Vidalia High School - Hobachee Yearbook (Vidalia, GA)

Page 15 text:

Semor Super ahves MAY HIGH RATTRAY Most Beautnful Gu'1 Most Popular Glrl Most Athletxc G1r1 EARL WILLIAMS Most Handsome Boy Best A11 Round Boy Most Athletxc Boy BILLY LEDFORD Cutxest Boy Neatest Boy MARY FRANCES MURCHISON Neatest Gu'1 EVELYN McINTYRE Wltt1eSt Gxrl Loudest JACK HUTCHESON W1tt1est Boy AGNES NELSON Most Intellectual N5 Ng gif 1' f R.f,,i1pmvqf:MN x f 11 vs. O Q 54 Q U 0 Q 0 0.06. O' Q.. :OOO :O::Q 4 ff' I 3 1 ' 246 I . 0 f 0 ! ' 2 Liu A - 'Q A 1,- ! ,if W' 'M M , I Axg' 7 J ki -'Nf,, J . ,M -gg Most Popular Boy WE I ' 11' . - l ff Z , : 2 fx 'Q Q 1 0 O EE W Q '66 Q ' is A I 3, fo 0 ' OJ' 35 ' ' 0, o I! 2 ' 'Q' I: ? , - '- 1 v : ' 2 2' ,H J ,, xg 1 Q-:fx m i ., A s -54 H 'K wa LTLC E.,

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Seniors Lewis CDuckJ Van Dyke Member Science club, 4. Earl QGabbyj Watkins Secretary sopht classg Science club, 5 Glee club, 4g Band, 1, 2, 5, 4g Music, Margie flllargej Wilkes Player, 4 Margaret Nilliford Member of Glee club, 2 Mary Frances Yates Member of Glee club, 2 10

Page 16 text:

H7SfOTy LLST WE FORGET Here lt 1S a play that 1S h1lar1ously funny, and yet com pletely true to llfe a play w1th an or1g1nal plot, d1st1nctive char acter1zat1on, and sparkling d1alogue But this soul st1rr1ng and ver sat1le drama 1S not w1thout its romant1c moments although chockful of fun, brlnful of laughter, and overflowlnv w1th fast paced scenes Vrom start to flnlsh lt 1S packed with refreshlng humor, SUTpP1S1ng Cl11AX6S, and memorable eplsodes, and over lt all is a charmlng brigh ness that foes to make up an unforgetable performance Th1S great drama OI l1fe, or1g1nally called The Tamlng of the Screws but now known as Lest we Forget, 1S set 1n the south Georgia town, V1dal1a, and covers a perlod of eleven years All through the play, fun 15 the maln object1ve, but a dreary atmosphere SOmBt1mBS creates a hanvlng suspense But the plot 1Sn't the only remarkaole th1ng 1t'S the characters that matter The curta1n r1ses on a llttle fray school house in the fall of 1950 when w1d9 eyed and exclted chlldren are led, coaxed, persuaded and dragged 1HtO an 1nSt1tut10n of learnlnv There 18 such a great number of then that the audlence ears some are go1ng to be turned But Walt! Genlus l1ke this can't be nevlectedl A new light br1ghtens the subgectl The teachers w1ll teach as many as posslble 1n the mOTD1UF and the re t w1ll be lnstructed 1n the afternoon At last everyth1nv 1S settled, and the onlookers and characters rest easy 1n the1r places, never dream1ng that the worst 1S yet to come Never has there been such a lack of peace on earth! It 1S really tough g01nU for a Whl16 when the dear little 1gnoramuses struggle Nlth the alphabet, numerals, and each other Who can forget the h118T1OUS scene when an a1rplane crusade p1loted by Earl Nill1ams and B1lly Ledford br1ng tHB1P planes down on Mary Frances MUPCh1SOn'S desk At the entrance of M153 Deek the sweet l1ttle urchlns of 6dUCHt1On shrlnk and Mary Fran es 13 led 1n a qu1te dramat1c ex1t to the cloak room. Th1nvs run.gn0Qth1y ava1n, and many chan es are notlced 1n the rapldly gPOW1HV ch1ldren But oops! Nobody can study! Besldes the aud1ble appearance of Pvelyn McIntyre there 1S another fortunate m1sfortune for Tlfht 1n the center of the stage stand two handsome new boys who upstage all the toher boys and Wln the hearts of the g1rls One, the blonde Wlth the shy sn1le, Jack Thompson and the other 1S a brunette who can tell the most fas c1nat1ng tales of Okeechobee 1mmag1nable After th1s there is only a br1ef 1nterm1ss1on when suddenly the letters HCMcD plus MS appear 1n b1g chalk letters 1n contrast w1th the unbroken eveness of the gray palnt But that mystery 1S never unraveled for the curta1n falls on 12 I . . . - . . - .A n n A . R: . 1 . .A . . . U t- 0 4 0 I A -g Q eo.. Q .---- . w D. . . , :rg ' . . - o O . . . . . O. . . , . 1 .L , away to illiteracy because of the limited facilities of the school. . . . O O . x J S . . . . . . . O . H LJ . . XT 1. I X . q I . O .. A . . . . Q . c . . . . . . O Q -Q ' ' . . U . . -- .O . . . . . . t. . . . . . . . . Q . .