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Page 30 text:
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GLEE CLUB CONDUCTOR, MR. PHILLIP WATTS, con- fers on score with Br. McEnroe and Mr. Owens Glee Club hits new peak in This year as in all previous years the glee club has lived up to its high standards in quality and determination. Under the super- vision of Mr. Phillip Watts and accom- panied on the organ by Br. McEnroe, the glee club has been praised highly for its performances during the year. Together with Little Flower Academy, they BUCCANEERS AND BEAUTIES spirit, talent and output did Gilbert and Sullivan’s The Pirates of Penzance” and turned out a truly profes- sional performance. Mr. Smith directed act- ing on the stage. Audiences also showed their appreciation at the Christmas concert, the drama club play and the graduation. The school has benefitted greatly by the glee club’s success. AFTER BEING ordered to attention, a legion of Bobbies rest while their captain’s back is turned. HUSTLING to set up props and adjust lights before curtain are B. Pearson and L. Stradiotti. THE GLEE CLUB, (front, sitting): R. Cotter, M. Wood, M. Allard, A. Zalot. ( First row), B. Cousineau, F. O’Hagan, N. Bingham, B. Irving, P. Irving, R. Klein, J. Dumont, P. Moffat, D. Kloster, J. Abernathy, B. Adams, M. McDonald J. Pescelelli, 26
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Page 29 text:
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BR. WALSH, Br. St. Martin and Br. Brosnan smile contentedly over a fine piece of tooled leather work. kowski, F. Wong, and T. Wurz. After spending the first semester on copper tooling, several of the classes are now carving more than their initials on leather. Br. E. B. Walsh teaches third and fourth year art which includes leathercraft, oil painting, and copper tooling. Decorative key cases, wallets, and handbags have been turned out by Peter Mui, Alain Notte, and David Wright, while Ray Con- toli, Pete Guidi and Mike Wyatt have done realistic and above average oil paintings of still life and landscapes. In connection with the Open House day, near the end of May, an Art Exhibit was held, which was an indication of how busy this group was during the year and the standard of their work. POUNDING OUT A PATTERN on leather is Bruce Williscroft. Jim Paterson of 10B looks on. APPLYING his artistic talents during one of the 1 1 B student Bruce Simpson. He is attempting to three weekly activity periods with Br. Walsh is impress an image of a glass onto the canvas 25
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Page 31 text:
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R. Reynolds, N. Stiles, T. Dixon, B. Richardson, (Second row) A. Week, H. McLaughlin, J. Hewer, T. Madden, D. Daves, I. McCue, R. Seipp, T. Kennedy, B. McCabe, T. LeGuff, L. Petty, P. Palletti, H. Eddy, R. Sturwald, T. Farina, (Third row) N. Grey, M. McCabe, P. Nicholls, C. Grant, J. VanRaalte, P, Hartney, B. Miller, T. Skupa, R. Eversbush, B. Oduber, B Somerville, D. Gurton, D. Flahiff, D. Prince, B. Kennedy, (Fourth row) M. Sheasgreen, B. Witta, J. Wright, B. Reynolds, R. McDougall, B. Fletcher, D. Lovie, M Ainge, L. Stradiotti, M. McGinness, G. McKenzie, G. Low, G. Morin, G. Paynter, J. Leahy, A. MacNeil, P. Seale, L Ius, (Fifth row) F. Hayden, R. Kennedy, R. Midgley, S. Douglas, J. Finch, B. Cotter, R. Russel, B, Giroday, A. Chairon, H. Maxner, I Wishaw, S. Lee, G. Aldana, P. Morin, L. Lunn, W. Gruden, D. Kelly, (Back row) L. McSweyn, R. Page, P. Conroy, P. Dumarsque, P. Ohler. APPLYING h is make-up, F. Lambrett-Smith pre- pares for his part in the Pirates of Penzance.” MAJOR STANLEY, knowing the pirates weak- ness, brings tears to their eyes telling them that he is an orphan. Mr. Smith was outstanding both in his acting and stage direction of this production (CONTINUED ON NEXT PAGE) 27
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