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Page 37 text:
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Music should strike fire from the heart of man, and bring tears from the eyes of woman. L 'W gr'-rv 'Ex 5' ,. I -v 'L' f tix-l' ,V - i 3- .- . iv , l, if A , - - n . , ir. ll ell, .rg ' L1 .fp-' ' kd' . -I-' 4' NTC, ,' V , V 'U . I r id l Q ' ' , ' L ' A sf' T K'- K: il ' l A321 ' Eli' 'bk -. r if ', '55 ' 1Q?i'fQl. r r gf r f lllm ' Q Pianist Beverly Meyer accompanies orchestra. -Ni HQ: 7 5' T Ludwig van Beethoven After listening to the directions of Mr. Leslie Susi, the orchestra anxiously watches his still, raised hands. Upon the downbeat the music begins: music from the strings, the woodwinds, and the brassesg music sympathetic to the pulse of the percussion. Each per- former plays his own peculiar vari- ety of music. Without losing its individual qualities, his song com- bines with those of over seventy others to dress the moment with greater variety and impact than any single player could ever achieve. Orchestra officers John Tracy ltopl Bud Jenkins, and Linda Zartman add another plaque for a superior performance in state competition. , 2 E 'xl Wu LESLIE SUSI
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Page 36 text:
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Mr. Leslie Susi, second semester music theory teacher, instructs class on simple chords in bass and treble clef. Start at the very beginning . . . start with the five clean lines and four fat spaces, the black notes, the clefs, chords, and rests . . . start with these and buildg expand and construct a har- mony, a melody, a song. The course of music theory appeals to the student who is not satisfied with simply repeating the creations of other artists. It is designed for the student who wants to speak his own words and hum his own tune. His Whys are answered as new ideas are introduced. New words, a new tune, new concepts that vibrate and hum within his mind. He is released . . . able to explore a new realm of creation.
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Page 38 text:
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TRUMPET QUARTET: J. Beekman, J. Tracy, B. Hecker, G. Weber. TROMBONE QUARTET: D. Byers, D. Farrell, J . Buehler, B. Grossman. SAXOPHONE QUARTET: D. Hummel, R. Brantner, J. Harrison, D. Poulton. FLUTE QUARTET: K. Groff, P. Hatfield, C Wiles, A. Howison, S. Hutchison. 32 . ORCHESTRA-Row 1: B. Jenkins, D. Becker, B. Hightshoe, B. Flath, B. Basile, C. West B. Meyer, B. McLaughlin. Row 2: A. Weimer, P. Kador, C. Monnett, D. Rarnage, C. Wiles P. Hatfield, A. Howison, S. Hutchison, N. Forrester, J. Angel, L. Taylor, J. Gallogly, M Blocher, S. May, L. Young, S. Gillhouse. Row 3: L. Hobart, K. Hale, M. Hess, D. Thompson D. Bachman, J. Allen, D. Cahill, D. Poulton, J. Harrison, J. Pugh, L. Fosnaught, V. Nau, A Lasley, J. Fosnaught, C. Wilder, M. Ravely, B. Adair, L. Garrison, S. Hall. BAND-Row 1: S. Hutchison, A. Howison, P. Hatfield, J. Schmeck, P. Dixon, C. Cox, B Burgoon, K. Groff, C. Wiles. Row 2: L. Fosnaught, J. Pugh, J. Harrison, D. Poulton, J. Lutz K. Holdren, B. Dorsey, J. Jarvis, V. Nau, A. Lasley, J. Fosnaught, S. Melton, J. Gallogly L. Taylor, J. Angel, N. Forrester. Row 3: J. Brown, D. Cahill, P. Beall, T. Hinton, D. Mor rison, P. Barker, D. Lamp, R. Jones, B. Hatfield, K. Woodyard, B. Moore, D. Horn, J. Nord Strom, D. Hummel, C. Howard, D. Cook, C. Pearson, D. Garner, L. Little, R. Brantner.
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