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Page 29 text:
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First flow: Glen Goodell, Donald Iverson, Wayne Baier, Carlton Ericksen, Veryle Traeger, Yvonne Wiseman, James Bailey. Second flow: Eva Martin, Marjorie Anderson, Annabelle Sargent, Maybelle Ranney, Phyllis Knowles, Ruth Nelsen, Victor Larsen, Joan Johnson, Kathleen Wenilandt, James Day, Mary Paffrath, Rose Schwan, Harvey Ristow, Bill Boyle. Third Row: John Brenner, Dorothy Fengler, Harley Berndt. First Row: Edgar Ross, Donald Pangborn, Marie McLellan, Luella Seymer, Roy Seitz, Zenas Prust, Eileen Suckow, Catherine Nick, Anna Mitchell, Eunice Riebe, Mildred Timmerman. Second Row: William Poppenberger, Anthony Storti, Marianna Spafford, Mary Reichling, Ray Scafe, Phillip Rassbach, Agnes Stapleton, Virginia Salm, Jack Schielke, Mildred Nelson. Third flow: Frank Powers, James Quilling, Vera Starch, Joe Serileck, Mary Lou Neuberger, Harry Worden, George Tinetti. 25
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Page 28 text:
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. Tteinmen First Row: Paul Ingwell, Thomas Hobbick, Louis Ode, Ray Hosford, Edward Burns, William Roerig, Robert Olson, Dorothy Norenberg, Patricia McKown. Second Row: Arlene Massonette, Reva Neuberger, Joyce Miller, Marilyn Larson, Marjorie Krohn, Jeanne Newman, Leola Reynolds, Ruth TeBeest, Jeane Stefl, Enid Robinson, Amy Valaske, Bette Schaffner, Rosemary Steinwand, Florence Soderberg, Lila Danielson, Beula Caspers, Margaret Smith. Third Row: Wendell Goodier, Gordon Niessner, Jerry Ward, Gerald Govin. The students in Senator Stout ' s unpreten- tious little school of 1891 came with one primary purpose in mind: to develop man- ual skills in industrial arts and domestic economy. Today, as yesterday, Stout ' s freshmen enroll in our college with the self- same aim: to acquire the technical skills involved in these two courses. A broad general foundation in the two fields of interest — industrial arts and home economics — in which the Stout students specialize is provided through the freshman curriculum. Men receive a wide range of basic instruction in many types of shop work, such as machine and hand wood- working, sheet metal, electrical work, free- hand and mechanical drawing, machine shop, and printing. Too, introductory courses in foods, nutrition, clothing, and art are of- fered to freshman women, emphasizing throughout the development of the individual. However, technical work at Stout is thor- oughly supplemented by liberal arts courses — English, social science, and others — so that the student may develop, not only man- ually, but intellectually and aesthetically as well. 23
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Page 30 text:
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First Row: Barbara Heimerl, William Lensing, Alice Finger, Tado Miyazaki, Elma Lockwood, Patricia Goethel, Donald McQueen. Second Row: Edna Borrebek, Jean Daniels, Kiyoshi Minami, Nona Lucas, Jean Kranzusch, Ellen Ginther, Melvin Lemon. Third Row: Henrietta Helton, Alma Hcnkavaara, June Klingaman, Vincent Lien, Robert Mousel, Gotfred Nelson. Fourth Row: Jerome Alt, John Merry, John Lawson, Clarence Merkley, Ronald Ehart. First Row: Burton Enersen, Harry Bandow, James Dillman, Halvor Christianson, Richard Bakken, Bernice Blank. Second Row: Vila Gochenaur, Wilma Church, Freeman Galoff, Donald Breitzman, Mary Keating, Joanna Bekkedal, Alice Bridgeman, Charlotte Cone, Marjcrie Gilles, Lois Feinauer, Dorothy Boettcher. Third Row: Eleanor Kopischkie, William Anderson, Frances Courtney, Wilma Busacker, Olga Hjelle, Betty Koss, Eileen Algiers, Walter Dusold, Leroy Coaty. 30
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