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Page 45 text:
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Many months before the play goes on, Sherri Thomas, Wayne Grant, Will Oberholtzer, Alvin Little, and Sandhi Galloway, block a scene. Rich Iohnson makes sure that the coast is clear before he comes onto the stage. Stage Crew Back Row - Mark Tatulli, Iohn Morford, Kathy Griggs, Marlia Sythe, Sheri Thomas, Rich johnson, Wayne Grant, Lakita Johnson. Front - Thom Mayfield, Lori Doneghy, Dana Robinson, Eric Banks, Lisa S ears, Michelle Maxi, Iohn Waljker, William Whitehearst. Drama Club Back Row - W. Granet, B. Whitehearst, D. Tatulli, R. Johnson, R. House, S. Spencer, Mrs. Cottrell - Director, Mr. Cot- trell - Producer, Erin Cottrell, Terri Hargrove, A. Little, M. Shultz, M. Cook, B. Sherman. 3rd - E. McGrath, P. Viennau, D. Gordon, T. Lee, L. Siegel, V. Perotta, W. Oberholtzer, C. Hampton, A. Levine, S. Galloway, D. Harrington, I. Walker. 2nd - A. Lipson, G. Murray, M. Lipson, C. Gaither, D. Warren, M. Hampton, P. Houston, L. Ellis, L. Man- dlebaum, G. Issacs, A. Viennau. 1st - P. Henderson, L. Jones, T. Lee, F. Dutton. Ib -iu i 41
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Page 44 text:
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6 s x 9 There was almost no Drama Club this year, at the begin- ning of the term, the thespians found themselves without ar1 advisor. A long and laborious search followed. Teachers were accosted in the halls, in the classrooms, and even in the lounge, by a squadron of Drama Club representatives. Still, there were no volunteers. Finally, fortune smiled upon them. Asher Cottrell offered to perform as producer, while his wife, Claudia, fulfilled the role of director. A despondent and dispersed group swiftly reformed, and after some un- derstandable confusion, picked Sugar , a rollicking stage version of the film Some Like it Hot , for the year's musi- cal. It was dominated by the same talented group that started in Guys and Dolls and was responsible for the stupendous Gypsy, Along with two upcoming classes of new talent, they made Sugar a delightful show. There was almost no Drama Club this year. But even though they had a sour beginning, Sugar was just enough to give the year a sweet end. S x X N 0n with the show This is ith Q 5 When the director says take , members Sandhi Galloway and Amy Lipson try to relax. M' d Li son and Glen Ellen Murray rehearse their parts in the play. Chorus girls Amy LipSOI1, 111 Y P 40 Learning lines takes practice, Carla Hampton tries to make it enjoyable.
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Page 46 text:
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TREND SETTERS 7-. , .V Ha.. - ,. W. M, Early in the school year, Faculty members and visiting adults noticed a definite change in the Student Body. No longer were students satisfied to look like their peers. Indi- viduality in a Fashion sense began to become more com- mon. As a whole, students began dressing less slopilly. The change from sloppy to sophisticated was a welcome one. For some, GQery was the word, and conservative was the style. Pleated and Peg-legged pants, narrow ties, and the like were modeled day in and day out. Pierre Cardin, Yves Saint Laurent, Calvin Klein, and others were discussed daily in study halls, classrooms, and during lunch. Vogue, Gentleman's Quarterly, and Bazaar were carried, toted and torn month by month as we examined, priced, and bought items. The end of the decade was definitely a back to basicsf' time as the look of wools, cottons, and more comfortable patterns came into being. Each student developed his own style of fashion. Group identity and conformity which was common early in the decade was now gone. Most will agree that the change was for the better. i I W , U' 7 X N, f,.Vff.Vf, V X WfJ.iK4!Q 1' , .. Q Mindy Hellman is fashionable from her hair to her toes. Kevin Smith and Bob Egan hold a fashion forum in the Library. One result of the new trend was the reluctance wear their sweaters to class. 42 -- Robin Mason puts day, and Anette Ramsey opted to LTU ag .
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