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Page 99 text:
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COLLEGE CHOIR chapel and concert performances. Contrasting tlie Vanguards year ' s repertoire with formal hymns and the performance of Searching Sight, was sung accompanied by drums and sage of God ' s love. Consisting of fifty student voices, the iences upon invitation. Under the direction of accomplished The genius of composers is displayed through talent and
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Page 98 text:
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The Messiah, Elijah, and contemporary religious modes were included in the College Choir ' s various presentations for in style, dress, and arrangements, the College Choir constitutes selected voices directed by Prof. John Leverett. Beginning the The Christmas Oratorio, the chapel audience was delightfull y surprised as the contemporary music, Oh, Thou to Whose All guitars. The choir ' s formality and quality incorporated variety and contemporary style to portray its modem and pertinent mes- College Choir performs periodically for chapel, seasonal concerts at Christmas, spring, and Easter, and to various civic audi- John Leverett, and with the assistance of organist Mr. Tom Murray, the choir has remained progressive in attaining perfection, inspiration.
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Page 100 text:
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Unique in sound --individual in expression. Each with a purpose, all fulfilling a ministry, the choral organiza- tion of the Music Department is con- cluded with its selected summer touring groups. During the summer of 1968 and the following academic year, three dedicated and talented groups traveled around the Western United States repre- senting sec with song and sermon. Acclaimed for their professional sound and their spiritual emphasis, the college presented California and Texas with The Accents , a self-contained body of vocalists, pianists, arrangers, and drummer. Behind the novel leader- ship of Eddie Chavez, the Accents, including Rusty Peavy, Bob Cull, Jim Patton and Larry Combs replacing senior Ken Prettyman, culminated 1969 with the production of The Accents -- New Dimensions in Sacred Sound, a record capturing the close harmony and soul -felt rhythms of both their traditional and contemporary styles. Fulfilling a ministry through song, the Regents, consisting of Lyle Countryman, Larry Coit±)s, and accompanist Eddie
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