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Page 28 text:
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With a tranquil mind I abandon the written and spoken word And find deep contentment in the joy of illumination. Liu Tsung-Yuan jf' Before modelling, Dave Hatchett works air bubbles out of clay. N45- ' q-11-1 As checker, John Richardson is responsible for clean-up. 5 Mr. Teichert's chief means of instruction is critique. ,113 -4 Richard Teichert
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Page 27 text:
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X -.,, 1 Sophomore Cynthia Makey concentrates on straight, A-producing seams I fr- .wgm if so 4-,A -AVVV , , .. A , -:..g,:V u-5' if' 2 'f-.wid F 'f .gsv - qw, , , , . 2 my uv rw if E : : ' 121 'VY J' u H 'Y Q if 2 , . .i- v- ,z 5 t. . q si 1. , M N if. 5. W I ' giving ' .x Susie Barnhart tests for straight grain in the fabric. 22? wwf wi, 1
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Page 29 text:
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Art is a discipline whose rules were established centuries ago, an occupation that needs no further definition. Its media are paint, stone, and a few other materials similarly sub- ject to adverse changeg its terms are visual imagesg and its orienta- tion is toward the specific and the tangible. Art is not immortal. Artists try to immortalize paint or design or beauty. But canvasses will even- tually rotg statues will crumble. All that men can do in their art is to bear witness, in terms commonly understandable, to their ideal: to their own idea of beauty, to their own faith. Such testimony was the divine purpose of the masters of Ancient Greece and the Renais- sance. In order to attain mastery, an artist must have the perception of a scientistg the freedom, precision, and absoluteness of a surgeong a disposition inclined rather to sym- pathy than to bitternessg and a faith that inspires his accomplish- ments and contains the failures of both himself and his culture. xx. -X Left: Art Club president Jeff Wolfe views one of the movies which highlighted Art Club meetings. Middle left: Susie Davis models for art students. Bottom left: Chris Harte, Lora Lampson and John Richardson study Whetstone art. Below: Lora Lampson regards Jon F1-ost's self portrait. .- gl 3 fri 'ri A'
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