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Page 75 text:
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llllllllllllllIllllllllllllllllllllllllIIIIIIIIIIlIIIIIllllllllllllllllllIIllIIIIIIIIIIIIIIlIIlllllllllllllIIIIIIIIllIIIIllIIIlllllllllllllllllllllllIIIIIIIIlllllllllllIIIIIIIIIIIIIIIIIIIIllllllllllIlllIIIIIIIIIIIIIIlIIIllllllllllllIIIIIIIlllllIllIIlllllllllllllllllllllllllllllllllllllllllllllllll mulIn1unumunmulumnulummumlnnllnnnumnnmmuuluunuuInluInx:nummumlumuunumnnmmImunnuulnnnIInnnnuIImmluuuuInulummmuumuuIuulIuIlunllmlllllllnlmmmmliulnmmmnlmnllnlh Zlfbe Merchant of enire That each junior Class should give a play, is one of the ordained facts of Wheaton High. We, the junior Class of 1917, arrogated to ourselves so much talent, as to feel that we could successfully render THE MERCHANT OF VENICE. This was given April 20 and 21, 1917, at the Masonic Temple. The class seemed to realize that hard work would be necessaryiin order to make the play a success. Practice began early in November and continued unceasingly until the play was given. The stainless character of Portia was excellently portrayed by Caroline Waterman. Every 'move she made was one of ease and grace showing her self-possession. Her fair complexion and gentle voice made her well suited for the part. The opening of the caskets by the suitors of Portia proved to be of unending interest to the onlookers. The sincere and fearless Bassanio was found in the person of jude Gary. He was very ardent and courteous suitor. Well we know the hardships he endured and the agony he was compelled to undergo to earn the hand of fair Portia. , Antonio, the Merchant of Venice, was Walter Pearson. His dignified carriage and clear spoken words gained much praise for him. Slhylock, the greedy jew, taken by Paul Mitchell, was enacted so well that one forgot he was witnessing an amateur performance. His whole soul was thrown into the character which resulted in a living Shylock. The actor's talent was best shown in the court scene. Hazel Wallace, took the part of jessica, the beautiful daughter of Shylock. Her winsome manner and absolute fearlessness won the heart of Salonio. Nerissa, the waiting maid of Portia, was no other than Myra Conyers. Her constancy and unending devotion to Portia was wonderful to see. Amusement was furnished the play by Launcelot Gobbo. Of course that was Lester Holt. His impetuous maneuvers were so original that he kept all wondering what he would do next. .Color and motion were given by the graceful dancing of the attendants of Portia. Solo dances were artistically executed by Bernice Douglas and Mildred Karstens, dressed in flowering Grecian robes. The spot-light threw varied hues upon the graceful dancers, transforming the stage into a veritable fairyland. The play ended with a grand finale with the entire caste upon the stage. How could we, a junior class, accomplish the successful staging of Shake- speare's great drama, THE MERCHANT 0F VENICE? The answer is, Mrs. Jewett. . With her excellent judgment, wise decisions, untiring devotion and skillful training, she made the production all that it was. To the teachers who gave their loyal support, to the Public who responded so generously and to all who helped to make the play a success, we, the Senior Class of 1918, wish to extend our thanks. -Frances Vallette. lllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllIlllllllllllllllllllllllllllllIllllllllllllllllllflllllllllllllllllllltlllllllllllllllllllllllIllllllllllllllllllllllllllllllllllIllllllllllWlHlH lWlllu lllll WM ll lmmWllWWllNWHWU I r ' '22f1 1i!f.....v?'s!lf.a 'isif W- li I ,Q 'l -gi
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Page 74 text:
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