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Page 26 text:
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qi .Qu 'rv ' ,.. ...NK ,M cs FIRST ROW: Phyllis Robin- son, Kathleen Patten, Doris Durham, Barbara Mager, Josephine Glorioso, Donna Kennard, Joyce Crooks, Joyce Compton, Kathryn f-M' Heckman. ffff SECOND ROW: Sally Mager, Donna Good, Marcia Fast, Carolyn Huffman, Marjorie Ayers, Marlene Meier, Mary Vogel, Nancy Scofield, Mar- ilyn Schaffer. THIRD ROW: Mary Sarpa, Doris Alford, Barbara Rex, Helen Taylor, Ruth Herion Shirley Amstutz, Alice Fran- sens, Martha Smith, Dorothy Hammock. FOURTH ROW: Lucille Stil- lions, Janice Hershiser, Ju- dith Watson, Carolyn Walk- er, Marlene Berberick, Virginia Schryer, Lois Der- rickson, Miss Agnes Moore. FIFTH ROW: Robert Blinz- . Iey, Paul Hill, Wayne Thomas, Kenneth Rex, Jack Gordon, Leroy Sayre. SIXTH ROW: Philip Forster, Thomas Secor, Delvern Del- linger, Webster Fleming. SEVENTH ROW: Thomas Geise, David Moll, Robert Bohn, Chalmer Dunbar, Charles Moomaw. EIGHTH ROW: Robert Thornton, William Wolfe, James Nowakowski, Ken- neth Hite, David Ellis. 1 T he Choir Carries 0n The Show The show must go on. This is the atti- tude of the Willard High School Choir, which has been asked to give many unscheduled per- formances and has still continued to provide the best in vocal music. Countless encores have been taken by the choir for their un- matched techniques in spirituals, hymns, and popular music. The annual Christmas Carol Service and the Northern Ohio League Festival were eagerly anticipated by every member. Under the able direction of Miss Agnes Moore, they had rehearsed many months to attain perfection for these programs. Although the choir is usually considered a serious group, rehearsals wouldn't be natural without one bright remark from the boys' section which draws gales of laughter from the girls. But gay or serious the choir sings with all its heart for your enjoyment. Compliments of Trinity Lutheran Church
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Page 25 text:
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lfor Th 0 llru rn a Boys' Ensemble-Nothing is more pleasant to hear than the rich and full voices supplied by the basses and tenors of the boys' ensemble. They add color to the musical activities en- tered into under the direction of Miss Agnes FIRST ROW: Wayne Thomas, Robert Blinzley, Jack Gordon. SECOND ROW: Kenneth Rex, Philip Forster, Thomas Secor, Leroy Sayre, Chalmer Dunbar, Paul Hill. THIRD ROW: Delvern Dellinger, David Moll, Robert Bohn, Charles Moomaw, Webster Fleming, David Ellis. FOURTH ROW: Thomas Geise, William Wolfe, James Moore. Nowakowski, Kenneth Hite, Robert Thornton. C-implimi-nt, fit A. F. Hunter Son Hardware E V Mx'e'rfi, l'ri-prwlfr FlRST ROW: Kathleen Patten, Doris Durham, Barbara Mager, Josephine Glorioso, Donna Kennard, Joyce Crooks, Joyce Compton, Kathryn Heckman, Phyllis Rob- inson. SECOND ROW: Marcia Fast, Barbara Rex, Barbara Mager, Carolyn Huffman, Marjorie Ayers, Marlene Meier, Mary Vogel, Nancy Scofield, Marilyn Schaffer. THlRD ROW: Doris Alford, Lucille Stillions, Helen Tay- lor, Janice Hershiser, Ruth Herion, Donna Good, Alice Fransens, Dorothy Hammock. FOURTH ROW: Mary Sarpa, Shirley Amstutz, Judith Watson, Carolyn Walker, Marlene Berberick, Virginia Schryer, Lois Derrickson, Martha Smith. 21
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Page 27 text:
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As they enter the sophomore year, the members of the class of 1952 find many new phases in their dramatic education. Whole new vistas are opened to them in the form of such organizations as La Clef d'Or, Hi-Y, FHA, and FFA. These varied school organi- zotions are the background of the finished stage production. No stage-hit is created over- night-it takes long months and years to prepare for an opening night that will merit the raving of critics and the public alike. , , h ,, is we ' A sss c-+ x , A xs f ,t., I FIRST ROW: Donna Kennard, Alice Lydy. SECOND ROW: Miss Maryann Dinkel, John Wallace, Mary Lee Vogel Act II - The Plot Becomes More Complicated ACT II I l i I l l l ll X l it X X l l x X' 1 I i lr l
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