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Page 10 text:
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EllITtR’S VER since the first sage brush was cleared from the brow of the College hill, the Administrators of Utah State have served as powerful motivating forces which have kept her moving continually forward. Together with the untiring efforts of these leaders, the sons of Utah State, in progressing up the road which leads to achievement and distinction, reflect glory on her and so partially repay to her their debt, thus providing that she may live fully and for ever. The general movement of the institution has been forward, and it is because of the marked growth which has taken place on this campus within the past fifteen years that the theme of “Progress” has been chosen for the 1931 Buzzer. Just since 1915 we have seen the erection on our campus, of a stadium, the first to be built in the state of Utah, a new Home Economics Cottage, new horse barns, veterinary clinic building, the Widstoe Hall, the Animal Industry building the Plant Industry building, and Engineering building. f f f
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Page 9 text:
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rHrhe twenty third unmeet Suffer is ruts esheel In the student. ' the Utah S tate frric ulturu Cot e e us a record - 'the jeeoje e, the••
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Page 11 text:
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|HE LAST great achievement, the Library, is the result of unceasing effort on the part of the alumni and friends of the college. It is because of the progress made by these former students, which in reality is the real progress of the college, that we are showing throughout the class sections, a group of the men and women who have reached the upper level in their fields of endeavor, f 1 1 In our entire book make-up for this issue of the Buzzer we have tried wherever possible to show a touch of the old with the newest and latest. Modernism and movement have been used throughout the opening section with wings of progress as our symbol. The division pages are modern in composition but are reproduced in wood cuts, the oldest type of printing plates. We are especially proud of the recognition given us by Herbert Morton Stoops, nationally known illustrator, a former Aggie, who created the frontispiece for this book. f
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