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Page 9 text:
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Music is most probably the greatest unconscious, cultural influence., upon our lives in this age of atoms and earth satellites. Even if o n£ at- tempted to escape from the sphere of this mediunj, his eftms be in vain, for it is virtually impossible to disassociate moderi Pffom his musical heritage. Did you ever stop to consider how far you are from the nearest radio, phonograph, or T.V. set at any given time.1' You will be amazed to discover the innumerable ways in which we are all exposed to musical expression. Because this musical form is inseparable from our modern existence, it exerts immense influence upon our way of doing things, thinking, and our civilization in general. The music of a given period is often representative of the level of cultural achievement of the society. Great composers of the past were unmistakably modified by the type of environment in which they lived. They were not passive spectators, but active participants in their society, concerned with the mundane problems presented by everyday existence. In perfecting their God-given talent, their compositions were the sum total of all their experiences. It is likewise evident that the composers of our present generation are also greatly influenced by the environment in which they live. It is for this reason that we should unceasingly seek to create an atmos- phere which will be conducive to music having a permanent quality, a quality representative of our cultural achievement, and worthy of being the far-reaching influence upon our lives which it is. Many feel that our civilization is only passing through a stage in its musical development and that such names as Copland, Stravinsky Gershwin, and Hindemith will eventually become the great composers of our time. Convinced that this belief is valid, we, the Class of 1958, dedicate this Hi-Life to all the great musicians of the past and present, in the hope that our generation will produce musical talent of the exceptional character already experienced. 5
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