Vestal High School - Den Yearbook (Vestal, NY)

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CLASS WILL We, the Senior Class of l948 of Vestal Central High School, in the great Metropolis of Vestal, being of sound mind and memory do make public and declare this our last Will and Testament in the following manner: First: We direct that our passing should not be a regret, but a direct challenge to the Class of i949 and all of those following them. Second: As a body, we, the Class of '48, leave to the Class of '49 the honorable position held by our class and all those before us, to be relinquished to the succeeding as time demands. Having held this position we wish the best it has to offer and though we can only give you the key to the success of its happiness we know you will do your best. Work when there is work to be done and play after you have done your best. Remember, like ourselves, you are going to take with you, from this Golden Alma Mater, something that no one can take from you. But keep in mind that no one can take it for you. lt will stick with you throughout the rest of your lives-Your High School Education. Third: As individuals in the Class of '48, we wish to leave to other individuals tokens of fond memories we hold. They are as follows: June Benjamin to Donna Cotton her undying love for History. Donald Bodie to Eleanor Smith his ability in typing. Ruth Gilg to George Roney, Ted Rounds, and James St. Leger her French, Spanish and Latin books. Frances Decker to Eleanor Kadlecik her love for Gym Class. Donald Birdsall to Ray McFearson his ability to remember a fountain pen for English Class. Douglas Gulden to Earl Foster his ability in Mathematics. Burton Lozier to his brother Donald his mathematical brain. Helen Yovorski to Jenny Pavilik her love for Bookkeeping. Bernice Smith to Mary Riley her talent for bluffing class lespecially 3053. Mary Slama to Lillian Babicek her English notes. Beverly Penrose to Ruth Pickering her seat in Advance Science Room. Verna McCuIley, her seat in Mr. Peck's office to Norine Stevens. Nancy Merrin, her seat in Mixed Choir to Virginia Johnson. Mary Sees to Jamalee Black, her love for Chemistry. Richard Zimmer to Pete Stanley, his way with Mrs. Harder. Alicia Wright, her athletic ability to Agnes Hogan. Helen Aten to Shirley Russell, her secret of how to get gutter balls while bowling. James Flaherty and Glen Wage, their wrestling prowess to Bill VanDuzer. Margaret Wallan to Evelyn Marsh, her love for bowling. Dot Chopiak to Joyce Marean her bowling average and ball. Peggy McClure to Joan Menhennet, her volleyball skill. Beverly VanDuzer to Sherry Hammond, her cheering costume. Janet Allen to Cora DeLand, her horse. Bob Barnhart to Butch Mitchel, his ability to make baskets. Angeline Giannetti to Novella Wolfe, her size and hair. Richard Graper to Ted Rounds his sensibility. Bob Hanley to Pete Stanley, his Studebaker to replace his brother's Stanley Steamer. Barbara Hill to Beverly Whitman, her ability to get along with everyone. Harold Hogan to Billy Hendricksen, his quiet manner. Dick Holdridge to Bob Hess, his way with the women. Barbara Jenks to Pat Doster, her way with the Junior boys. Bob Jensen to Fred FeDora, his height and weight. Russell Johnston to Edgar Sager, his One Finger Concerto on the Music Room's piano. Barbara Krissel to Dorothy Sampson, her size. Ed Lindsay to John Roat, his personality. Lawrence Morton to Bill Stout his Jekyll and Hyde personality. Lucille Noyes to Donna Noyes, her classroom quietness. Bill Platt to Bob Outman, his ability to make pools profitable. Howard Potts his hair cut and nickname Fuzzy, to Warren Pappas. Esther Purdy to Laura Blackman, her Scientific Mind. Richard Kiegler to Evelyn Marsh, his ability to do homework. Pat Shaw to Evelyn Gasko, her luck and happi- ness in love. Edna Uhler to Barbara Weston, her make-up kit. Marie Hastings to Mary Antisdale, her driving skill. Rose Fissel, to Charlotte Liebig, her bashfulness and horse. Joanne Dunbar to Myrna Bennett, her devilishness. George Scott to Bob Guldenshuh, his ability to stay away from the girls. Elmer Denmon to Lloyd Uhler, his way with Miss Besan- son. Maxine Larrabee to her sister Pat, her ability to catch boys by the name of Bob. Gloria Steadman to Edna Mae Farr, her big feet. Al Davies to Vernon Tozer, his size. Edwin Black to Joanna Platt, his big feet. Paul Kintner to Jean Wiggins, a car that he knows she can use to great advantage, Bob Anderson to Blaine Ellis, his little black book. Howard Minckler to Dwight Shutleff, his masculine ways. Pat Bonham to Helen Kimes, her shyness. Roger Brown to Larry Mathers, his quiet ways but no consolation. George Hardy gives him his catcher's glove. Peggy Rounds to Jean Letson, her tuba. Thelma Wills to Barbara Weston, a dashing green Plymouth to save the wear on those inches she so badly needs. Tommy Jones to Lee Brown, his pictures in 'the Grand Union. Clinton Lainhart to Howie Hunsinger, the ornaments in his car. Richard Landon to Talbot Thayer, his pianistic ability. Donald Aton to Bob Miller, his legal excuses. La Rue Bailey to Vaughn Nield, his love for loud plaid shirts. Dale Betz to Louie Angelo, his farming ability. Frank Brown to Leo Morris, his wavy hair. Janet Buffington to Pauline Vaughn, her height. Gerald Bundy to George Roney, the best of luck with his teacher-parent. Warren Chocolaty to Jule Jones, his ability to ignore feminine admirers. Lawrence Christian to Jack Kunte, his ability to drink from a bottle. Grace Dodd to the Junior Class Treasurer, her talent for writing Senior Class Checks. Arlene Drum to Shirley Spence, the secret to a smile. Virginia Flipse to Doris Matteson, her nursing ability. Phyllis Pierce to Geraldine Pierce, her school books. Martha Ward to Vivian Little, her black hair to make her look like the rest of the family. The Chain Gang wishes to will and chain all of their fun and good times throughout their school life to the following: Lacey