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Page 115 text:
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Miss Virginia M, Hard- Mr. Gilbert Muir, band, er, chorus, Choral En- orchestra, dance band, semble m u s i c appreciation 5 Music Theory Club Full scale performance: band with Pom pons and Malofettes Bob Alexander and Tigger Shuman, ubiquitous musicians, turn MUSIC BAND First row: S. Gleazer, C. Neff, E. Harris, J. Gianfanda, M. Karol, B. Butler G. Baley, N. Eddy, M. Waldron, M. Blackman, M. Messick, L. Lynch, B Von Eckardt, B. Hirst, C. Ray, L. Johnston, S. Wooley, L. House, E. Ellis D. Carrol. Second row: F. Birgfeld, T. Keys, D. Robinson, D. Cole, M Spieser, J. Morgan, K. Colburn, R. Julia, J. Bennett, G, Langley, J. Loure, B. Hawkins, M. Meisner, N. Stafrner, C. Smith. B. Mueller, L. Maxwell, G Lyman. D. Reed. Third row: T. Marriott, C. Carter, J. Sands, K. Barbee up to orient the sophomores Several hundred musicians were enrolled in the music courses this year-some intent upon profes- sional careers, others content to be amateurs. In either case they learned music, performing at pub- lic concerts as Well as school assemblies and during daily class practice. During half-time and before and after games, WJ's marching band sounded the fight songs and paraded through many a complicated maze, leaving the spectators back at the first turn. Boops and beeps coming from the gym were pro- duced by a band of a different nature. Composed of thirteen instrumentalists and one vocalist, the dance band performed at the Pop's Concert, at a Lion's Club dance, and during all six lunch periods every day. A. Smith, L. Craig, G. Mol-iewan, M. Cooper, R. McFall. R, Stone, A. Harmantas, B. Snyder, C. Limv, B. Alexander, P. Horton. Fourth row: A. Weiss, J. Silverman, B. Steele, J. Hurlgens, C. Small, R. Williams, B. Lurie, C. Thomas, F. McMurdie, W. Smith, lvl, Sherline. H. Wilson, D. Teel, D. Houyoux, P. NVitze, R. Hartley, J. Shah:-in, S. Herrell. M. Paynter: Majorettes, L to R: P, Fenimore, D. Lowe, E. Houyoux, B. Lutes, J. Angell lg! flnflqnlhl- - iiillli-f' H Elwwi A 'Z'i f. i'fb-Wm-911. W 1' W
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Page 114 text:
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Mr. Emil Hrebenach, chairmang Art 1, 2, 3: Art Club fk ,A ! ,.,, Q, up i f Q: Yr A . ',V. ar? f 'W at in .2 W 'QW' -lifml: li .. 'I A First'rovv: P. Ladd, E. Thomas, C. Hilsenroth, C. Bailey, S. Bouma, A. Bowker, V l 'N RT B D. Higgins. Second rover: D. Brenneman, Clapp, E. Shaefer, R. McDonald, K. D - Wyatt, T. Buxton. Third row: M. McBxrney, S. Buck, K. Hemelt, M. Small, 'l .1?.LEgiIs:Znlriergh0C,a lliliiclaalelhicgourth row: C. Padovano, E. Helms, R. Bray, M. Lerch, , mf . , . , . I I W ffgzgiiag.-125755. Two art rooms became a potpourri o mosaics, Qfilgizgf iv.lg5!!- sketches, pinch pots, and sculpture when p 'olific art slr:-lg Elhl'--I, , 't-iggirfgggiggggi, and ceramics classes responded to the Muses. 5-ZS .!.2!2l2l . . 5?5:555-EEEEEFSEL Within a framework of study, the relaxed class 7235.-5f'x1i:'::E: allowed for individuality. Pedants enjoyed history of art, including various styles, artists, and types of architecture. Those with a creative spark were qi- WN engrossed in their original projects. Members of 'AAN . . . . . . W 6 SCA publlclty committee, which met during sixth period, learned first-hand about the psychology of I k advertising in designing posters foretelling school --3 n i events. ,sfL ,',f 'j ' ' ' .ln 7 xl Artists with schedules too crowded to include art Jf,vf,'a:-3, V .j class joined Art Club. Meeting regularly during l ' club periods and working feverishly between meet- ! . . g . A 1 J ings, the Art Club decorated the halls for Christ- CYLJC7 . mas. Other projects included painting a backdrop l dw N for a concert. A Through the Art Department, scholastic, artistic, ' ' ' and school service projects are coordinated. Ceramicists K. Carlson, C. Backus, L. Shuler, J. Meholtz, M. Cunnare, L. Loundes, and M. Weiss poke, squeeze, roll, and flatten Mr. Fowle counsels Leslie Hightower and Case Carlson y -13 by
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Page 116 text:
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First violins: M. Kameras, E. Kales, R, Stephan, J. Page, H. Stein N. Ruly, J. Hoenack, M. Mathas, M. Melchoir, D. Kitner, M. Schlesing- er, M. Oferstein, S. Goldberg. Second violins: E. Seegmiller, D. Ricker, S. Vertermark, A. Algire, D. Webster, M. Metz, A. England, S. Gross, M. Schipper, W. Bushell. Bass: D. Hopgood. Cello: P. Tourin, L. ORCHESTRA Clark, D. Terzian, C. Taylor, C. Spencer, G, Frisch, G. Flynn, F. West- wood. Winds: J. Zornig, S. McCune, L. Lanier, S. Pittle, B. Greenberg, R. Plitt. Brass: P. Wertlieb, R. Alexander, S. Wooley, L. Johnston. Viola: D. Thornton, T. Algire, M. Brunton, K. Cooper, M. Osborne. Percussion: S. Silverman, D. Klein MADRIGALS First row: Miss Harder, S. Brelick, V. Lee, D. Rowen, E. Hirsch, L. Max- well. Second row: T. Casey, A. Martinson, L. Clark, S. Wold, C. Callo- way, K. Carlson, J. Levine, M. Womack, V. Cornils. Third row: D. War- heit, M. Hudtloff, G. Reese, B. Roundy, E. Distad, F. Oeltjen, H. Martin In 4 it , l 15 z Ii I -1 .I Turning from Bee-bop-a-lula to Mozart, We see the orchestra come into view. Meeting fifth period every day, they practiced for concerts, contests, and assemblies. The top ten by orches- tra rating ranged from Seventy-six Trom- bones to Mozart's Symphony in G Minor. To the Concert Chorus, school concerts and assemblies were negligible after their television appearance. This group of songsters projected so vigorously over the air that their appearance on Dave Garroway's Today was viewed in liv- ing rooms throughout the area. For those warblers who could not fit chorus into their schedules, the Glee Club was avail- able, and those Whose voices struck a major chord became the Madrigals.
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