Wilmington College - Wilmingtonian Yearbook (Wilmington, OH)

 - Class of 1954

Page 13 of 156

 

Wilmington College - Wilmingtonian Yearbook (Wilmington, OH) online collection, 1954 Edition, Page 13 of 156
Page 13 of 156



Wilmington College - Wilmingtonian Yearbook (Wilmington, OH) online collection, 1954 Edition, Page 12
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Page 13 text:

RR RE” AT RnR men —«R E, B. RADCLIFFE PHILIP R. ADAMS MASON ROBERTS SIGMUND SPAETH SPEAKERS FOR THE WEEK OF DEDICATION Wilmington College was privileged to have six outstanding men representing various phases of American life and culture as speak- ers during the week of dedicating the Fine Arts Center. Philip R. Adams, director of the Cincinnati Museum spoke on “The Role of the Arts in the Culture of Today.” We enjoyed hearing Mason Roberts speak, who is general manager of Frigidaire and vice president of General Motors. Well known Quaker leader, D. Elton Trueblood, professor of philosophy Earlham College, Rich- mond, Indiana spoke on “Friends and Their Opportunity.” C. F. Kettering, director of research for General Motors Corporation, gave an amusing yet serious talk on “The Genius of the Creative C. F. KETTERING D. ELTON TRUEBLOOD Act.” E. B. Radcliffe, theatre edi- tor for the Cincinnati Enquirer, was with us Sunday to hear Dr. Sigmund Spaeth, music authority, speak on the “Role of Music in the Higher Learning.” These speakers represented to us, also, the faith that others have in the work we are striving to do at Wilmington College.

Page 12 text:

CINCINNATI SYMPHONY ORCHESTRA Thor Johnson, conductor of the Cincinnati Symphony Orchestra, brought his famed orchestra for a concert in connection with the dedication of the Auditorium- Fine Arts Center. Members of the College and community were very pleased with the concert which included: “Toccato” by Freshcobaldi as transcribed freely by Kans Kindler; “Sym- phony No. 1 in C Minor” by Brahms; “Waltz of the Flowers” from Tschaikovsky’s ballet “The Nutcracker Suite”; “Finlandia” from Sibelius’ “Scenes Historiques”; and Weinberger’s “Polka and Fugue,” from “Schwand, the Bagpiper.” The Cincinnati Symphony Orchestra rendered two encores, “The Syncopated Clock,” being the light note on which the evening of music was concluded.



Page 14 text:

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