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Page 128 text:
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Coping with Q Q hardships hy did I volunteer for this is what Dee Garland thought while doing her administration section. She was proud when it was done, though. Why doesn't anyone listen is what Connie Rogers, yearbook editor, said many times as she had to repeat herself. A Touch of Class didn't come easy. There are times when one wants to cry because nothing seems to work, and there are times when one wants to jump for joy because everything came out perfect. Mr. Barclay Burrow served as advisor. The staff does the work. Everyone that works on the yearbook can look back in later years and say I am proud l worked on the 83 Stingareef' 7 x 'V -g . ,il- Sorting out pictures is quite a chore as Karen Hanke finds out. Why couldn't I think of that? is what Barclay Bur- row says when Executive Editor, Connie Rogers comes up with a brilliant idea. Working on the yearbook gives Janet Mais and Linda McLaughlin time to talk about their weekend plans. ,ge x. . I x - 6 ., .,ma.ffu:a- 'Z H ,,.,.... , 124 f sting staff
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Page 127 text:
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3 in the 83 takes precision woodcutting as Mark in demonstrates. Elegant yet Classy he origin of the 1983 Staingaree's cover design was the combination of six people's efforts. Said Connie Rogers, During summer camp at A8tM, we QRhonda Kickendahl, Donna Andres, and Joy Dunglinsonj thought of getting the whole Senior class together in formals and tuxes in front of the school with Mr. and Miss VHS getting out of a Rolls Royce. We won first place on that idea, but we knew it would be very difficult to pull it off. Joy Dunglinson added, Since we were limited on time and money, Mr. Burrow suggested that we could actually build the cover. So Connie, Mr. Burrow, and I decided on the W.f7f7f',f style of letters that Marcus Salas had drawn up and then added the ideas of jewelry and a rose to give it a sophisticated and classy look. Mark Martin cut the letters out of pine wood and painted them with twenty coats of mint silver epoxy enamel paint to make them appear very glossy. Then in mid March, Gene Sutphen of Visual Impact photographed the image with the jewelry loaned from Tom Barnes of Bill Barnes Jewelry on black plexy- glass with red lighting. The finished product will long be rememberd by the class of '83 and its under- classmen. I just don't know what to do, says Joy Dunglinson. Joy Dunglinson and Connie Rogers make the final decision r:g instructor Mr. Shultz offers advice to Marcus Salas and Mark Martin about the shape of the on whwh proof to Choose for the Cover' i the cover f 1 23
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Page 129 text:
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it or 'Mi-. g g g .5 :3g3i3i,1.1igg4.. W K L ME N,,,,,.,, ,c...,,..t ., tl N ,,,.,,,A 'rms 5,-. , 3:3 ii-ff' R, ,bs 'Sb x 'QQ 'ex xml! .I ei, f LQ 28 Liquid paper became Rhonda Kicken- dahl's best friend while typing class ' rosters. Kyf After staying up all night trying to meet a deadline, Teresa Smith catches up on her sleep in class. V ah W .-'v 1. sd A, 6, 92, f 1 ',.. , fn-1. In W, We ,W ,f i are ,. Tig: ' ., , lk x IWVI Working on class sections isn t as easy as it seems as Tracy Buxkemper and Anna Goldsmith found out but the outcome will be worth the trouble. While attending a yearbook seminar, Lynne Lowder, Laura Trotter, and Linda McLaughlin find their lunch break the most interesting. www - if Club layouts aren't very hard as Shannon Kelton, Deb- bie Terry, and Kathy Dum find out from Donna Andres. The administration of V.H.S, became very familiar to Dee Garland as she did the section. sting staff I 125
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