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Page 30 text:
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Illl- Sll!ll1I'S Ulf ART 'dh-+-M-wiv MIL ISICIRNAIID C. IIEYI. ART THE RTS: incliriclual context we lookccl lroin gainccl the appreciation ol' art that cioincs only tlirnngli partic'ipat,ion in tlic arts .... XVQ were drowsy but saifs to the glowing ctonipusitions nl llraquc .... In music' wc found art ul,lll'CL' ll's to lincl what Illliill' il1f'lll Slll.ll'f1IT Ol-' llIS1Il'SSIUX MR. JAN LA RIF BIUCKINIL TIUC Sl'H.lE1'T MISIC XVC stucliecl tllc arts and hecaine atnafccl at the versatility ol' inankincl in pruclutting wiclcly variccl tliings ol' beauty tlirougli the centuries .... In studying art in its l1istm'iral and niiglny Gotliiti to graceful Baroque, trmn Giotto to l,lt'2lSSO . . . and, al- tlmngli our tnoclcling attempts born' littlc I'CSCII1lJl2lllt'C to Praxitclcs', wc entlinsiastir' in tllc warm, clark lccturc romn as the sliclcs spun by lacliorc ns. passing lroin thc rifli Byzantine inu- tlirongli the car, not thc cyc. XVI? loolu-cl beyond the initials ol' the
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Page 29 text:
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CHANTING LES CHANSONS IIIL RITE: UI HIE VSKITTFIN WORD the written and spoken word became a challenge of its vitality as we studied roaring Rahelais and deli- cately precise Verlaine. YVe met Boccaccids lusty group and Pirandello's Characters, and the Italian master of them all, Dante, of the dolce .stil nuovo. And, in the same land, centuries before Dante, we met the Latin greats of the Roman world, Vergil and Cicero, Ovid, Lucretius. For once we parleyed with the Russians on literary, not political, grounds, awed and thrilled hy the masterworks of Tolstoi and Dostoievski, as taught by our one-man Russian department. XVe valiantly followed Don Quixote through his fight with the windmills, then turned to such moderns as our own Guillen. Aeschylus, Shakespeare, Fry taught us drama, through Homer and James Joyce we met Odysseus, and Aris- totleis Poetics aroused both the new critics and the old. . . . Gradually we learned to know the written word as a value in itself. MISS ANGFLINA LA PIANA MISS MAGDALENI-I SCIIINDELIN YIISS -XDA WI IOL 'SIR NN MI XXX ll'llRlF,lI'XN III ITALIAN GERMAN SP UNISII Rl SSI SN
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Page 31 text:
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TllP0llgll un 11111lerstzu11li11g of expression we 1021111911 to express. g1'1'z11 .... l.1s11'11111g 1111c11111'ely 111 l3ill111 ' 1 gs lx11'1'1'11 l1s11-11111g 1'1111111s. we p1'11g1'1'ss1'1l 1111111 1l11- s11111l11'1' Cl1'1fg111'iz111 1'l111111s 111 1l11l lillillg' 111'iz1s ol' 121:11 Gio- rfrmni ,... XY1' l1s11'111'1l z1111l we also pz11'1i1'ip:111-1l, so llllll 11111si1'z1l noises p1'z1l1-1l l'1'11111 1l11' 11'i111l1m's ol: Billings 111 11ll l111111's ,... I11 sp1'1'1'l1 1'11111's1's 11111' Nli1lw1's11'1'11 111111 S11111l11'1'11 z11'11e111s w1'1'c 11':111sI'111'1111'1l, z1111l wc spoke in p1-111'-sl1z1p1-1l 111111-s, wc l111p1'1l, as we plz1y1'1l l'11x111'i111 s1'1'111-s l'1'11111 Slmlae- sp11:11'1- 111111 CI111v111'1l .... XV11 l1l111'kc1l .1111l 1l11'1-1'11'1l plays 111 'l'l1cz111'e XX'111'l4- shop. s111111-111111-s p1'111l111'i11g' plays writ- 1c11 lay 111l11v1' 11111l1'1'g1'z11l11z11c's .... 111 1l11' 1'11111's1' ol' llfllll' y1'z111s, we l1'z11'11e1l 111 p1-111-ix'1' :1111l 111 111111 xxmlxs 11l .111 .-X11 l11-1'111111- 11lix'1- 111 11s. 411111 we z1l11e IH 21I'l. WISH 1Il'IKIII.lC llli IIANKIC l 1 Sl'IClClIll A W,i'l I'HIl OI' SUI Nll X WATTICII OI-' SI1LIl'I' 1111. x1111x1.w ,ss11'1'11x , ,l,Hm,Hm MHKMHUP s 11-1111.11 Ill 11,1.1,1x1. 27
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