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Page 14 text:
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The Senior Class lDi 17. I, Warren Lassiter. leave to Calvin Lassiter my resemblance to Calvin in hopes that he will look like me. 18. I, Violet Powell, leave my flaming hair and flashing temper to Iane Manship. 19. We, Hilda Lease and Esther Sparks, will our alertness and keen drawl, to Wilma Meyer and Maxine Wilson. 20. l, Lois Babb, leave my strong lung power and tact lor meeting people to Iune Moore. 21. I, Marcia Talbert, will my piccolo talent to Virginia Moore. 22. We, Bill Macy hopes that he will have and Frank Blasser. will our stage hand technique to Lewis Morford. in the chance to fulfill it more than once in the coming year. 23. I, Earl Hadley, bequeath my good stature and blond beauty to Iohn Neiman. 24. I, Bob Ortwein, Victor Overman. will my sturdy build, athletic ability, and my aptitude tor quietness to 25. I, Iames Brookie, will my broad shoulders and round chubby lace to Victor Pike and Iames Hoover. 26. I, Wendell Sutton, bequeath my tall stature to Charles Roberts, in hopes that he will be able to overlook things as well as I did. 27. I, Bill Lindley, leave my athletic ability to Horace Roberts in hopes he will do as well with it as he does in blowing the bazooka. 28. We. Amanda Sumner and Irene Fenster. leave our winning ways with the boys and intellectual powers to Betty Smith. 29. We, Leona Ray and Dorthy Eberhart, leave our secretarial abilities to Virginia Smith in hopes that she can carry on her home work to a greater advantage. 30. I, Allen Rodibaugh, will my detective knowledge to Buddy Vair, in hopes that he will get a chance to use it in future operettas. 31. I, Martha Wasson, leave to Naomi Watkins my pep and southern accent, in hopes that in the future she will originate some new dance steps. 32. We, Phyllis Mikesell and Mary Ross, leave our physical build and new hair styles to Ruth Hoover. 33. I, Tuqgle Burroughs, leave my vim, vigor. and vitality to Fred Wood. 34. We, Patricia Daniel and Katy Roberts. leave our quiet laugh and our desire to go steady always to Iuanita Whitaker. 85. We, Florence Blazier and Barbara Harshbarger leave our meekness and ability to escape the teacher's glance to the Iunior Class.
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Page 13 text:
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The Senior Class will We, the Senior Class of 1939, in sound mind and body, draw up this, our last will and testa- ment, lor the disposing ol our meager worldly possessions, to be fully and properly executed by the class to follow. Alter having bestowed these things we do hereby publish the account in full: I. We leave to the Iuniors the privilege of taking over the school, providing the teachers agree. II. We leave to the Sophomores the privilege of bossing the luniors, but lirst we would advise that they develop their mentality. Ill. We leave to the Freshmen our pep and undignitied manners, in hopes that they will use them next year. It mighi ward oii some gray hairs. I. We, Ioan Bowman and lean Harvey, will our ability to get and hold our man to Carolyn Barker, in hopes that he will be able to withstand her affectionate charms. 2. We, Kathleen Frost and Deloris Cobb, will our motherly instinct and lady-like ways to Dora Ellen Barker. 3. I, Eileen Heathcock, bequeath my ability to slap that bass to Hazel Bauer, but I do hope that she won't become slap-happy. 4. I, Mary Io Irwin, will to Doris Beery my angelic walk and tour loot stride, R ' 5. I, aymond Knight, will my reddish brown ireckles and school boy complexion to Rob- ert Brown in hopes that he will take as good care of it as I have. 6. I, Robert Davis, bequeath my admiration and technique lor getting along with the op- posite sex to lack Clark. 7. I, Gale Pruitt, will my physical power, beauty, and mental fitness tor taking the heavy burden ot presidency to Robert Cooper. 8. l, Byron Barker, leave my ability to drive a V-8 around the corner on two wheels and also to stop on a dime, to Marion Davis. In case a dime is not handily present, use a sluq. 8. We, Marcus Passwater and Mariorie Clark, bequeath our ability to write very interesting notes and our theory ol proving that it isn't puppy love. but something stronger, to Florence Henley and Don Dawson. 10. I, Russell Myers, leave my figure, ieet, and personality to Charles Eudaly, in hopes that he will abide by my high standards. 11. We, Berniece Brown and Alice Reveal, leave our long curly tresses and beauty hints to Winona Fields. 12. I, Martha Walker, leave my flashing personality and ability to work in the Chemistry Lab. to Irene Gamble, in hopes that she will save as many test tubes as I. 13. We, Iohn D. Rayle and Paul Thompson. leave our lady killing habits to Warren Gunn. 14. We, Mary Ellen Russell and Betty Martin, leave our hopes that the record lor Seniors being engaged will not be broken in the following year, to Denzle Hinshaw. 15. I, Donna Gipson, leave my sex appeal to Emma Alice Hinshaw. 16. I, Richard Russell, will my intellect and ability to do most anything to Edward Hudson, in hopes that he will do even better.
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Page 15 text:
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The Class Prophecq This is now the middle of the year 1952 in New York City. Let's walk down the street with Earl Hadley and Iohn D. Rayle. reporters on The New York Tribune. They have iust gotten their vacation and have decided to use it lor looking up their classmates of '39. The boys are about to go into a beauty salon. As we come nearer I see that it is the salon of the famous hair-dresser. Allen Rodibaugh. and his wife, the former Patricia Daniel. While Pat and Allen are visiting with Earl and lohn, an enormous sky-blue limousine stops and out steps Florence Blazier, who tells us that she is married to a rich French Count. She has come for her weekly beauty treatments. Patricia and Allen ask Florence, Earl and Iohn to ride out home with them for dinner. As they are riding out to the house they go past a large orphanage which is over-run by all sized children. Allen stops the car here and who comes springing out except Kathleen Frost with Irene Feaster behind her. They are the supervisors of the orphanage and enioy their work. When they arrive at Pat and Allen's estate they are enchanted by its beauty. After dinner, sitting on the front porch. they tell what they know of their classmates. loan Bowman. a glamour lady, has iust gotten a divorce from her fourth husband, who is an inventor. You probably wouldn't know him because Mr. Knight has gained quite a bit of weight and couldn't be called Hungry, It has been heard around town that as soon as the divorce is granted he will marry his very competent secretary, Amanda Sumner. The biggest surprise of all is Iames Brookie who has turned criminal and is known as the modern Robin Hood. He is always accompanied by his faithful wife the former Barbara Harsh- barger. They rob irom the rich and give to the poor. Next morning we went to see loan and she told us that when she was in Hollywood the Warren Studios, under the direction of Warren Lassiter, have iust left for South America. There he hopes to make a successful movie from the popular book Hearts Afire, written by Gale Pruitt. Gale is now in China getting material tor his new book Ching Ching Loves Again. The star of Warren's picture is, of course, Marcia. Marcia whom we know as Marcia Tal- bert. Russell Myers, the greatest lover of all time, is to play opposite Marcia. Hilda Lease, lean Harvey. and Dorothy Eberhart, three members of Richard Russell's sym- phony orchestra, are giving a concert in London, while Richard tlies to Hollywood to see his wife's new picture. Perhaps some of you dcn't know that Richard marched to the altar with that charming actress, Esther Sparks. They are very happy although often separated by their careers. Mariorie Clark and Leona Ray have iust returned from making a non-stop flight around the world in a new specially built plane. The plane which the girls flew was designed by their famous husbands, Marcus Passwaier and Paul Thompson.
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