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Page 32 text:
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DEPARTME T OF A E THE IOLOGY GIANFRANCO DAL SANTO, CHAIRMAN ,... - .QQ A-' 1,5 'Q FRONT ROW fleft to rightj: Milford E. Wenokur, Roy McKinney, Bernard Sivak, A.B. Stearns, Eli Brown, Raniero De Piero. BACK ROW Cleft to rightj: Gaylord D. Alexander, Heinrich C. Schaefer, Gerhard C. Endler, Gianfranco Dal Santo, Fayette C. Root, Sidney Soifer, Peter A. Del Giudice, Luis Rosello, Alfred I. Rubenstein, Roy Aston. 'N QQ-
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Page 31 text:
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Page 33 text:
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A GRAND u qv sz u. 5 1 , y. N s E.f...5iHi Ev THQ? ' UF THE EFFECTS PRUUUMD ll Illlllllllli NlllllIlIS llfllllf, flllliillllllli. lllf f' , I lil liilll G E' Sl watt at elven AT L.,f6nJau .. 1640 r Wim? EVENING, ff 9 1845. V J0 GALLUNS UP GAS will bv pl-1-pun-clnml mlmlnls- lvrvd to ull lu Ilw mulie-new ulm desire lu lnlmlc- il. HES will ln- llnlll-ll from tlu- llllllll'lll'l'. In protect thou' uncle-r ilu- iulluu-un-1' ol' llu- Gus lbnln ln- -illl'illi:llIl'lll!1'll 4-is nr others. This l'lllll'hl' in auloplvcl lllul llll npprc-In-nsinn ol' eluuzvr nm, In- vllh-rluiua-al. Prolmlvlp Illl um- ulll alll-mp! lo light. 'l'lII1 I.I'l'I:n 'l' ul' 'l'llI1 Hts i. 1.- ..... Lf ul...-v uh-- mln-lv u, rillu-r LAUGH, SING, DANCE, SPEAK OR FIGHT, Go. lic. nrrnrulillg lu lln' l4'llllllI2 lrnil nl' llwlr 1'Imrlu'lvr. 'l'lu'g -l'1'lIl lu rvlxlill rnn-s'imi-m--- 1-nungln uni to -ny nr mln tlml uliit-la llu-3 uunlal Imu- m-rn-ion In rvgrvl. N. II- 'l'Iu- lim will ln- mlnlilnisle-ra-al only lo :culle- mvn ol' lln' lirsl rn-qu-4-lilllilily. 'I'lu- nlgin-rl in In llllllii' llu' 1'llll'l'llllllllll'lll in 4-very lwspl-rl. ll ::4'lll4'vl nllilir. . 'l'Im-v nlm iululv ilu- IG 1- uurr, nrv nlnnp mnxmu- In nnlmli- il Ilu- -i-vvml Inna. I lu n n- mil nn 1-we-prim. In thi- rnlv. X.. lim,g-m,:.- .-.... .l.-.wil-.r un- wh-Iigzlillnl ---Miilinu pl-...li..-.--1. llnlu-rl zsmiil..-,, qw: l .m.'.- -.nm llml -' lln- niiiwsplwri- nl' thi- hlglii-su .if ull pus-able' ll-'nsrus mu-1 ln- i-will-1--1-.I i-I :his can-3' -'ur A u nrvnun n iv- 4-fl?-vl :rmliwq-il mn sunu- nl' ilu- nu-ml :Ii-lingrui-ln-:I mr-n nl' Ilurnpv. I ru 4 fn , iq su-4' ll1mpur'- llwlirul llirlurnnq, nlnlvr lin' hv:ulul'Nilrugr1l. 'l'Iu- Ili-lory mul prop:-nie-s nflln- Gus will lu- 4-xpluinnl nl the emu- The Betlmann Archive Today, medical students can easily watch and take active part in one of the high dramas of healing: the con- trol of pain by the rational administration of anesthetics. This, however, is the resultant of centuries of empirical use of anesthetic drugs and many decades of clinical experimentation. Anesthesiology was born with man, since with man pain was also born. Wherever one can see traces of human life, traces of human fight against pain can be found. The ancient civilizations, such as the Assyrian, Egyptian, Hebrew, Chinese, Greek, Roman, Arabian, etc., all left evidence of using drugs and techniques to control pain. This ranged from administration of mysterious concoc- tions and soporific agents to the production of hemor- rhagic shock Cbrain hypoxial, asphyxiation CCOZ narcosisj, application of cold to tissues, etc. However, not before the first half of the 19th Century, and in the following years, i.e., subsequent to the discovery and the rational clinical administration of ether, chloroform, ethylene, nitrous oxide, cyclopropane, the barbiturates, the local anes- thetics, and the curarizing agents, anesthesiology became an independent medical discipline which conquered pain. 31
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