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Page 11 text:
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Serious and humorous sides of an after-class discussion are imaged in the diverse faces of Fred Blakeley and Beth Hausler. Double, double toil or trouble; carbon, burn; and, butter, bubble A first attempt at the fine art of snail-eating, the wonder of a hydrogen generator, an unworkable equation—all stir the thoughts of the students during a typical WHS day. Classes are interspersed with laughter and crisis. Expressions vary from realization to consternation. Three minute interludes separate the precise world of theorems and cosines from the romantic realm of Cava¬ lier poetry and Shakespearean sonnets. In classrooms, a bridge is constructed that spans the time generation. It transforms ideas and events from the past and the fu¬ ture into HAPPENING . . . NOW experiences. With slide rule poised trombone-like for action, Jay Wilkinson pon¬ ders functioning his slopes during an exercise in Math 12A. 7
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Page 10 text:
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Suzette Lauber performs the motions of a true French epicure as two cultures meet over a snail. Accurate eye calculations are necessary as Jerry Ward measures zinc for a hydrogen experiment. 6
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Page 12 text:
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Designs for the future are drafted by Maurice Comer, Louis Dowdy and Charles Evans. Minds spiral to the outer limits of the WHS educational zone Starting with that first sleepy class each morning, a stu¬ dent’s day is filled with all the happenings that make Waynesboro High School alive. Whether it be the mock trial in government class or the architectural design of a future home in drafting, the minds of the students reach out to grasp the individuality of thinking and understanding. However, it is not only the classrooms and books that bring students together. It is the friends and fun en¬ countered with them that provide the spirit to make ev¬ ery period effervesce with a definite HAPPENING . . . NOW atmosphere. Each day fades into one hundred just alike. Alike, and yet, as different as the nine hundred faces that merge in the halls. Different things are happening. Something is always HAPPENING . . . NOW. 8
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