deep within Yes I look at me glowing in the sun Now I know that I'm the one whose life has just begun And suddenly I am changing Reaching out for something new, another dream And yet I know life is never really sure But I'm learning and growing Nancy Shallcross 'S' SHERYL BRYNER SOCIOLOGY I don't know what the future is holdin' in store I don't know where I'm going'. I'm not sure where I've been. There's a spirit that guides me, a light that shines for me My life is worth the livin', I don't need to see the end. Iohn Denver 'If iw 'K rf'-6 ff K 7 MICHELE MILLER BIOCHEMISTRY The rage for horses has become a positive epidemic: many people are infected with it whom one would have credited with more sense. Lucian, 125-190 A.D SUE ARNOLD CHEMISTRY According to his own version, the idea came to him in a dreamg I was sitting, Writing at my textbook: but the work did not progress, my thoughts were elsewhere. I turned by chair to the fire and dozed. Again the atoms were gambling before my eyes. This time the smaller groups kept modestly in the background. My mental eye rendered more acute repeated visions of this kind, could now distinguish larger structures, of manifold conformation: long rows, sometimes more closely fitting togetherg all twining and twisting in a snake-like motion. But look! What was that? One of the snakes had seized hold of its own tail, and the form whirled mockingly before my eyes. As if by a flash of lightening I awoke: and this time also I spent the rest of the night in working out the consequences of the hypothesis. Let us learn to dream, gentlemenf adds Kebule, 'then perhaps we shall iind the truth . . . but let us beware of publishing our dreams before they have been put to the proof by the waking understanding! Kebule Memorial Lecture FRAN MATTHEWS BIOLOGY I shall pass through this world but once. Any good therefore that I can do or any kindness that I can show to any human being, let me do it now. Let me not defer or neglect it for I shall not pass this Way again. SUSAN KRAFT ECONOMICS y.,-I f,,f ,-'f LAURA PRITTS PSYCHOLOGY Laura Prltts IS a lot l1ke everyone who has spent any length of t1me at Wrlson College She 11kes I 8: P New York p1ZZ8 Robert Redford chocolate chlp cookles and sleepmg t1ll lunch t1me on Saturdays However the best way to descrlbe Prltts would be to say that she IS One of a Klnd She IS the only one ln Wllson s hlstory to exper1ence a Pathmark hold up Cas a v1ct1m of coursej the only one to send her Spamsh notes to a iiery death ID her haste to answer the second floor Davxson pay phone and to own a plant named Florence Pr1tts also has the only or1g1nal orange blrd doll the only strmg bean T shlrt and the only mother who sends glant s1zed brownres at regular mtervals All these thmgs make Laura a wonderful fand sllghtly crazyj person to know but the real One of a Klnd characterlstlc IS blgger than the sum of these The greatest thlng about Laura IS her concern for the welfare of others I-Ier concern has been apparent durxng lnnumerable hours of hstenmg to worrymg w1th and adv1s1ng her fr1ends But probably the most obv1ous expresslon of her concern IS her love for chlldren those whom she has already taught and those she w1ll someday teach She loves and appreclates them all especially those who need 1t most Its too bad Laura Pr1tts IS One of a K1nd We could use a few more l1ke her 49 . r F' .ff-Z 1 W: '. Q rh X g ' . e 5,5 A.. , , -'-u-1. ..- - -. - ., . . N A 1 .. cfy L, ' Pavf- .. V-z . - V, 4.3 ' , , 1 v 1 4 I , n U Q n n I 1 ' ' 1 1 , . 1 ' 1 ' , ' ' - I 1 1 ' - 1 . . , . . . fl' eff! PALMA WILSON BIOLOGY Sometimes I get lonesome for a storm. A full blown storm where everything changes. The sky goes through four days in an hour, the trees wail, little animals shutter in the mud and everything gets dark and goes completely wild. But it's really God - playing music in his favorite cathedral in heaven - shattering stained glass - playing a gigantic organ - thundering on the keys - perfect harmony - perfect joy. Only you and I can help the sun rise each coming morning. If we don't, it may drench itself out in sorrow. You - special, miraculous, fragile, fearful, tender, lost, sparkling ruby emerald jewel, rainbow splender person. It's up to you. Would it embarrass you very much if I were to tell you . . . that I love you? Ioan Baez What is REAL? asked the Rabbit one day, when they were lying side by side near the nursery Sender, before Nana came to tidy the room. Does it mean having things that buzz inside you and a stick-out handle? Real isn't how you are made, said the Skin Horse. It's a thing that happens to you. Then a child loves you for a long time, not just to play with, but REALLY loves you, then you become Real. Does it hurt? asked the Rabbit. Sometimes, said the Skin Horse, for he was always truthful. When you are Real you don't mind being hurt. Does it happen all at once, like being wound up, he asked, or bit by bit? It doesn't happen all at once, siad the Skin Horse - You become. It takes a long time. That's why it doesn't often happen to people break easily, or have sharp edges, or who have to be carefully kept. Generally, by the time you are Real, most of your hair has been loved off, and your eyes drop out and you get loose in the joints and very shabby. But these things don't matter at all, because once you are Real you can't be ugly, except to people who don't understand. once you are Real you can't become unreal again. It lasts for always The Velveteen Rabbit J ra ' Ev?- . .X gg.. LINDA WELCH SOCIOLOGY - PAIGE ROBINSON PSYCHOLOGY Someone - to talk with to dance with to sing with to eat with to laugh with to cry with to think with to understand Someone - to be my friend. Ha, my friend Paige: fPooh Bear . . . Giggles . . . and assorted other namesj. She teached you to laugh, she loves Glenn, she loves trouble and Monarch. Love is expressed in many waysg through wordsg toughg warmth of human feelingsg and is shown as affection: respect: discipline: sharing: concerng and caring. Paige is and does all these things, my dearest friend Pooh is love . . . and evokes love from those whose lives she touches. So it is with love I write this . . . Love, Benn BECKY LONGENECKER BIOLOGY There was a llttle turtle Who l1ves 1n a box He swam through the puddles And he cl1mbed on the rocks He snapped at a mosqulto He snapped at a bee He snapped at a mxnnow And he snapped at Becky He caught the mosqulto He caught the bee He caught the mlnnor But Scott caught Beck kee Turtles' Turtles' Turtles' That beautlful long blond ha1r and 1nfect1ous laugh sparklmg eyes dedlcatlon level headedness her l1ttle Hornet Iuanlata and Scott the Bump That s our Becky' Bless you Becks may you always be happy you ve brought us all happmess . . . , ..- 1 1 1 1 1 ... ... . , .. , . ROBIN HANNUM ,ffl X ,mfgr JI ll: ,.' 1 fit, Vp. - ,saw QM, I V DES 'lag T 'xx - 1? 6 fb X , N if .VV ,. Q I 4,. L ms. a if my S If A Q L ...gl 'X PSYCHOLOGY It's really a Wonder that I haven't dropped all my ideals, because they seem so absurd and impossible to carry out. Yet I keep them because in spite of everything I still believe That people are really good at heart Anne Frank CHERYL ANN WILHITE ENGLISH If one advances confidently in the direction of his dreams, and endeavors to live the life which he has imagined, he will meet with a success unexpected in common hours . . . If you have built castles in the air, your work need not be lost that is where they should be. Now put the foundations under them. Henry David Thoreau CELINE MEEHAN BIOLOGY We have lived not in proportion to the number of years we have spent on earth, but in proportion as we have enjoyed. Thoreau , :Id N I ll ff ANNE MARTIN HISTORY The process of writing a book is infinitely more important than the book that is completed as a result of the writing, let alone the success or failure of the book after it is written. In writing the book, I am living, I am growing, I am tapping myself, I am changing, I am synthesizing, I am struggling, I am producing. Yes, I am living . . . T. I. Rubin 57 The deepest feeling always shows itself in silence. Anonymous There is no quarrel between the Humanities and the Sciences. There is only a need, common to them both, to put the idea of man back where it once stood, at the focus of our lives. Archibald Macleish CAROLYN DEMAREE BIOLOGY X RELIGION STUDIES ANN E GILLINGHAM MATH Love IS patlent and kmd love IS not jealous or boastful lt 1S not arrogant or rude Love does not 1ns1st on ltS own way lt 1S not 1rr1table or resentful lt does not rejolce wrong but rejolces IH the rlght Love bears all thlngs beheves ln all thrngs hopes all thmgs endures all thlngs Love never ends so falth hope love ablde these three but the greatest of these IS love I Corlnthxans 13 4 7 8 13 59 H . . . I . . .. . 1 1 - 1 - 1 1 1 - --- 1 1 1 1 ' !! 1 1 1' v , 5 I g , if fi nemesis: .e 'ia MALEE BRICKER MUSIC ! HISTORY The kingdom of God is here on earth today The righteous government that we all have prayed for so long Thy kingdom come, they will be done on earth . . . Open up your heart so your body can feel it. The paradise lost to the paradise regained. We have so much work to do, let's unite and help ourselves grow into the God-like condition we need so much. VVhat good is wisdom without understanding - Wake up everybody!!! Be lions roaring in forests of knowledge Whales swimming in the oceans of'life Baha'i Scriptures If a man does not keep pace with his companions, perhaps it is because he hears a different drummer. Let him step to the music he hears, however measured or far away. - Thoreau f,'7s ' Shun- 1 J lr ' . w. ' Q--3 ,L 'R' 5 vs N Y , 5 IUDITI-I K. CUMP 11? CAROLYN FISHBURN GERMAN Freut euch des lebens. - Enjoy your life. As soon as you trust yourself, you will know how to live. Goethe Up on your feet! This is no time to tire! my Master cried. The man who lies asleep will never waken fame, and his desire and all his life drift passed him like a dream and the treces of his memory fade from time like smoke in air, or ripples in a stream. F HI -X 1 AN! 'n'F1.,'f 'bl' .I Rl 1' P lf4'a MELISSA GEHMAN POLITICAL SCIENCE IAN GRIEFF ENGLISH Mother Ian - is bread and water too much to ask? - Have you a license for that minkey? Her domestic duties are beyond belief! Take her room for example . . . fahemj 5,2363 5, 237, and counting - Oh! mustn't forget the Fort, and Maxies, and West End, and, and, andggg. Her dedication - Ernest was important . . . 88 hours up to 15 minutes before show time. Remember the Scheisterkopf - speaking of German - another year? Another alarm-clock, maybe??? I only buy those magazines to read the articles. Boxed-In Ian? Well, all in all, it was a very Rocky year. Here's to the next one!!! signed, Anonymous KEITH NELSON VF' jl f, , , Nb-Q-..'..,,. ' SUSAN BORZAGER 66 xx ' ,. ,V I AALA n - -if ' 131-- ,u., . . 2 , lf, A I in ENGLISH What now? all these years spent struggling within my cocoon, fighting, tearing waiting for a birth of freedom . . . and now i find it has unfolded, easily and gently, in it's own time, and i stand motionless - hypnotized by the beauty and colour of my new freedom wings. Ioni Geiser MILLIE CRAIG PSYCHOLOGY mn? Q? 'T' , 1 f 1 fr , U , 4. ' . ,,1 1 ,i . 4 4 ii, , 4 E , 3, Oh my God Dr Dropp' E M organic chemistry Beltsvllle comparative ca canoeing hockey and a m1ss1ng tooth Southern Holiday Central Penn to the hard road and back? lacrosse left handed? A A Casey fthe wh1le chevy s back ln townj Sambo Beech Boys Amerlcan Graffiti Lakewood vodka sours for should what be harvey wallbangers 'j DELONE' a monkey and a chlqulta banana only kidding dough g1rl who s boss? where s your other hald? the bridge walks w1th Pygmie at 2 AM yearbook? Executive Council V P W C G A Roberts Rules of Order fern corvettes green eyes and a smile Y UZZY IARLENE UZDILLAJ BIOLOGY WELL, Uzzy, where do I start? Very few people have had the chance to get to know you as well as I do, and I'm grateful for that opportunity Somehow through all our stubborness, misunderstandings, lights and arguments, we've become the best of friends We've had good times along with the bad, but we've surprised them all by roommg together longer than they expected I will cherish all the memories and I hope you w1ll do the same Take care, God bless Love always, Sand , . .... . ' ' ' ' t... guarding the banner in K.S.'s room . . . Yucca . . . ice cream . . . Captain Fantastic . . . Barb's air v . X K , . 1 ii, fl .l 1, V V f -1 SX , ' 1 . . '- I If . 1 . X Q t . I in ' C I' if A l '- i IB H -FN. I s s N- X - .gl . 5 X ! 1-ut' no O41-q..sdse DEBORAH G. DOHL BIOLOGY Suppose you go to bid farewell to your friend who is setting out on a journeyg what other outward sign do you know than to shake his hand . . . ? There are some things which a man never speaks of, which are much finer kept silent about. To the highest communications we only lend a silent ear . . . In human intercourse the tragedy beings, not when there is misunderstanding about words, but when silence is not understood. Henry David Thoreau 70 IANE E. TOPLIFF RELIGION STUDIES I sit beside the fire and think of all that I have seen, of meadow-flowers and buttertlies in summers that have beeng Of yellow leaves and gossamer in autumns that there were, with morning mist and silver sun and wind upon my hair. I sit beside the fire and think of how the world will be when winter comes without spring that I shall ever see. For still there are so many things that I have never seen: in every wood in every spring there is a different green. I sit beside the fire and think of people long ago, and people who will see a world that I shall never know. But all the while I sit and think of times there were before, I listen for returning feet and voices at the door. I. R. R. Tolkien, The Fellowship ofthe Ring With love and grateful appreciation to my Mom and Dad who've worked so hard to make this possible. 71 MINGLI WANG BIOLOGY gnu- ! -Q-49' ' ...Q -tp 'K X .xt 4 72 LYNN SETZER What IS Real? asked the Rabb1t It doesn t happen all at once Sald the Skm Horse You become It takes a long tlme Thats why It doesn t often happen to people who break easlly or have sharp edges or who have to be carefully kept Generally by the t1I'I'1C you are Real most of your halr has been loved off you get loose ln the jomts and very shabby But these thtngs dont matter at all because once you are Real you can t be ugly except to people who dont understand Margery W1ll1ams The Velveteen Robblt sa - 11 1 u 1 11 - - . ... , as - 1 - 1 . . - 1 1 ' 1 1 11-- . . . . , 1 I 1 9 1 1 11 1 LAURA LEWIS ECONOMICS I FRENCH pl I+ Ui What can you say about a girl with a name like Zoois who comes from Wilkes-Boo? She's a wonderful friend and confidante. She is also the one who shuffles to your door at midnight after an evening of studying. A light - a guiding light - a light guiding from boredom to laughter. Laurie, what would we do without you? Who would pick up the pieces and put us back together? Zoois, our prayer is for your happiness. Hang on to your hopes, my friend, That's an easy thing to say, But if your hopes should pass away, Simply pretend that you can build them again. Look aroundg The grass is high, The fields are ripeg It's the springtime of your life. with apologies to Paul Simon DULCIE SUMNER BIOLOGY ! FRENCH I will meet one day the joy within me that dwells behind the screen of light and will stand in the overflowing solitude where all things are seen as by their creator Rabindrananath TAGORE 75 -, -- ' -. P' '. . .- 14 ,- e , ,, .N . UW A- 5,1131 I ,' f I -1.1- .Q if ,, ' ' 1.4 -'4 f K. 1 - .,4 ,i t , I fin , -3,-tr i-5. - . UTE MAISL Like a winter-weary bear, I lumber from one era To another, tired of my life Of security, yet afraid To shed the insulation That shields me from The waiting future. Weary of sleeping I May be, but also pleagued By laziness my winter desire Simply to relax here Conflicts with my spring Desire to grow into My potential. Paula Short GERMAN I SOCIOLOGY BETH VON GALAMBOS ' HISTORY G .5 X fl ,i Q! '. 1' 3 u 15 ' 'F-L Li 1 I LYNNE FLANDERS 78 A I I f! 'l' 1 1' I bf U -w u 1. ' A Y . 3'-fm. I If A . . , I-. ' ,' . ,V 4 1-'P .I v , A U ' If ! .1 .n J' - i 3' v iz' f , A A 4 .R in O 19,5 ig 1 I If f X A N 'ifffl V ' .mg H H in H: Y O D Pnl X N I ff 1' -f-. l :Fx SOCIOLOGY The journey of a thousand miles begins with a single step. Lao-Tse IANET LEE SCURA ECONOMICS '9'.:' Fuzz is nicknamed for her hair, but she's known for being the Walt Frazier of Wilson s B ball team. Hey Fuzzy, crow for us. A twinkle of mischief in her eyes and hilarity in her laugh characterize Ianet. She loves to have a good time yet she does have a serious side to her when she wants. Mostly though, she's a friend Anyone who can say that knows yust how much it means. Fuzzy, you're special in the nicest way and we just wanted you to know. You make me smile You make me sing You make me feel goods everything You bring me up When l've been down This only happens when you're around Stevie Wonder PAULA TAYLOR BIOLOGY Duty, Honor, Country. Those three hallowed words reverently dictate what you ought to be, what you can be, what you will be. They are your rallying point to build courage when courage seems to fail, to regain faith when there seems to be little cause for faith, to create hope when hope becomes forlorn. General Douglas MacArthur N 5- nt f . ,1' . W 81 I if ZY 9 1 5 'E 4 is 5 3 5 2 A E 5 Q :I ii 'vi -3 Qi 25 K 3 3 5 5 QE 5 2 22 5? Y 2 'W E 'if S. LQ - x S EQ 52 In .n-, -ff'-ff - - 'Q4'i-'nf' i ii' .g5:gffg,u VJ. , ,. N12 ,, . ., :XZ -. f ,.. IQN xf' ': . If Wm. 1.- 'n .53 .uw ,, ! ' . v. H. f u ,J ,.,..'g, .nrf-:Q V Kiwi' 4- .1,-3554 Ax il . ,, x- fre KT A f - r i I i x L i V i + + w President Margaret Waggener Marion McAtee -- Donald Bletz - F ' falter ichols w 1 :MH www umm u u w Wx .iw V' 'L ?ssy'LWY5',k'14f ' Emlyn Edwards Iosephine Harris Helen-Lee Iones Walter Nichols I MEF' I ibm xxxx ' vw gg ! .J ' nf' 4' 4 .H I T :A -- 1' xlbx! . I h Q Q wg- ,I . W sq 3 FINE ARTS Trina Collins 88 .om , ir., Ginger Secrist PHYSICAL EDUCATION 8,11-fw ng PSYCHOLUGY ECGNOMICS Glenn Gould ..r '. 1 v v F Charles Farris 90 0' if Q X -'v 1 1 ,,, 5 1 Lf - Richard Hihn MUSIC 1 Diana Iglesias Sharon Ghertman gf li r .Q-.-..m:. Suzanne Gillotte B1 FRENCH 5 vl I . lol In v- . M, IH' n X r I 'C+ 7 In I X 1 ' I' 'Zn it I jf ' fi ' 1 I x, I Zffl l I I X, X., Mk I - , M. RELIGION STUDIES Raymond Anderson Harry Buck HISTURY Allan Iudson Helen Nutting . !. f ' F l EDUCATION Charles Long fSue Willis 81 Io Nicholsonj SGCIGLOGY Alice Brurnbaugh Barbara Cashion I N Y JXFSWEAN 'IWW' W ' ' M T5f'ii 'vmii ' MMM!! 1 ,Was is ,- , as. :ja , , - xt 12 ' ' QI I F 1, . 7 ,, 1 X . GERNIAN it Laverne Buckles Iosef Kellinger FAMILIAR FACES I3el1e Bunny A L. 1 ,. fi Barb Rotz. Mrs. Edwards r Miss Boyd ENGLISH Iames Applegate Godfrey Gattiker Eleanor Mattes Doris McCrosson cmsuou M CHEMISTRY L23- Louise Morack Austin Yingst n i.s..:-,- fi' M MATH yi! . Q, Walter Portman 9 f Edward Hogan 97 M .La -4-.-, hnhkl I I G n Y 100 1 .,, ,- 011-H-:nun Q v .,. - :- Iz- , t .-', I' , ' , '41 5 V, - . f'f7'f2Lf'6'W'-'. ' 57,-Q rl' ff 1, - . , 9-'- N f f .. w -1- 'fl' I K L lla I 2 3.14 411- 5 3 A 5 3 5 9 4 z Q li 3 N 5 II 'X g, f2 52 3 :A P1 Q 9 L L.- ,X 5 if 12 E2 5 'a 5 1? H. 5 X I if -X 0 FIELD HUCKEY - Y , 'lv' 1. A. fl I , ' 1... A 1- , -1 : .. L 1 -. , 4 . X, ,' + PM if 3 4 E. fvcfi:-X . -. ' .. 1 Cindy Comstock Karen Devey Lynne Flanders Ginny Graham Kathy Haines Suzy Heald Karen Hedden Barbara Hook Sarah Hunter Cheryl Ingram Kim Kirschner Wendy Livingston Karin Lund Madlyn McPartland Debbie Messimer Audrey Sharp Sherrie Snyder Denice Steohenson Linda Suralie Waraphan Thoopthong Patty Todd Athena Varounis Ianet VerPlanck Leslie Walker Lenore Williams Terri Yeager Marlys Palmer, coach 1 0 10 fy l Q ls- 'Cf 'U I -i if v, BASKETBALL Lisa Bivona Annette Cutino Karen Devey Pam Dudeck Karen Hedden Laurie Hoffman, mgr. Sara Hunter Cheryl Ingram Wendy Livingston Sandy Moul Ianet Scura, mgr. Audrey Sharp Denise Stephenson, mgr. Paula Taylor Warapan Ianet Ver Plank Terry Yeager Ginger Secrist, coach 1 NEREIDS ..- i . 'f D AE? is as .Y ' 4 TENNIS Q Katherlne Stlne jane Sp1cher Laurle Hoffman Paula Short Audrey Sharp VlCkl Sldotl Peggy Hock Lmda Surahe Lynn Flanders Ett MacAtee Cmdy Strobel L1z Thompson Mehssa Behm Trudl Warner Maryellen Polvmo Mrs Burns Mrs Wmgerd x Q5 . A 'aa 4213 xt . , , I Y . 0 , 5--.' 'N 'qi I Aw!-,.f .9 .X A ff.. - ' I 5 f f fb L x , - :F , ' ' I ,Ev LACROSSE Delone COODIS Klmmy Sue Pygmxe Amta Llonel Hedly lebba Nebltts Hamas Cheryl The Brezhe Oscar Prlde of the Marmes fAlyce Maej Buff Bxg Mo Gmny KD. UZZY 11 ,J Q ., E- J vs ' N1 .1 Q. 'ig an it 9 .. ' J ' 1' 5?-Iigici. A Ku! gn uh ,, -1 I s jk .I , I Lila f D .., fy 4' if 'mg 'ff 6' f ' V E ,V W' Q.. Q. . 1 fi 'E' 6' Xi- f m .V I l' 'Y , WZ 7-N -v. 5 ' I if ' 5?:'.. 1 , ,-ge .,,,' if Nl. U 44 Q- .- ! ' Q 5 dv F' A I P ,Q ' ff' - .. 'N L' G-fu -,an .. 118 ,A 4.43. 1-.. -1 7 ' . ,nm .., 'S 1 ,ig 4 ..--iq 5,5 1 Q.- 5 . Av gr,-. ,- 119 i. 5- 2, E L. 4. p if P 4: 3' -z . ..x , , Q x M A Q Z Marion Burke, Elpi Christiluides, Rhonna Applebaurn, Wendy Livingston, Sarah Hunter, Athena Varounis Barb Serdy, Sarah Hollett, Ann Brooks Cindy Lomax, Debbie Kane 2 'Q AFTER U4 Karen Hedden Kathy Haines Cathy MacKorell Sue Pascoe Karen Savidge Marie Lanser Clare Morrill Who's Missing? BEFORE BEFORE AFTER Trudl Warner Alyce Mae Smlth Tom Lee Rudmckl 125 Sandy Czibik Nancy Blankshine Betsy Coen Diane Gaborc 126 l Marcella Tiller Io Nicholson Dawn Franklin Holly Harvey ff' Bev Maher Benn Matthews N Q N 1 ':?.,h- . ., fn .v ,. ,O ,Ig Va, . yflwtsl- -'Rf ,w X x . . Nz- 127 Eileen Weir, Sarah Beiber, Maureen Mulhurn 'in- X, :if .X W .As in Robin VanDi1len, Deb Houtz I. , I V .,i. -if-f--.-A-7f--f- ' ' f - . , ' , ., ' HV. 'YP 1 ' I r- '- hz' . - - J . , -- . . 4' .. A Class Ofhcers Pres Audrey Sharp V P Llsa Bxvona Sec Suzy Heald Treas Betsy Clark I B Lenore Wxlhams I B Pam Schrelber 1979 'G U YQQIA aff' Jww Q ,eu PQ' Lauren Knudsen Leshe Murphy Iosephme Benmcasa viii: 1 4 , Q5 ' Q Q Hkx ' Mi 'Q A C f ,fm - u - - -, I wg Q , f . --.-. 4 .L Q f , H U 1 , - 31 'ww-Pvviaaa. . . ' ' ' ' Q '1 h -V-rl: 1 ' . . 3 I A ' ' . 5 , i . . .. -Mb. I 732: . X Y V - ' ' 4--hr Q15-an-A ff, 1 . ' k ',,. '- - 3 Y 'Six'-Y 1 - su- ' rf A ' . . F 3 , , W X -Y' H' Y - 1' U I W 13 Anne O'Brien, Sabre Pickett, Katie Gilmore Shirley Maxwell, Kathy Safran, Gwen Cherry, Karen Arigot, Terry Waclawski Katherine Stine, lane Spicher. Squirrel Eggiman. Lynn Feliziani, Renita Romasco I Margie Spede B, 1. Hook, Sue Hayward Leslie Walker, Cindy Knappenburger, Wendy VonP1insky, Gill Shuman, Laurie Hoffman, Chandi Amarasinghi, Leebee Hassler 132 Ioyoclyn Brooker, Iulane Brown, Iulie De La Guardia Linda Suralie, Gretchen Thompson, Wanda Hunt Arllda Elskus Kathy Mcliormlck Mary I-Iendrlrks Debble Mackall Sara Worken Martm Sara Iordahl Comme Onyuke IoAnne Baker Betty Messier . . 1 v I 1 u 35. I . . w I . 49 . N , , 'I V . M . -4 V A.,1.,,t '-,-M6 'if ..-L t ' ,- - -., ' ' -'Q-I. a,, 1, 1.3-:,'.1', in H - , ,. g., nj. - qi J,',..., ' . i u 2 ' '41 'KE 5-.If P' w i g, ' I Q i LM I :,,+::. I n The Wilson 'W' Suzy Heald Cindy Comstock Lenore Williams Phyllis Clark Sherry Snyder Karen Iones 134 Margle Halpme Betsy Clark L1z Hull Lmda Wh1te1y Madlyn McPart1and Lmda Peirce Laurle Covert Martha McCurdy Dee Pulasky Cheryl Bauman Karen Devey Kathy Corcehus Waraphan Thoopthong Haynye Cehlkellxogler Audrey Sharp 136 Sarabel Ryan Ianis Kauffman Tina Krauss Kim Minor Beth Ganse janet Ver Planck Sharon Salazar Kerry-Kathleen Reilly T 1978 1 Q N - of . wha, L.r', L. ,, Stephanie Shoemaker Ett McAtee Percy Worall Leanne Roberts Paula Short 56.4 Q. 137 Barb jackson. Denice Stephenson, Cheryl Ingram, Viki Sodoti, Cindy Strobel, Ianet Weismantel, Linda Schnell 1 . F -'YM - xx, Anita Kline Ienni Rhodda 138 Ianice Brissette Beth Von Galambos Sara Fairbanks Ute Maisl -'l A ,f S' . --5:25-rf M- 140 if I If ll ss ss 5 I v . , ss zz w a a ss ss H 2 as 'W H. -2 H H -222 ww-1,Hg-igegwgwggiami H H H wasP-wwf4?Mgimsagzigiwi-Mafia-WT www H N 1- E- .H H Hymn H'-H. fM:wawQM?E?sf'-sl N W H W-wig Hawk-Km M'-WM mum Www as --E -Q H- M 5 H -1 Q1 Q HM .H smiwmwn EHS B HH H B-V-EYZZKIV-W 2::-Q-:B--A-ME-A'Nr,.HB B-V-B-W - E H- Ki E H mn W m'E 'E :Xi WE- E N H mmg.M.pfM:.nM.,gm,..HM.ww. Q. . H HM H M .Q E X H., .M M. :Www- H. Q an Mi2Q4BC4.:fLQ.ggQ-Har www ,img Q -wganff W M H H wg v-M lf E E Ki Qui 'kvtnfimg WHERE gfAH2'EE Eimxgli- HB9-E Ki E WE, Kuhn B HR Emnlxxwq A-H m' 11-an-gg WA 1 u,,H'5. Emi U12-:,.-:.M M .gm ,M mm - ,I G,,,,,'1 .S BZ A f .Q -Him .,-M .,,. g .dw . . . . H, H: - -gm-s'2,,Y:w,g Vwwfsw .N S-'Q H Him- ,,f ,, U fy -,Mi-1. 4 igy .HM '-:J 63? TM 'FZU ' auf Evg'-mmf. X ' .Us 'x1. 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E ng MM mW,,..,M-M EIB? mximwmvl?-B55-QEX-.iv--X95 ,EL -aiming WHERE-.Waxman I mm ii HHH N EFI:gs:M-Qmm5imf:E.5' -E E-H Ei Ng QggizwlQ3-5Q:ESQFEE2ifQ,iffMfgawjwugmgw.5 Q - mmm mm gmZ5'gw:mFmEa1gMm a a ,-wmmss Minn-mM:,.mWss ss a ss ss H ss 1.4 nm ss ss' mn -:mm ss ss-f ,- AE dilwm- W :Q -B-Q ZS HE B H H mn B B BE H NLR H H B - Ev- EBV-E ---- H Q HM H H B H B -A H mi EH H H H -mn H- B- S- - Eh - BH H - H B B B H B ST N mv EH E m:M:mWi:uW--- E R H H H E E W E E ss Q Q me Wm? :EEN and Q - ss a a ss ss a a P1 ss- nw H H H 38 B- HE BE HE -H HE B B B B B B -H H HB B -' H E E E- HE HB H- B H nl B nl mx B H B BH H V' B B mu sw W m an Nam E E E E ss ss an H W a Saga .Y Ss m Kgnugm N CHOIR 5 'S fy 1 f W1-fvggf ' gag: Dr. Gould - W f Y 'J ' Karen Kisler 'H in 'L , l' A' ' 4 Kitty Shindle H3 Q lean Stokey Carol Gibson Cathy MacKorell Sue Rockey IoAnn Murray Elizabeth Bader Ianet Weismantel Denise Fegan Debbie Douie Clare Morrill Tina Krauss Kathy Haines AFRO-AM 'T- A 144 Roslyn Smith Crystal Gaskins Rene Davis Tracy Powell Ian Ford Wanda Hunt Veronica Freeman Ioslyn Brooker Anita Gray -. Karin Lund Kim Kinschner Barb Iackson Anne Zarger Betsy Clark Laurie Covert Margie Halpine EREIDS Y Q Liz Lund Palma Wilson Mechelle Chase Sandy Czibik DeSales Whitely Lynn Flanders Chuck Wilhite J Sue Kraft Laure Pritts Trudi Warner Gwen Cherry Karen Arigot Laura Lewis Ienni Rodda Palma Wilson Benn Matthews Paige Robinson Barb Naegele UZZY Paula Short Margi Halpine Diane Gaborc Ianet Scura Wendy Von Plinsky Mary Applegate Renita Romasco Toni Lee Rudnicki Ienni Rodda Io Nicholson Beth Von Galambos Sara Woren-Martin Rhona Applebaum Debbie Mackall jackie Harrison Katie Gilmore Ute Maisl Nancy I-laberkorn Sheila Hall 146 SILVER KEY I URCHESIS mai, 4 Wlfilrgir. TE T0 ES Tma Bendura Lydla Cerny Cmdy Guard Kathy Gre1der Lynn Setzer Trudx Wamer Llnda Welch Faye Wllson EXECUTIVE CCJU CIL Melissa Behm Kathy Haines Karen Hedden Sara Hunter Celine Meehan Uzzy Chuck Wilhite TH ,q W, ' ,: ' ,, 'V A- 1fIs,,f7i'Tr.-1? Q.f?7 .. . e f A.. - . yv- 6.7, ,B .,,,-,R 5 Pr: 148 KITTGCHTINNY PLAYERS 55 - 1 - -421 1 SGCI L COMMITTEE W.'q, J- P N 1 - 3 Q . 150 Win Collette Bartlinski Lee Marie Bernardo Candy Dallas Sara I-linnant Liz Hull Laura Lewis Debbie Mackal Madlyn McPartland M. I. Phelps Sarabel Ryan .4 WX- i 'Q if! 'LQ' xwi w V hmm L'f+' Y 3. A ' 1977 if 'EDITOR Paula Taylor BUSINESS .UZzy COPY Maureen' Giilmeyer Ianet Scura LAYOUT Maureen ' Gillmeyei' P i Cheryl Ingram Kim Kirschner Ianet Scura Uzzy n Q Rm W5gmW5Qf?Eii5?H?2E?S 5? E nm-5'mfLfiaMwL5 EQ H ,ww :PfP1.wfw.Y3a4,wiJeS:1- ,S Egww M mggq 'Uigbgiigf'-E my ms- 1-15.2 ya- vfhm ,. H MT55wfiZ5w,,.5.m5 mf 51Tg1.i?iu5LEgXLgE3 HE We E 1 an .Wi:,f5f5.Qf ig Q'- 1 S- ffJ-u-- -,..w1.,. Q -W3-2f11i'u. QW 'zggw-Lg? 53 3 -'Tai-'egg X . ---U., Mixifggf :FL ,- - QTQT . ww gw-gif .N Q .l. eQ -f- M W M .N ,N X. .. n-,K Z' A' 5 x in sw 1...-,im w- :H bwmlgg : M' uwig-1---W rag-ngggu K-QNX! 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M ,fwwg-A . 225:35 H, .AELNAEU -Q SZ ,ngjifvxwxx E My V ?f'g?g5?flg'5 MPS- H-f -1 'vaxiw 'vw jg-Mm Mzsxxxx ui -L sqglwwf .Dx I MiM..,.Mg-fm lm. ,Q wwgigfww. i. 4ff..... 7 -..MW ...Z .V M, , , :i.,.q.zy-gsm Ixmwf M Wixgn.. -5- -H J. -wwf WM, M .H .TV ...lbw ,M 52gQ,,,x-az Mu E Lai-3'L., TF'3.., Z ' sw-:4?i?.wfW MJ? Q .5351-WMLQQ Y - E. a.gwf:w:w-2,1 .- .5:. qw SP Sim,-.1 W ,Q ,V fl, L 5 5 Rik if 1-TA-1.H.m..x1m A---mu.--f-frwWM.WMv .-.sa Ffa-f,2',5gkJ gi 3? E,5QQ S.Un-XYDX2, TEHXMWTQX -ffjpfzgvam, min 1 W 'Z 5 Q 7 . vzmvxgiwllzggfv :g,,QM gn EFF. !F .gi.A...Ak.f'A'.. Eeifiugu-M2-If-' 5 CWS nsfvii N' ff 'H 2-fgaaizgef . mm .rs E-uuwgz-XQ' QA. .,, FWEULZDKL MQW ew . '1:?2u1'-QL-fmffw rxwmwm aww--Us :,,..,,. Q ff-w,,.r?,f., ,Q 'M EU: 753. 'H - . Xlgwx' -xxx-yn W..!.J.,,.w I M 4 ww ,VAT . mf X...,,. W . ,X Nzmufxg H 2 'W if 'M 'avi-',?S-Hu!!! m-gym,-H - ss K 1Q.f....fm E Sf mil,-M. nm mia ss-g- mg mn is-yawn xx i s i 5 x E 154 INAUGURATION OF DR. MARGARET WAGGONER r M ff - 1' H . A , , gi' ,s ff, .. mi' L:- f . , . ,L 5. Q is ... 155 1 TAMBURITZANS 156 5 , 9 6, ,.. l 41'- Zjf 53215 ,V -,-,O -. L, 1 Tm' ny, 157 15 COFFEEHOUSES 'L 1 DIXIE LEE RAY 10 A ' ,vf 11' Q3 00 NIKKI GIOVANI n N!-K 1 162. 1 X .xx X x 1 ml .L 6 Q ...- l 167 .ndgA...i. 168 . . Ii -,yr ', ,r ., .-1 -,MQ wg ' v .Q 1 w Qi. --ii'-1 .--- 169 it---, ni iv Y gg yvll 170 111-1111. 1 Sun., --tr' . . 3- I 156 .'f-,.1 Z ,7..,. I Y, .. s 3. 5' ' . 'giivvgh 4,.j,h ., .U r, 1 '-L,+w1-.'fv'- - 'H I' 'Q 1 ' '- - ,' ,, .fJ'r:1 1 , ,s ' f -4.1 . amz,-. sh if '-Yiq. ' sf ff ' 4' .rl- f' Ag. -'uv . '-.1 . 7 172 i 01 Y V ala-sl 1 f -.c ,'!'z J L -5374A ,ai 'ff 1, ' ,f., V 14A lf' - :Xl Ii .Fill 'T' ' .v-dz rr- 'Q w L IN -P ,,,, '1 -,...,i..........,..1,. .5..,Q1,.::, I 5 lr x-noun: l 1 'a ,46- 1 'W TT '-I .- .' 1,11 V 'Jlfl . WH, ,VI 514 59, 'M' '? 'l4J,4.. , I r fm-yr-.w. P AN, 'lm A I H Q55 N951 ' Q .2 MQ ,au 'M mf, Q wi A.-N A Abvfq M 53, S 4:0 Aa R 'z m i ,x '-'H rw ex! H ,Z ,QU K, ' A' ALA.. 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HPRESCRIPTIONS - OUR PRIDE 205 CHAMBERSBURG TRUST COMPANY Strong and Dependable Organized 1901 Member of Federal Deposit Insurance Corporation SMALLS THIS BOOK WAS PUBLISHED BY HERFF IONES YEARBOOKS South Main Street, Chambersburg MICHAEL GILROY, SALES REPRESENTATIVE 20 - f fm- :N ir Y , .Q 1x u my M nv V ,Q H Q ., , ,Id wk 'ix .. 1 Q ','. 1 ,. 0 , , f, A if . ,f 8 4' Q 0 0? L- 'Q .. Q-I .. Y I , Q 1.,-Q, TY 5 w L P 1 4 'as . X F. 4 if '6- r x 1 mx '1- W nv .D 1 10' T2 tgk :ff v. , F 4- ,N + , ,YQ Ii- ,-.Y . WMV' gx 0 at 3 N A P 6' . 4 I I' Willy, I , if in u iff ' ..I, ,Q ge' 5 V 1 LW.. gwirisgfl' ' ' 'N ,nilltx V, V f .QQE-FHA' , S , nam ,mix .. V bw- uf ' AT 3Z4??e?ffEi7 C. 'Hs 1- ' , I 5 9 f, , 1' 1. ,- x 1.-Ay .T ' -f'Tt Lf'1 'T .. f ' gfff' , ,V 4 ! -'1 M , .' . ! 1 'yx I f Q! ty-H4 .QQ H Q' Ewan I' I, .'- px V ' ,V L ' - A ' HM, 4,43 , 'V 4 gi ' V I I - -- l H F 1.1 .i etltxlniqy ' -- ' ' H- N . - .V M1 , 9-1 x - , Y Hx,fr'! A , , I an 1. I .. . 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