University of Santa Clara - Redwood Yearbook (Santa Clara, CA)

Text from Pages 1 - 308 of the 1977 volume:

...fki-.-,, .14 1::r .1-. --.xr . .'L, r-, . - ,M I H, Y 4 4, li L s I 7 ,rv If xl Q -,.ar L,Qw1 I .lf- 1 1 f I The University of Santa Clara controversy . . . Daniel EUsberg . . . Eluin Bishop Year of Celebration 1977 • sqBnojing aiui ' anasej wiag ' ripuen ff Morotuitz Harriet . . . lolanthe . . . Indy4 . . . controversy , , , Daniel Blsberg , . , Eluin Bishop . Year of Celebration 1977 • sqSnojjng 3juj ' anasej luag ' ripueH uq of ZS ' .. . E. Howard Hunt... Royal Uchtenstein Qrcus ... graduation .... ;. ' , „, ■.,.,,_.,,: ■■,■,.; ,... ■■ : ' Sujuadojjezauaiuip ■ ■ ■ ssq Jume-jinjeg • • • jeariipaoju i. 1 f I 2 ah-Q., 1,1- :lnuv I 1 I x ,lqq f. fiiz' ,,,' ,Y,:.,., ,, ' J, ' ,, 1fIe:1f,. x Tv! W ,iylm .4 - .wf,1- , :..y'z, jffnf' .H . fsvwa., ' .1 ry, A L'X'1'w, yff ns? ' .,,, , - ,W . ' 1 ,f.a,i1,Evac,Qf , f- ifrfg, V ' a.. li.,--:,5v . 2 .-., ,-V ,l V 5 4 .s. N -. Y ,Y rv 2 ning-J, EH ,,.VfA ,J f X, X Hr ' FV? QAM - I .5 H ' Q 'I w Q 1 1 ra ' 1 2 A 1 It L 1 U if ji X - X i................- -.. l A- -J V Q - K ,SE A K C fd , . rj . ! fV it Moments. . . of the year 1977 the University of Santa Clara, Santa Clara, California That's a hard thing to do because you rarely ever think about 'lThe University' ', I mean, what you really think about is the people here you know and the things you did when you were here. Your head is busy digesting the book you finished last Y , pi LH WNWQ35glmillililliillillmllw ii! siiulgifllzlliiilf M ,, w ,, ,, Y Y v Y X W iw w v ,MZ i v ,, i 44 ,, ,, Q, x 1 iiwlwllliilllitllilliillllilllliilflwill i, swmwl l E WM W i ill i iii Wkxwpyw W um Miva fs in ix lWlii,.,wM,,M , . i l SN 5 'A 5 L if -.F N M U Y -,. -fa iz xx i 4' r S M ,NW gqgfiltlkiillmgim, l lmggg Mlgmlsl ff' 3 M mi lmil WV 1 i , ,, . ,, , 'n Mi B giwlwl Mil l i A ,lxrwgfw 1 Maya shi ilghl sh 1' ig! Mil 5lgl,,lMMWi 5 gi 1 QQ w 5 5 A li lil Q Q ilisi M , iii- iwlkllilltsli l' li l 'Y-A i night, the one today's test is on, or else it's worrying about whether or not she meant what she said this morning at breakfast, or you're anticipating your visit to the Corner Kick tonight. lt's not like you can get a picture of the University .i i :rl . . i fi - fir ii iii B Mimi' H Mil if A A wa. ix mi M76 .,-1 Wir- M. yi lf 'Wei .vm Ai' A 4 . ,Ft Q -,A .4 7 --ng W' 'TL H iw f A ly il LL- ..-1 in your mind eitherg it turns out to be more than you can see from 11th floor Swigg it's all the pictures you get, yourseb', when you're here walking between classes or lounging around Benson. It 's the stuff you go over again in the quiet moments, when you have nothing else to do, like when you're waiting for the elevator or in that brief time before sleep. Put those bits together and that's. . . still not the University. Not quite. That ' s a hard thing to do because you rarely ever think about ' ' The University ' ' , J mean, what you really think about is the people here you know and the things you did when you were here. Your head is busy digesting the book you finished last night, the one today ' s test is on, or else it ' s worrying about whether or not she meant what she said this morning at breakfast, or you ' re anticipating your visit to the Corner Kick tonight. It ' s not like you can get a picture of the University in your mind either; it turns out to be wore than you can see from 11th floor Swig; it ' s all the pictures you get, yourself, when you ' re here walking between classes or lounging around Benson. It ' s the stuff you go over again in the quiet moments, when you have nothing else to do, like when you ' re waiting for the elevator or in that brief time before sleep. Put those bits together and that ' s . . . still not the University. Not quite. J suppose if you asked around you could find someone who could define the University to you- -some Philosophy major or something. But, to paraphrase the words of a friend of a friend, The University is what happens to you when you were planning something else. Most of the education here you ' d never find in the catalogue. That ' s not to say that the University doesn ' t contain really important things, like ' the key to future dreams ' and such, because it does. People come here for a reason, with some goal in mind [even if that is to find a goal] and you can hear their typewriters at 3 in the morning or find them at practice every day for four years as they reach for it. But too often that goal dominates the time here and 1977 becomes The year my GPA dropped to 2.9 or the year my intramural team went to the finals when actually there was a lot more to 1977 than that. 'Q- L 'Y' , ,, x ., 'Y M-.Q 2551 1 ., Q . -rf - ,Th 'is 1-43 .Ax : ':-' -. X Y . 1 D' x. QPR' , 'WN-L iii 1 f . ' ., -'.' . ', 9 A-' 49 1 -Q. MGMT -4 f im f -,.-V ij-IL ' Vw ' J! - ' will 15: -'ur - v 'fU .', .JH P: lg -' , 15g'fJ!f 7'!u:'?EfiF' Ea. lm. 14 -. 1. 65153552 'iv 5,1 . ,S I J rg, -f Fw ff 15:4-Sy. . YW' jLf '. : F - fjmghzxg mfzfdcy 0 nm 6 f...,b .. .ma f- , W IX! g WWW.. 'm 7 N , .1 I ' I 1 4 R fg, 1, fl ' -f f ' . ,fl- Via i -i-AL . we- ' .q -4 . an .-..' ' ,- , -. ' N . vf 6, 1 , - , 3 N - f oasx 7' ,. 9, Z-+719 fx . -1. 'ff ' n1 '.4 ' V I -. -s1:'!l4aPgQ M, . 1-., , ,uk If - Win vv ' 1 l -ii-. M , ll . , l . .W . .J . ,,. 1 Q H w I . s A lot of important stuff happens on the way to your goal, too. It ' s an old maxim that you find your true love your first year at college; whether that ' s universal or not, it ' s certainly true that memories of college are often wrapped up with a certain special someone . . . T 44 . U Q ,ix '3 'f+1f'fJ-45,71 ' 15 ' f, ,gffftf-5---2- P, . :ff . M naar' Q V -- ui 1 4 ,Q-iff, fs , i. N. - , , s ip-1' A '. Hi,-,1 w3-31, -gg, . , r ' T51 H5?svv:-f'5a?r:'a:5s ' i . if-' QP ' I si AH ,WMI I M.--ffwfj issilgiifg' - 7',li-'f,fi , ' ' , , 5-,iifff-55355 . .. i M 'w- . ,,,.'v,,,,V,-YJ.. K. ,qi ja 1 . . 1. , lgagt, f ff, bln I Li. ,1x:.Ii,-.5v.:i , A- iii., 5,f'74,gsg2 r.L.i,l-i1'4.Q- ,JE Q52 xr -Y, YJ-44 4 1 I . . . even U' that someone is just' your roommate or a good friend across the hall. Really, now, the gang of friends you make here and the crazy times you make while together fill a big chunk of the days here, a chunk not always remembered. Of course, there may be other, chemical- based reasons for the memory lapse . . . A year is a long time and there's a lot of it to remember, but often it seems to me that the parts we orget the fastest are often the best: I mean, you carry sting of that unmerited C in Comp for a long time, those good times you had with your college friends-- in Benson or walking between classes--fade There's that senior you met who is gone at the of the year, Portland or somewhere. There's that Week night on your floor involving at least 35 of water, and it's dry and gone by the time next rolls around. There were your comrades in that you sweated beside for practice after game after game, and after the season 's over .. . 1,-E , - , wish N ' li .L F , Es fi f i - 'i l X' I J' If anything, I guess, the University is merely the string of little bits of the story, experiences like these along with the big events, and 1977 might be the year you met Terry, saw Seals 8z Crafts from the second row and roomed with Pat . . . yeah, that and a whole line of other stuff. i 4 T if  T A . . . even if that someone is ' just ' your roommate or a good friend across the hall. Really, now, the gang of friends you make here and the crazy times you make while together fill a big chunk of the days here, a chunk not always remembered. Of course, there may be other, chemical- based reasons for the memory lapse . . . A year is a long time and there ' s a lot of it to remember, but often it seems to me that the parts we forget the fastest are often the best: I mean, you carry the sting of that unmerited C in Comp for a long time, but those good times you had with your college friends- eating in Benson or walking between classes-fade quickly. There ' s that senior you met who is gone at the end of the year, Portland or somewhere. There ' s that Dead Week night on your floor involving at least 35 gallons of water, and it ' s dry and gone by the time next quarter rolls around. There were your comrades in athletics, that you sweated beside for practice after practice, game after game, and after the season ' s over . . . ? If anything, I guess, the University is merely the string of little bits of the story, experiences like these along with the big events; and 1977 might be the year you I met Terry, saw Seals Crofts from the second row and roomed with Pat . . . yeah, that and a whole line of other stuff. And with that in mind, here we go Ladies, gentlemen, the year 1977 MM • 1 , n ft . • . (V v fc The largest freshman class ever becomes integrated with rrrrr jjjrj CO ■I ©MIEN r a good-looking crop of freshman girls — an orientor three to a room FaII quarter REQISimHON hands SCU the same ' ol lines . . . Kennedy Mall o M)RIENT0R PICNIC Supershowman BRUCE SPRIfieSTEED and the E street band tops out at 117 decibels in Toso rt3 0 DE SAISOT OPENS: a boot-stompin ' , square-dancing rip-snortin 9 champagne reception replete with Western wear -I Qi-1 am.,-.-.A -..... ,.,. M' lg ,. RQFQ, ,. f. 'Q vw-',, 1 ' W ','gT '77',' A f W x : ' f Q, I i I s .Gi 'nl lt lf n X :IR M 5' 17' ji'Q1', ' ' 'f w . gr W g 1 A.. 3,5 1, s 12 ,lf 4 i IU, iff V M . .,.if.,..-P.. ms.-up 'arf ' ,5.1' - H ,I 4 ' f if-! ' .1 -- . . ,-'V' - ,L xi- 25 M . f' , w If sp l., Q 'ev I , ....:I w .9 jr PX, 'S M, gf The scars remain: A IS Spear . Ed ainst armament . speaks ag LE UJ O Hir rvived SL1 who emcee as SCU student l HE l is given 81 If xlallllll-Vi? 81 39IA IIEIIWZJ 'Qin RW , IZWQJ f .pd sl S111 I kd . SEE ' . ■ , ' .•£, ,.--v.-. - • • it r a J feh l ■ x. ■• a V «S JtOM j .u,— r- •1 W La 4 ' ■ % Volkswagen Stuffing E0MING Da ■21 ? :r 2. a. ca to w 00 tug o ' war A protest is lodged with the BCR on the frosh election... - ' 1, -.5 91 . 4 I fs, .-,+ x fi x w 'nn H I ' '-9' Q v gn 3 'N QA Y, ' 4 J, U-V , E ff. a ill and his freaky ,-1 , zl' ' 'G 1 'A ' .t SL ' 1 -gn , ' , , 5 Su, 1 3 . s, -, si 'Q Q X 5 2. V . .1 tx ' Q az, fx, ' Q , lx .xlw -- Y f .W :. I-I I, f '3y..-:,. v .I ':-' i 1'-1g,' . N -5- r -. H' -fr .1 '-.V ':'3 1 4- X L ,,,. AY,. , A I ,K , w fl ff, f A- 17 -- 4 ' 53 e 'Q 135' J 9 K 9: .V A :f.5..Y.: U 64? L 3 I 3 if fl ' fr '16 f, if I Q ' 1 1 I ,AW M ' r , 1: 2 V ff- 7? .' 1 5: x . HJ.-A F : 4 'Elf V - Aff-A L I. 5 , :U . . , n . '-1 ' fa LF.. f R , ' U Lf' ' in 25,1 1. 13- , , I - , ju , , ii. . lu, , . ' 'Q A1 r ww - wal - if , .33 .. A 5 ., 5 , , D. 1 1-L ' ja ,,, . , .. .lm ,. , 'fl - ni ' . xr. 4 5 z 5' ,A fr 'Y ' - A '. .- 0 I ' :ff g ',. . V1 A ,Q M 4 ,A , ,I ill mQw --- . 0 Ire. A GI ' : zap gr 53:3 'Q 5 ,Q Ho A lg I 0 rf In C I 1. f in 1 K, H. 1,11 1 .v gn, .V 1 1. 1 I , x S' . ' . N-. w . s ,I .ni N 0 X. 4, 'tv 4 ,gm .Q ...Q N1 'Nl' 'S' f 1-1 ' ' wr ,-w.:a- 4 Q3 'fr HTL., , --'- Yf :11ff' If .f ,A. .-', Y, . f, 1 A Irfan:-.r -, ibrawjg ,V-r. . 11 24-'gq.,f'-,1-jigs: 1-L: ., ,J if JH: Hirf., A ,jf -fc, eg A ,., , 1- ' v ,1 ..-H- ' 1 s:: ' ,J . -35fg'F5Ep fi-'TF Q, L ,ray .3,-',L1f2,v,, f...w-., ,. 'i1,Ps1f, fi-' 1 f -N lm Y.: , 7 . , ., T M .fs 155: fl? ,Nh sw- 'f f:J3,.':3' Qi '5- 1 'Y T5 Y F -f A 3 r s'f . A, I Ri 3 .bw r Y-, nf- ' -- Q'x'T-- L X 2 F Ii 7 A L - .Y :gym Q ,. 1. , . , -V 1,1 flaunt their bizarre show before hordes of night people . . . Benson hosts rcadhcg for a weekend . . . Grateful Dead songwriter RET Beagle CO -I— I C 0) -o 3 to s J8 CO (0 CO v. Q) For the penitents, All Saints Mass in the Mission Church EUEM nfF Robert Hunter appears with ROADHOG in Pipestage arztlaurz Jackson Browne OILCIB waiting for plays successfully in Mayer 0) 3 to 3 y with Steven Coyle and Steve Hofvendahl Directed by Steve Schultz F STAGE DOOR A classic example of memoboardia was found on a Campisi memo board Kim is in Bronco Corral studying for English, pulling her hair out, and going BERSERK! (later) Leslie is asleep- Sue is at 7-11, will be back around 11:30 Dave, I ' m so mad at you ! ! LESLIE IS DEFINITELY JK LIGHTWEIGHT!!! !! eynolds, Barbosa, Davis, and Sullivan garner 'S.:'1-'QR-Tfv E': Mil, ,,.,, . - -...-.f iLx'f532gg'jL , ' . I Y lt. ,ap .J ,v, ligLAL.A-23' e qu aslsod L-E1 xc-mls Rlgfzrir. i-SRF I is-. MQL, M- 5141 f' L.-QQ .' -' KNYTQ mxwq b5.N'RNi mylxgwxfj o :1 9 - 9' sz ' P+ . , E -1 . it-V l finish with 10-6-4 slate for third place in the TPHFT ' J . , gm , 1 - ., A ,. , ff s ' iffi li .aal , ' T , '-'1 f ' a . 11 'I a, , ,J .. -F..... ...anv- '1 I.T'.TI.'.' ug-' N. , 1 llll I v.--A 5.-.. gl 1.. src-1 . -.1 e 7-f K AU. '1'vk,v aaualaguoo Q E?-9 P1 U3 N Colorado College Air Force Fresno State Cal State-Hayward UC-Davis St. Louis University Cal State-Fullerton UCLA UC-Santa Barbara University of British Columbia use San Diego State UC-Berkeley UOP Sacramento State USF Stanford San Jose State ,mtdfff 'wx 4f'f Sa11taf,4Q LK mx J Q? . 1 1 f,.,?-. Foo KJ ,jm gr J I IIE- Gil 1 SMQEEM MMWQWQ SmmmwmQ C,2uraQ H 6 ' f2-F715 W' NMMXQMM gSdQtaAQ1araf' Ggara 4 453' 'Q1f9'J , 15, 'I -',..k , w,. A I, ,, J : A qi yr If .L xiii. wx ,F f Y 4.725 , rm, ' 1- -N. I X' f J,-41 x 11' ,QR xv., ,, ,J L U ,..,.' mfg? ri., f .' J .l. ,I J' 21' M Q J XL Lf-f -LJ K. i, ,W -Ja13A'f if fl ff! f 0 I I I I I 1 I m H MV- . fl%3r FOOTBALL EM g Santa Clara 47 Santa Clara 37 Santa Clara 45 Santa Clara 31 Santa Clara 39 Santa Clara 14 Santa Clara 33 Santa Clara 15 Santa Clara 13 Santa Clara 14 Santa Clara 20 SCOREBOARD St. Mary ' s Sacramento State Cal State-Hayward Portland State Nevada-Reno Cal State-Fullerton Northridge State San Jose State UC-Davis Puget Sound Fresno State hamper Broncos . . . Tlernan -8 ) E x 0) x: a) Pat Coughlin injured. . . Dennis McClenahan shows he knows where to be ■ They work their butts off all year but then some turkey blindsides ' em. . . undergoes fourth knee operation t foot power . . . Broncos break streak with homecoming victoru over . . .and they end up waving pennants from the sidelines all season. with late game field goal. . . Puget Sound i ) o cm c c V) 16 S 1 0) J-c § en 8 c o d3 Northridge 3 ? 01 I Q- CL . . .Rich Brown wins MVDefensive player award women ' s volleyball «• • • PONNDERPUFF S football has largest turnout of any year . . . Hot Rocks and Gang Green threaten FOWDERPUFF PCWDERPUFF Screwdriver domination . . . Teichgraeber sisters and rest of ' drivers ® o s ■-1 CO o Locatelli disagree . . . Vadnais steps down as men ' s intramural football head . . . Season finally under way with Law school dominating . . 1 ■taivvHi capturing the moment 11 cl iss Stand by to cue talent, stand by to bring up audio, stand by to fade up on camera one. OK, audio, give me a beep. 10, 9, 8, 7, 6, 5, 4, 3, 2, 1. Cue talent, fade up audio and fade to camera one. Camera two, get a close-up of the talent; ready two, take two. Camera one, give me a medium shot of the product; stand by to dissolve to one and dissolve to one. OK. Ready two, take two. Stand by to fade to black with audio on five, 5, 4, 3, fade 2, 1 black. Stop VTR. Engineering, do we have a recording? Thank you. Crew, thank you, the show went well. Thirty seconds exactly. Not one second more or less. A PSA (Public Service Announcement) is fairly easy to do, but it ' s that damn clock you got to keep your eye on. One eye on the clock, one eye on the monitor, one eye on preview and the other on Privett to see if he ' s smiling. Hell, you gotta have four eyes to be a director for a TV show. And on second floor St. Joseph ' s, it ' s no different from any other TV studio. OK, strike the set. Fr. John Privett, director of the television facilities is a silver-haired gentleman with the wisdom of the ancients and with the heart of an adolescent. For the next two weeks we ' re going to be putting on our entertainment show. They ' re to be seven minutes exactly and you ' ll need a full production book. And I ' m sure you all have your talent by now. In four days, each of the ten students in the class is expected to find his talent, write and script a seven minute show, prepare all graphics and production props needed, rehearse the show with his talent, set up the lighting design and floor plan and keep a production book of exactly what he is doing when and why how who it involves. Finding talent is fairly easy. You know some guy who plays guitar pretty well. And even if everyone you know is unentertaining, you could implore the services of a number of talented guitarists and actors who place themselves at Privett ' s disposal. Hell, there ' s a lot of creative people who are willing to ham it up before bright lights and cameras. Scripting your show is a bit more difficult, though. You got somebody to play guitar, now you gotta get two or three songs, work them to fit seven minutes, and figure out your camera shots. You got two cameras to play with and a third for slides and graphics. ' %, ■■a qw, 1,. .. , s'aFbQ-51:4 12515 , pil. 514 351.5 'g-v:.':3 fcgiqif A I +-1 f. 2 :mf There's a lot you can do and it's up to you to choose between a close-up or a long shot. Maybe a slow zoom-in would be more effective. You can't go from a close-up on camera one to a close-up on camera two because you're just getting the same show, and you can't go from a long shot on camera two to an extreme close-up on camera one because it's too confusing. Straight-on shots are dull and the vectors have to be right. The rules you have to follow are the ones you make for yourself. Those and the ones Privett tells you to follow. All has to be planned before the show or you'll find yourself taping the back of someone's head at just the wrong moment. You're not quite done yet. There are the props, cue cards, slides, backdrops, graphics and beer. lt's a good idea to give your talent a six-pack after the show to keep him happy. There is a lot of busywork. You need to draw up a floor plan, a lighting plan, a crew and talent and slide and prop and rehearsal and graphics and audio and camera shot and fact sheet list list list list list and tie them neatly together with the left over bits of your typewriter ribbon and call it a production book. Monday's your production so you spend Sunday night rehearsing. Your talent is thirty minutes late and maybe you can get about two or three people to give you a hand with camera and lighting. Lighting's a bitch because it takes about half a year to set up. You need a key light, a fill and a backlight for every subject. You have broads, scoops, fernels and ellipsoids. Take your pick, take your ladder and focus those lights right where you want and hope they don't get changed around by the TV-operations one class. Next you figure out where you want your cameras. You play around with different positions, different shotsg you arc here, truck right then dolly back. Zoom in a bit then tighten the shot and it looks pretty good. And besides, it is all very Freudian. Then you play with your keys falso Freudianl. Keys are images which you electronically place over your base picture. Most of the time your keys are credit slides but you can' key anything over your base. lt's a lot of fun playing with the switcher, dissolving from camera to camera, taking to effects, then using the wipe bar and slipping the screen and playing around with S500,000 worth of circuits and such. lt's almost as fun to play with the audio board. You are faced with a row of dials, a row of switches, a myriad of knobs and colors and push buttons and they all mean something and you yvish to God you knew what half of the dials on the board were or. lt's a lot of fun playing around with the toys. . .when there's no pressure on. You roll at 4:30. Beep is at 4:29:50 and you have 30 minutes before beep, now! Assistant directors are good for lots of things--getting your talent a glass of water or running back to your room because you forgot a prop. But mainly you use them for keeping time. It's nice to know when you have ten minutes to get twenty minutes of rehearsal done. The race begins: it's you against the clock and Privett is sitting sternly taking secretive notes. A OK, camera one, your first shot is a medium shot of the talent. OK, now zoom out a bit, zoom in a little, OK, hold it right there. We'll open with you. Camera two .... The instructions come out in rapid-fire succession, paced by the ticking of the clock. . .until something jams. Hey Privett, where are my slides? They're not done! My God! Ah--Mike, quick, go to audio-visual and pick up the slides! and hurry!! Alright, We'll have to go along without the slides for a while. You stumble ahead, giving last minute instructions to your crew, hoping to avoid catastrophe. Hey, camera two's dead! Engineering, what the hell happened to camera two?! What do you mean you're checking the circuits? We roll in eight minutes. Please hurry. Thank you engineering. n g v mf? 'Nr :qlwi R! 'U O. 1 -eL,.1,ey5.l , , . ,. bf ,v n..., W: JD: 1'3 - Q 5 .L.-1 , . r' f ' gf, .Jr-W Lys-- 'ffih 2 f. Ar. 1 -Q fvf:1:? .ivn laam..N. -a 'Q PROGRAM I 1 do U- fn, 4.14. 1 in ,. gn. X Q . .. ,a 14,4-. QL Qi' There ' s a lot you can do and it ' s up to you to choose between a close-up or a long shot. Maybe a slow zoom-in would be more effective. You can ' t go from a close-up on camera one to a close-up on camera two because you ' re just getting the same show, and you can ' t go from a long shot on camera two to an extreme close-up on camera one because it ' s too confusing. Straight-on shots are dull and the vectors have to be right. The rules you have to follow are the ones you make for yourself. Those and the ones Privett tells you to follow. All has to be planned before the show or you ' ll find yourself taping the back of someone ' s head at just the wrong moment. You ' re not quite done yet. There are the props, cue cards, slides, backdrops, graphics and beer. It ' s a good idea to give your talent a six-pack after the show to keep him happy There is a lot of busywork. You need to draw up a floor plan, a lighting plan, a crew and talent and slide and prop and rehearsal and graphics and audio and camera shot and fact sheet list list list list list and tie them neatly together with the left over bits of your typewriter ribbon and call it a production book. Monday ' s your production so you spend Sunday night rehearsing. Your talent is thirty minutes late and maybe you can get about two or three people to give you a hand with camera and lighting. Lighting ' s a bitch because it takes about half a year to set up. You need a key light, a fill and a backlight for every subject. You have broads, scoops, fernels and ellipsoids. Take your pick, take your ladder and focus those lights right where you want and hope they don ' t get changed around by the TV-operations one class. Next you figure out where you want your cameras. You play around with different positions, different shots; you arc here, truck right then dolly back. Zoom in a bit then tighten the shot and it looks pretty good. And besides, it is all very Freudian. Then you play with your keys (also Freudian). Keys are images which you electronically place over your base picture. Most of the time your keys are credit slides but you can key anything over your base. It ' s a lot of fun playing with the switcher, dissolving from camera to camera, taking to effects, then using the wipe bar and slipping the screen and playing around wit h $500,000 worth of circuits and such. It ' s almost as fun to play with the audio board. You are faced with a row of dials, a row of switches, a myriad of knobs and colors and push buttons and they all mean something and you wish to God you knew what half of the dials on the board were for. It ' s a lot of fun playing around with the toys. . when there ' s no pressure on. You roll at 4:30. Beep is at 4:29:50 and you have 30 minutes before beep, now! Assistant directors are good for lots of things--getting your talent a glass of water or running back to your room because you forgot a prop. But mainly you use them for keeping time. It ' s nice to know when you have ten minutes to get twenty minutes of rehearsal done. The race begins: it ' s you against the clock and Privett is sitting sternly taking secretive notes. OK, camera one, your first shot is a medium shot of the talent. OK, now zoom out a bit, zoom in a little, OK, hold it right there. We ' ll open with you. Camera two. . . . The instructions come out in rapid-fire succession, paced by the ticking of the clock. . .until something jams. Hey Privett, where are my slides? They ' re not done! My God! Ah--Mike, quick, go to audio-visual and pick up the slides! and hurry!! Alright, we ' ll have to go along without the slides for a while. You stumble ahead, giving last minute instructions to your crew, hoping to avoid catastrophe. Hey, camera two ' s dead! Engineering, what the hell happened to camera two?! What do you mean you ' re checking the circuits? We roll in eight minutes. Please hurry. Thank you engineering. m .alt F Q . i 'Q-, Qs... '+,. Wu V., 1. I K sl' I S XV qw 'ra nijfmii' ,, ' G'-Ajffv 'WNQEQ r f W .Pi , 5.1 'Tix -.-vi' B9- i J .Y -4 617- H 4, , .555 Q 5 - +P ' . f, 1 .,: 1 . 531 -jr? : --.1-.L-',,4..,,: . . V , sv' Y You ' re going through your first run through. Your audio engineer still doesn ' t know what you want. Your technical director dissolves to two when you want to take to two. The lights aren ' t bright enough, the slides aren ' t here, your cameramen are playing war over the headsets, your talent is getting tired and wants to go, camera two is fritzing out, Privett is watching you and slowly shaking his head, and you want to jump up and shout and scream and then, slowly, gracefully, calm yourself because you roll in four minutes. The slides arrive, camera two comes to life, everybody senses your panic and quiets down. You start the rehearsal. Things begin to look good. You cut two minutes before you roll and take the slate. Slate, where ' s my slate? Didn ' t anybody prepare my slate? Another delay, another catastrophe, but by now you ' re numb and too haggard to care. OK, we ' re going to roll without the slate. Engineering, roll the VTR. Everybody stand by; stand by to cue the talent, stand by to fade up on audio, stand by to fade up on camera one. Audio, give me a beep. 10, 9, 8, 7, 6, 5, 4, 3, 2, 1, . . . Thank you everyone, the show went well. That is, except for those times you gave the wrong directions, your talent forgot the words to his song and your cameras fell into epileptic fits. Hell, you think the show stunk, but it looks alright. Privett is laughing and that ' s a good sign. Your assigned show is done and you move on to the next one. That night they ' re taping an MBA show. Ackerman is directing it and he asks if you could come around seven and man a camera. A group of MBA students are staging a show entitled John Boy Walton Learns About Customs Law. MBA students are, by their very nature, dull. Their shows reflect this, especially when they try to be clever. You grab a camera and go to sleep for a half hour. The show finishes, you strike the set but you don ' t leave. You hang around a bit, learn a little about the equipment, goof around a little, talk about the various shows. There is an appeal to the studio and control room. You grab a chair and watch the tape you made earlier that day, laughing at all the mistakes and seeing what worked, what came off well. You sit back and relax. A television class is different from any other kind of class at SCU. It ' s a course which you put more work into than the majority of your classes. It ' s a course where you not only work with your mind, but work with your hands: working camera, audio, manning the switcher as TD, or managing the floor. It ' s a course which you really care about, because you ' re creating. You ' re creating something which is part of yourself, which you want to look good and be proud of. You work because you want to, because it ' s your class, not Privett ' s or anyone else ' s and you don ' t really mind putting all the work in. There ' s an appeal to it. You find yourself wandering into the studio, to see if someone needs a hand. Hell, it ' s fun. And John Privett ' s a great guy to work for. And it beats doing Accounting homework eight days out of seven - _, 5? L — n ' ' 3P F y timothy leary IS NOT DEAD don ' t be caught outside looking in ZZYEARBOOKS ARRIVE! RED WHITE BALL A concelebrated Mission Y1Q CX S S begins the festive :Daq -d ' and the inauguration of its 26th President . . . Luncheon wines and dines faculty, students and guests in a -%4 ceLeBRatfoQ AV W of Fr. William Rewak, SJ. rfS . % % v every -night S p«-la m jood -foo (  900 rnujtc. ancl goo i company , v xpie-eating V contest V (0 J-c 0) JO Q UJ § u UJ O I UJ UJ CJ § o z 2 CO o jr c o ' 55 c o is 3 I I ) J2 13 o ■ - § —PETER NEROH 7 CQ 6 s: 3 CQ 3 3 O c 3 n t) c i R Q- O 51 to r-t- 3- o 35 1 G 1 .-rr m -■•■ ■rl ■i ' r .-flS.- ' -,::Oi 6 ■ ■aaaa Famous economist - As an actor who has IS onth for black studen a special m rtllllr IIIII1 lla ralt YI? S019 99 IIQLU '12 Bnoq xppapalzl uo Suglaqleii uosu gg. ET CO EL' LE. D' r-+- v-h 2 SZ N 9 O E.. E SQ U! xouoq go ,PWS E 3 z 5 wo B xk.' ,544- v Ilcni Q 'ell Al 5 n . N , , , A . L-is V IQ . 1.4 .. ,. ' 'Air 92 , 5 51.3 ' 'U j J val X . 'ff ,. if ., . , ..,. I 1 . X wi la 1,1 ut!! have shows in deSaisset World acclau hfanfim ' s $)au- A rthur Bgrjj lmnlt $ c -a 3 _ £ -t-i c I .2 a CO ■8 co 3 3 CQ D) r-t- 3 5 CQ O 3 a. s a- ? c§ 5T jhuU HISTORY MONTH Iteni Cnsscllc have shows in deSaisset . . . World-acclaimed actress Vinie IUpitows comes to SCU . Dr. Flora Schreiber, author CLYDESDALES V .4 X5 AL, F. 'Q n Y 1 45 .f 1 I TTT! - with Deardorff and Joseph xi If .1 N6 tl'-Avjjvig -' H M 9 . E TY? ' f-Tw . Fir? - U, W.- W V if jf! ,. r A, ., sn.. , W , ,r : ,v. v.1kV-gi31t.- , . 4 V .,.,- .X L, I Vx . MGH -+ ' V.1:.'.' - xi SE, 'ww .V ,, rf. '-ff'-',v., 'IL X jimmy seals clash crofts poetry reading Ji 1 5 : ; ■§fe $ morality play iuJ - ' ' .  -: F 4 with A I ■ ■ f 4k? Mfi 1 m PL m £t •■ •) 1 rii 1® ffiL 1 -  i B m m u{ S T« . , 11. Q f . 125 V L: 1 ' 12591: cw uf ' vt A , . .. . x P V 7: I' - 4 554 V ya LE? in Q' 0 aiu.,- O -4- .',- L3- 6? 15- , . 9 Q I i. H 10 1 F I .1 3'liv2 1 N 2 A' Y, A ' 1 .. . .. fN 'wx E 'zf Q ' al X - X X 4. 5 , 'i I . - ' ' F5 v- l 'Q' 'H a f A ek' f . . w' n- FY . .f -l' A 'I . , 4 IPM ' 'Z 1 11' ' ' 3. W -X ' 01 r .Q - If gf ' O ' 3. M. 'gi f M . fa... I . I I A I . ,urn- 5 . in a Dead Week 1CU VS USF! v . It was the most intense moment of the year. We had one of the best basketball teams in the US beat all over the court-the fans had been standing, screaming, praying since the BL Ji JSa p Ct- 1% v% if. Si, f « si „. sf -« :v [tv 4 opening tip- -we ' re ahead by a point and only eight seconds to go-- (JSF guard Cox takes a prayer shot and- -it goes in and- -the game r H 1 M : ' jr : $■■■ - VP v Vb ■■ K ' $ JP .- J m • BRONCO BASKETBALL jr s S seeking title . . . Eddie Joe Chavez displays teamwork, setting three records for assists . . . Cager Steve McGee provides fans with n-- - uv, V5 ' 'ua 1 ,4 .. Q , if 53 1' 1 9-,ka Taylor . . . Team finishes with 17-10 record and 2nd place ' 1 f 1 H Fl Sf 'ff- fZ BASKETBALL ...- SCU Opponent Republic of Chlna Chxco State Stanford UC Santa Barbara Sacramento State Hayward State Florlda State UOP Dayton Kent State San Dlego Un1v UOP San jose State Seattle Portland 2 OTQ Loyola Pepperdine California USF USF Nevada-Reno St. Mary s St. Mary s Nevada-Reno Pepperdine Loyola Portland Seattle 74 mstli--1 6 4 7 'Q l V I .s,v O ' f lyk , teal' nf-',4,1',. '..-v-v-'- N -,060 143181. ' Y Q ' D 3' 'aw YQ P' ., . HX 1 x ' M, .f T ,,! lf SCOREBOARD .Nc ff 1 Jw, 7 M ,f ' 127 ' ' 89 N 7, . 71 ' 65 'J '7 J, 84 87 , 7 A 73 - 82 I 94 81 A ,AQ I 86 60 ' 'i l 80 ' 94 77 82 81 90 79 71 H V 80 ' ' . 74 j 1 ' 89 74 Q -'L' 73 69 . 9 6 64 73 .aI,7 . 102 Q 94 - 'S , 79 72 ' ' 74 70 76 69 68 74 4 70 71 A 71 69 90 ' 73 , . 91 ' 93 86 82 89 81 P' 72 69 73 78 85 1 California honors and unanimous choice All-Conference . . . Theus garners honorable mention All-Conference along with Chavez and Jfj -- iTf ' w 7i . • Taylor . . . Team finishes with 17-10 record and 2nd place BASKETBALL SCOREBOARD scu Opponent 127 Republic of China 89 71 Chico State 65 84 Stanford 87 78 UC-Santa Barbara 82 94 Sacramento State 81 86 Hayward State 60 80 Florida State 94 77 UOP 82 81 Dayton 90 79 Kent State 71 80 San Diego Univ. 74 89 UOP 74 73 San Jose State 69 64 Seattle 73 102 Portland (2 OT) 94 79 Loyola 72 74 Pepperdine 70 76 California 69 68 USF 74 70 USF 71 71 Nevada-Reno 69 90 St. Mary ' s 73 91 St. Mary ' s 93 86 Nevada-Reno 82 89 Pepperdine 81 72 Loyola 69 73 Portland 78 85 Seattle 74 V ' fi O v |MMW!tMPM « 111ft- 7 5ii'iif'is1:ff 'iw- N ' ' '- '.', I-. I ff' .5 players . . . Team gamers first in Santa Cruz tourney .gal BR Haw. 'N uni , , GaryElam, R1chRosendale Mike, 1' M A - .?',l?r-V. 3 , ' , E. ' wi :R-sf ' ' A , 1 -lrtlnsnn Haiti I .1 if ■ I R straight . . Janet Stemer leads with a whopping 20 pointsper game average Or so he says . . . Despite despe ate efforts women cagers ose qz'i',,.4 --is 1-nl' f .... 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JN. 1 'N , 1 X - ' 1 ,V ' , V H I 3.5 -51' 1 1 I V 0.- -gv f , I ' AGM I g' . -+2:'.,:1-w-'.uQ:.':,21fgi, , f ' fu' - - - Elkins, Caulley,DeBarbrie, Cirimelli Au -Ex return to s , J, js- - UCI-A fOL1fl16yS - - - DeBarbr1e takes tham ionship . . . SCU career as first women ' s scholarship athlete up :- VI' r1 .'H- n 1' ,. ', 'C 4 lvvfff-1 fl 'I - , u K. . A F' u 7. ' . L ' 'rg Jw. u , T X il 1, ., F v'f'Q ,fm .. Q . ,- .,,', ? . C K.-nr RQ . I V ,-' '- , ' ,V -.5 1 NF . 1 cf- iff ww- . ' ', Welif ' 4-si ff' all . gf--,iff ,fb ' . Wai,-it-1g1A,:7r7.4 if .. -'JN rf'-1 f fx -1 -A5 .-'fi W 4- .- ' . , f, 3 fs - A ,- 1 A ,T . V . . V --' xfi L , ' Ji., ' .A V' H'-' I, + ' . x 12'- P' I :f-Lt , ,, -3.7 ' 'X' -Q W' I' .: -' L -'31, Q' -. mf ig, '. 5'! ,4,-..- ,., fur ,- :- .- -fx' --x T545 . ' 4, A-. .. -qu' . r ,, : 11 -,,- ,- ttyl , -., 1: ,. , A 0 V L, , 4:11-QLt f4 , - f .A -. gr ' Es, ,-E: Q- .. ufgf - ,psf W, . 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H ..£!  3fc 2 ft! i - - . - • - 3- -is ! ? ■. ;-.  . yfcjs Hrvr : ; ac • •H , i £ M 3 Back sbacD ! peterz Lasfcb ueffrzey ball a. p (xxicdhtj 010 M 010 0)0. lorraine abate lyman abbott sharon aby cam ackerman james acosta barry alderson marie aliotti patricia alvarez william anderson angela anhalt nancy agan david alfaro rick alien John anderson cynthia andrade Janice armento paul ahnberg helbert alfred Janice alsterlind roneva anderson m. al-rabaidi dave atwell matt aubertine miguel avila melanie ayau jerie backer FROSH Devastating Lorraine Abate :: anice bal nancy baldwin bill barkett matthew barmore michael barnes gisele barreras kathleen bariasi anna basile mark beauvais robin bechthold ■ mary beekman I chris bennett I david bernard | camille bertoldo chris best monica bezore fred bicoy Virginia bidegary Joseph biggi lisa blackhall cindi blanc mike bobbitt jeff bocci becca bohn kathy bollard kevin bolster laurie borello teresa borra bill bosch mike boston im bouquin jeff bowers John bowman david bradley brenda bremer ann brennan scott bridges michael bronecky clare brown susan brown torn brysacz linda bunn paul burke 8th floor Swig is too noisy for FROSH Joseph Biggi , so he takes his books to the party on 7th floor . . terri burke lynn butler cindy byerly maria cabrales I rickcahill I armando calderon I michael callahan pat camara michael camarena natalie campos james canales Christine canelo mary ann capule louis carella tricia carew elizabeth carpenter gary carpenter al carrasco kathy carroll robin carroll james carter diane carty jean louis casabonne rosemarie caserza FROSH Jim Bouquin succumbs, takes yet another study break . diane caso teresa cattermole gary chapman anthony castruccio michael chaffee joni chiesa jacelynn catala angela chakalian chinse chiu ron caton natalie chang Steve choquette Christine Crawford Janice cregan sue Crocker betsy crosby kathy cross Catherine cruz im curran mary curry brian cuthbert marney cutler david chow mark christenson Steve collins lynn combs terry combs bill connell rosa contreras laura marie cooper John copeland kevin corbett nancy corbett gina correl thomas cosgriff gilbert cosio rich cottrell annette cracolice barbara de bencdetto trina de la chapelle deborah de mattos katie deegan thomas deline michael delohery kevin denny clara diaz deeann dickson colleen dieterle serita dixon mike docherty maureen dodd mark doiron peter dolan bruce dollin William donnelly kerry donovan eric douglas sheila doyle nancy drummond claire dudley thomas dugan edward dunne dennis duvall tim earle J J Bi mary eaton regina ebert Tl-T to l 4P t_j ' -A ' i, • « tkJ 1 Deegan . . . FROSH Mike Flores hoped that roomie Tom Deline would settle down after first quarter . . . FROSH Tim Foley decides zelia escobar steve espinola William evans dave everett sean everton Catherine ewers paul farley kelley farrell patricia feeney mike ferrando julie ferrari annette ferrasci ■™ V michael ferreira torn ferrell i 1 jk r wL p fred ferrer mark ferro missy figara grace fitzgerald K:| maureen flores mike flores tim foley jfeP 4w inda fung tim furey denise furtado brian garcia hank garcia columba garcia darrel gardner ynne gardner robert garner homas gerner matthew gerst karen giannotti marie gibbs jon gilbert maureen golden liz gomes toni gonnella guadalupe gonzalez rose gonzalez Jeanne gordon james graham chris hammond aida hamshari jennie handle wayne haraguchi christie hardw ick michael hartman torn harvey michelle heady maureen hearne mike heffernan rollie heitz kevin henslin michael guidry estella guina rodrigo gutierrez mark haaland lauren haflinger julie hagan owen haggerty brad haley dennis haller anne halley jim ham tina hamilton doug herman ralph hipps timothy holmes jim heupel marc hirten elena hopkins bob higgins frank hoffman marie hotaling michael hinds ed holleman david hughes brad hulsey John hunt mike hunter roberta hunter Steve hyndman isa ibarolle fermin iduate jack ikeda overland transport between school and the Great Northwest . . . FROSH Douglas Kaufman leads war games experts on 7th brian kelly elaine kelly jim kelly susan kelly Suzanne kelly rob kelm pat killen gretchen king robert king trina kleist chris konwinski les kooyman david kovac cynthia kralj John kurzeka paul kuykendall perry la forge peggy lamb kay lampe otis langhoff joan langley michele lasgoity | carolyn lawes karen lawson alec leach garrett lee ron lemke John lei.nski victoria lewis james lima patrick linehan dave litwak scott lloyd kathie lo piccolo rose lo-leung pat loftus bob lohr louis lombardo gregory longworth howard loomis floor Swig . . . FROSH Louis Lombardo decides Math 53 was susan lopez nancy loughran henry loza | robertlucas roberta lucier i mike lunas I james lopez liza lopez ruban lopez james lynch sharon lynch lori lynn Steve lyss kevin maas chris maese george maffey anthony maggio debra maggiora michele maguire tim maguire jerrold malkin dan maloney paul manglona chris marchese joe marchica colleen margiotta anne marien raymond marino pam martin sandee massei glenn matsumura chuck mauro brian mc bride michael mc earthy lee mc cracken tim mc elroy mary mc farland susan mc farland scott mc kim susanne mc lean enough math for a general humanities major . . . FROSH Anne Marie Marien has attained stardom-thanks to FROSH Paul jan meacham ken merricks marlene minasian dave mooring steve muehlberger donn myers ann nemcek louise meagher pam mestice claire mitchell bob morales joan muenzer bill myers eric nettesheim debbie medeiros marie metevia dale mitchell rick moreno tim murchinson jo anne nakaso Suzanne newman ron mendes paul milioto jeff moler guy morrone margaret murphy tony nasch ron newsome lynne rnercure John miller john molloy frank mostero michael murphy daniel nash kim nichols carolyn meredith tim miller eileen moore pat moty pat murphy annette naughten lisa nicholson d.j. mergenthalcr valerie miller thomas moore tressa moty paul murray margaret nelson kathryn nickel Dave Mooring . . . Winter john norcross julie nunes lee nordlund martha o ' brien theodore norman katie o ' connell jimnulty rich o ' day lisa anne o ' neil mike o ' sullivan ross ohrenschall irene okita steve olsen robert orbeta john overstreet tina pandolfi I was up until almost 12:30 last night studying! -a sleepy freshman fighting for a cup of coffee pam pereira Stephen pessagno Jennifer pettis mark plummer susi pereira gayla petersen wendy phipps nicole poleselli Janice perez carol petersen ricardo pineda steve poison bromley person frank petrich tim piper brian pretti -take one page of notes a term . . . FROSH Pat Pascual owes his liberal outlook on life to living with Dan Popkey steve panelli patrick pascual susan patridge martin pell | sylvia penunuri Jessie penunuri rick peoples claude perasso lorena pereira kathi priego fabian proano nick procissi michael quast bill quinlan dolores rael dave putnam andre raiche I ' m so proud of myself, I was in the library for almost 2 hours studying -freshman coming into Benson  t M a a FROSH Marty Pell goes 45 days before consciously making the decision to go to sleep . robert ramos mark rapazzini william rasmussen lynn reiter eric remson pam resetar gregory reynolds bob reynolds elizabeth richard paul richard ron richardson tim richter michael riley cynthia rodriguez tim rios curtis rodriguez kevin robb maria elena rodriguez angela robbiano philippe rolander liz roberto steve romano raymond rocha patt romero peter romero owen money cheryl rose howard rudolf fernando ruiz ann ryan wayne sabatelli sima salah sblend sblendorio tammi scheck dauid samson martha scheerschimdt dan Schneider dan schurman linda schwarz dianna sana kevin sargent mindyschell karen schwegman fritz schissel alex scoledes IP 1 jeanie sears mary seckendorf duffy segale paul seidel debbie seidler mike seifert georgeanne sekerka david sekigahama anthony severini david sherry bill skupowsk dick shanahan kenneth shimabuku karen sly Suzanne shaw judy sieben francis small steve shea scott sinnott Joseph smid donald smith rick snyder therese Stanley faye stowers greg smith mark soldati tracy stempel aimee studdard Jackie smith mike spain mark Stevens bart sullivan Jennifer lynn smits john spence nancy Stewart bob sverak joan snopkowski laurence spitters rick stolz kathy swan one term of Swig life FROSH Mark Stevens hightails it for home . . . kirk syme sandra tallerico irma tani marijane taormina frank tapia jeff tedcsco tamara teichgraeber cathy terry denise tesiaguzza londale theus patricia thomas randy thompson theresa thompson doug tierney deborah tietjen dave tjon nick tooliatos mike topalian michele torr joe toste John tralongo sue trieckel michael truesdale marc tunzi brendan twomey steuen undorte mary urhausen dan Valencia paul valva debbie van olst toni vargo juan villagomez jean von der ahe judy von der ahe jim voorheis margaret ward keith wardell mike wasserman pamela wat suzanne webb philip weber John welch kathy werra Jennifer weston carin white carolyn white donald whiteside Joseph Williamson kerry willis bob winslow maryanne wojtan raymond woo John woods david wright bob yeager markzamberlin gretchen zanger don zapien chris zona KH £ • Vl if H§ Bi C VI ■■ P L.-SfcT J M r v .. V Y A richard abruzzini tina adza brenton achee john albert chris adam ed albini brendan alchorn george allbritten kathy armstrong paul baca douglas alchorn karen anderson rulaatalla brian baker glenn alfaro gustavo andrade sandra avolicino lance baker lynton baker michael barbarino shannon barrett i 1 v v M SOPHOMODE bret barton donna baty john bauman colleen beamish liz bear tim beaton kevin beauchamp ken beerman thomas blomquist dave boscacci rich bluth peter boscacci david bobroff michael bowler mike bommarito therese boyd cheryl bond denise brazil gary bong grace brennan timothy bonnel getulio brewer SOPHOMORE Liz Bianchi discovers the true theresia bridgham eric burkel steve caletti sheri brooks david burlini dolores calvo richard brunadcr thomas burns carey candau kip bruzzone maria cabrera craig candau jim buckley paul cafarella chriscardinale mary bulcao sarah cahill daphne carlson tim burke donald cairns elisa carlson CQ T 8? -t 3 5 ' cr Si c r-t- O 3 c CO x 1 o John carpenter sheila carrigan eloy carrillo kevin carroll hn cartwright reid casey Joseph cassetta torn catchpole dennis caulley glidell champ elizabeth chang roger chetelat louis chiaramonte teri chilton ron chiri nda chow holly christensen darlene cimino Where is the sophistication I ' ve supposedly gained? ' — sophomore just before finals for that one night last November . . . SOPHOMORE Ned Congdon laurieclark kathleen elements mark Connolly michael costello lori dark joe collins todd cooper lisa cox john clarke ned congdon nora cortes ginger craig 1 • If] fails to catch frisbee in Benson- -Frisbee winds up as main Helping Other People take c -a ; -a c 0) CO c XL c 0) c 0) o i 2 Cl 8 Si -t-l s- (0 c larry crawley gina d ' ercole yukiwo dengokl barbara cringle evelyn dagdag robert dennis Patrick crosby steven dalton mark dettle david cross earl davis michael di blasi john cruden jerry de cesare sara di carlo wally cunneen michael dee henry dill john Cunningham thalia denault michelle doherty B Pi theresa downer rick downey kevin duncan jami durgin jamescbert david ehlert ken eklund paul ehlenbach chriselliott sylvia espinoza dennis estrada bob evart david fabrizio linda facio annette fajardo robert falletti jeff fanelli anitafarley mark farlin james farrell nick farros michael fauria kathleen feeney jeff fegan jim ferenz bruce fields elizabeth fernandez dan fijan steve ferrari lynn filippi michele ferreira gregory finn dave fiore ken flaig henry fisher carolyn fletcher John fisher cheryl ford frank fitzpatrick Joanne formato kristen fowks katalin gallusz margie fox Vincent galvin cheryl frcitas mariogarcia william friedrichs andre gerner david frye kurt geske kevin gallagher andrew getas jimgalli diane giannecchini ken giannotti cathy gilroy jeff giroux ed glad robert glick mark goebel cary goepfert patricia golden Patrick gonyea mike gonzales irma gonzalez laura gorski karen gouker dan grady daniel graf geoff graham cynthia gray keith gray elaine groppenbacher sue grover betty gruber frank guerra adeline guerrero John guinane susangundunas peter haley aline hallenback kim hamblin douglas hart barbara heebner brenda harfield carol heger mike hausler kathy helfrich sue hausmann ed helms I IV Carolyn Fletcher, for one precious night in February, did not study for a test . . . SOPHOMORE Laura Gorski takes Economics II peter hemmen pam hernandez karen hockemeyer gerald henberger jim herrera jan hornberger liz henderson suzanne herrick david horstkotte creta hendricks chris hill barbara horton barbara house leslie iacopi tamio ishibashi sandra Jennings rizwan kara ken hurley carla idzi sheryl iwatani mary Jordan mark kaufmann ann huston betsy ingram torn Jamison torn kachel anne kearney katie hutchison kirk ireland nelda jasso karolyn kane dan kelleher SOPHOMORE Jerry Henberger still holds year-old Wang record for Most Bounced Checks . . . SOPHOMORE karen kelleher lisa kieraldo brad kinsley ray la barbera Jeanne lang muffy kendig cheryl kimzey priscilla kisling Christopher lambert john langholff william kennedy kris king norman kline fred lampe ligaya larot norma lorigo John machado karen marold Stephen lotz John madigan michelle massaro august louis molly mahaney bob mc carrick aileen lowe wayne mailhot teri mc cartin rachel lozano mary anne malabed kevin mc cormick anthony lun alma maldonado rhonda mc coy alice luton greg margetich ann mc gonigle dave lauerman sue le blanc laurie lee mario lee patti leiva david leonard bro gilbert levario don lewin buy bike but backs out before burning ed mc govern lee menicucci bruce mc killican torn mc murry connie mc quiston Stephanie mc shane douglas miller marty mc veigh Stephen mingrone felix morales brigit mc waiters mari mitchell octavio morales ron merino david mexicano carol miller kelly mohr daniel molina mike momboisse torn montgomery ron moore mike murphy karie musgrove bud nameck Janet napolitano kirk nelson torn nelson ever take his hat off???? . . . SOPHOMORE Ray Polverini defeats King of Hearts Doug Salin, coming back from pamela newton m monica ng J ™. steve nichols m 4. W . ' w anne nickel caren normandin michael nouaux theresa novak jim o ' callaghan robert o ' loughlin John o ' nei John o ' sullivan tim o ' sullivan janette oakes nancy oldchurch larry oliveria louis orlando raquel ornelas leslie orta katherine oven jay pausner annepeloquin jaime pera daisy pereira neil perrelli steve petersen david peterson carl pfeiffer robin phelps davephilleo John phillips gerald philpott audre pinque katherine pizzo larry over ■ steve page tn rich pagnano M Jg bob palacios ft % mike panattoni Ml Stephen pasos fcl_ mike patton ) sd { lit ray polverini wally prawicki vince price roni priego anna przybylski mike puccinelli scott quesinberry alison quick joe quilici laura rafaty julie rainwater ricardo ramirez Catherine re kim reasons everett regua bill reilly bill reyes kevin ricketts greg riehle Steve riggs lesla riley dave riparbelli monica rishwain jane roach sharon robbins rochelle roberts diane rockwell greg rodrigues Rodrigue grows beard and turns to art (we can only pray that he hasn ' t turned Communist) . . .SOPHOMORE Rob Spero jumps lisa rodriguez pamela rogers elaine rooney waiter root david rose paul rose thomas rosman kent rounds | kevin rudy rupertoruiz julie rumann mike ruso jon ruth kelly sahm robert sanchez cathy santos kathleen smith linda smith ralph smith elene sorich 1 m 5 • -% B Y M rich speidel robert spero John Stanwyck gina stanziano richard stark carla steinkellner Catherine stinner david stork robbi stovall vicki strong patricia sullivan torn sweeney I patricia tanuseputra I paul tarantino I karen terakawa I marc teren Totah continues quest for sheepskin . . . SOPHOMORE Maureen Walsh dons apron as mike terry mary denise thomas kevin thompson david tilbury yoshinobu tokui Joanne toledo sally tompkins | miguel torres paul totah mike towbin joel traina robin tsukayama larry turner kerry twohig mark valente torn van cleave angela van ruiten lillian velasco victor viegas mike vogel ulie von essen torn wackerman bob waldowski kim walker middle of her SOPHOMORE year, Val Wong figures out what SJ stands bill walkup joann whitmore barbara yamamoto maureen walsh John wick june yee mark waxman steve Wilkinson craig young steve webb tony wilson Janice yount soon mee wee val wong carla lynn zabel mary wehrle Jennifer wood debra zidich ernie weiss leonard wright kristen zissler daoud aboujudom fred ackerman robert ackerman John adamo robert adams al agrella najeeb al musallam elizabeth alfs ronna alley frank altamura james alves eric anderson JUMItRS spark Homecoming by holding Trike Race, Tug o ' War greg anderson mark anderson susan anderson Catherine andrews Joyce apollo rose arce rachel arellano reem atalla ed atwell richard avilla maryann bagileo kathie baker JUNIOR Rachel Arellano paints her way to an art major debi baldwin jeff barber chrystal barranti denise bass John beck bill bender ken bergman mark bettini mary binckley randall blake lee blansett david blessing I martha boulanger james bowman bernadette boyd brendan brady John brandt donna bratcher lesley briggs david brodie kristi buckenmeyer mike burchett michael burgueno nicole burkel mark burnes shelley burns vicki burrola robertcahill O c c I o c cy 0) to ■B c i C o -So in I E JUNIOR Debi Baldwin, 2nd floor Swig RA, astounds her frosh floormates with off-the-map Alaska stories . . . JUNIOR mary callahan ginny carrera marline carroll julie carter david carty thaela catala mike catalano richard cecconi francesca cervelli kwong chi chan margaret chavez Steve chiaramonte Steve cinelli andy dark theresa Clifford mark clinnin nancy cole regina coniglio John connell John cook torn cook kim cornwell John corrigan richard costa leo costello steve coyle michael cramer patricia crawley barbara creger scott cromie diane cronstrom larry cummins nancy cutler colleen daley torn daley charles daniels Bemadette Boyd desperately tries to Save Miles ' ' chris de pasquale daniel delbex carl di leonardo thomas dillen anne dinkelspiel marianne dondero steve doolittle james dorigan timothy dougherty elaine drummond greg du mond donna duhe dennis dunnigan james dwyer david edelstein susan edwards susan eschenfelder jim esposito elaine etter canice evans 3t carol lynn ezgar torn fahey scort feldman dave ferrari peter filice rick foley david frank richard galiata cathy fabbro steve fanelli reni felice anita ferraro marjorie fitzpatrick amy fong john friedenbach anita gallegos gina fabrizio ed fassett tony ferrante John fidel albert flotte douglas foster james fronsdahl elena garcia Craig Elkins develops a bad case of bowler ' s thumb --doesn ' t cramp his michael garner Josephine garza kathleen geraci larry gerbo nancy gerlach raghida ghandour john giacomazzi susan giannetto maria gloria Patrick goh Stephanie gonzales janet goon elizabeth gorny kelley guasticci brad guenther kent guichard ess gutierrez Steve hageman mike haggarty cathy hamilton teri hamilton susie harris christianne hauber terri hebert mary hennessy peggy hernandez liz hodgdon sharon holsinger lonnie hamlin william harrison susan hayes barbara hefte bob henry mary hilger jeff hoff mark holt ■ paul hanna melissa harvey brian healy roberta helms jean herbert marilyn ho bridget hogan deborah horan poetry style any, though . . . JUNIOR Jim Esposito, marvelous on guitar, appears in many concerts; fellow elita hotaling keith hunter anne Jennings john juarez don houghton philip iatomase james Jimenez david j. kadlecek john hubbard brian ilgen amy Johnson susan kaita cathy huber steve inguillo jean Johnson james kanda joe hughes teresa inocencio lauren Johnson dennis karbowski bill hughes byron ishiwata margaret Johnson mary karmash mary hull dennis Jacob mary Johnson lina kawar michael kelly julie klemke michelle kukral linda kingsley daniel krassowski amy kwan kevin kirby Catherine kreyche rick curtis la lone nichael lamble inda larson eslie ann lauricella osephine le raymond j leahy III Jonathan chung w. lee david lema michael lim pamela lister bruce lloyd ay logan michael logue timothy loncarich thomas longinotti carlos lopez manuel lopez karl lucke Caroline lum mary lynch shevawn lynch lizanne lyons barry matthews katherine maurer kim mayer sharon mc earthy james mc cracken kevin mc donnell rob mc guire pamela mc kay scott mc kee torn mc quade dennis mc querry pat mc veigh philip meancy rick medeiros jaime mendoza leticia mendoza amy mickelsen Stella milo barton minor rosa miquel david mojica john monaghan mike monroe cheryl moody edward mooring sean moriarty robert mort Jeanne moskal mikel ann moty patricia muldoon josie murphy pierce murphy john musilli karen muskat michael nagel larry nally mary nangle jamie naranjo kathy navarrete xavier navarro don nejedly terri nelson kevin newsome fares nimry katie nitz deihleen noil john nunneley .JUNIOR Ed Mooring adopts an anchor as his personal logo (get it?) . . . JUNIOR Xavier Navarro buys a Fiat so he can her Japan book just before winter quarter finals . mike o ' connor ann o ' donoghue robin o ' neill michael okagaki david ong nanci ontko efrain ornelas jeff osorio glen osterhout fred ottino eanine owen ricardo palomo pattie parden connie parker frank passafuime carolyn pausner silvio pellas jean pellegrini diana perez carl peterson daniel peterson JUNIOR Penny Rich is ASUSC Election Chairperso: mary roets sara sabatini lisa santana sylvia romero katherine sada richard santana mike rosenberg lauralon sandell don santo Stephanie roy vicilyn sanders kevin sawyer paul rossell thomas sanford ragnhild saxton kevin pezzaniti greg pfeiffer caridad pias donald piombo Hb V sandra pitts Stanley poltorak p- i r barry powell sharon preston | peter quinr Stephanie ragland lynn raguse denise rainoldi robert ramorino sylvia rankin claranne ravizza william reilley Catherine reinhart John restrepo penny rich diane rippy mike rivera scott robertson pat roca phyllis rodriguez thomas sayeg david schmidt lloyd schmidt kevin scholl Steven schott debra schram thomas scoggins barbara seliger William shaw robert shepard thomas shymanski michael sinnott sylvia wing yee siu marshall smith dan soriano michael spencer tana sponsler john stinar ieanne strobach philip strutner alfred sturla kathleen sullivan margaret sullivan patrick sullivan sheila sullivan lynne sweigard eric swengen thomas taelour hanan talhouni ghassan talhouni john talia dana tanaka daniel terry kay thames Jeffrey thompson todd torn suzanne trautz mary treder james trevino william trolan ■m michael trupiano wendy tucker emile turk marva turner paul vadnais patrick Valencia sharon Valencia terence vane mariette verheecke juanita villemaire michael virga michael wabiszewski john wagner laurence wagner ' . . J feel like I ' ve just been stabbed by a red pen y -junior after midterms (not goldfish, but snakes) . . . Things take time, and JUNIOR Emile Turk ' s mustache is no exception paul wagstaffe gary walz denise warmerdam mary weagle susan whiteside patrick wilson cathy wong kitty woodall nancy yamamoto maggie yeung margaret yun greg zell Judith zilch jeanette zofinski bruce zuchowski I IU I I JUNIOR c -a 55 % -o CD ■G 0) I JO 3 1 I 1 •« thanks! Before you turn the page to learn all the intricacies involved in the workings of other student communications, a few words about this particular book (which may be of interest to those of you who wonder what makes some yearbooks come out in March) are directed here in thanks to those who executed the phenomenal maneuver that completed it. These people, who were on or near campus all summer, became the year- book staff in mid- August, when the office was all but emptied of the regular crew and a third of the yearbook remained to be done. Working around-the-clock (most of them with little or no experience, and less sleep), they completed the job in sixteen days. The applause goes to: Vickie Camgros, who did everything (and then some) from a noontime rush for supplies, to heart surgery on mosquitos; Dave Leonard, who printed pictures above and beyond the call of duty; A.J. Mclnnis, for his perserverence and patience; and Dennis Caulley, who gave us all the spare time he didn ' t really have. Frank Colarusso deserves thanks for writing sports three-dot; Mark Stevens, for drawing layouts and making all the runs for food; Linda Larson and Paul Totah, for drawing layouts and lending moral support; and Joe Tursi, for suggesting three-dot and being there to listen. Thanks also go to J.R. Keating, Peggy Hernandez, and Ed Mooring, for their time and effort; and Don Freeman, for his patience even when we defied under- standing. To everyone who was there, for your loyalty, stamina, devastating wit, con- stant good humor, and for attempting the impossible (we did itl): thanks for mak- ing it work. ■TT 1 ©MMMCATOM . . capturing the moment The Santa Clara The Redwood The Owl KSCU Like Kodak commercials are forever telling us, those little perfect moments have a madden- ing way of slipping by unchecked. It ' s always the day you run out of film for your Instamatic that the perfect picture of your best friend materializes, or your pen won ' t write in class, and by the time you ' ve negotiated for a loaner the teacher has said something totally off-the-wall . . . and you ' ve missed it. But don ' t give up hope, be- cause there ' s a number of organi- zations on this campus which are dedicated to having film, pen, or recording tape at those significant moments, capturing them, put- ting them in a pretty package and b ringing them to you capturing the moment The Santa Clara 7 read the news today, oh boy. -Lennon-McCartney There are two ways you can look at it. Both appear to be true but one view contradicts the other. The first way you can look at it is from the top. In theory, you look down on an intricate chain of command in an almost military systematized framework. People are handed down titles, given keys to important rooms, are put in charge of a battalion of eager puppy-dog soldiers and are given the authority and responsibility that accompanies such a rank. The other way is to look at it from the bottom, looking around you at the most outwardly visible. From this point of view, it appears quite the carnival and certainly circus. Everything hints of big tops and cotton candy. All around you can be found jugglers, mimes, musicians, clowns, jokesters, acrobats, ballerinas, freaks, barkers and ringleaders. There ' s even a smell of elephant-shit wafting through the air. Both views are valid, but one seems to contradict the other. That, good people, is the tempo, temper and tradition of The Santa Clara. It is this ironic combination of military regimentation and of circus atmosphere which makes The Santa Clara such a bizarre entity and which holds it, oddly enough, together. On any given production day (the day on which the newspaper is physically put together) both facets become evident A combination of confusion and order, of appearance and underlying structure, come together in each intense fourteen-hour production session. Ideally, production day begins at 9 a.m. when the production manager marches into the office in the bowels of Benson basement. The stories have been assigned, written and edited by the editorial staff. A typesetter is called and transforms them into typeset copy. The layout editor measures the stories, designs each page and hands over the lay-out design to be pasted-up. Stories are then arranged on a large, lined page Pictures and headlines are printed to fill the gaps and the finished pages are delivered to the printer. The day is complete. Work begins immediately on the next issue. New stories are created, scouted out or passed through channels and are then given to the eager batallion of staffers to be researched and written. When the stories come in, they are copy-edited and set aside for production day. Sounds simple, right? An easy, uncomplicated, precise, smooth process which should take about two or three days, no problems, no hassles, everything running fairly easy, without any hitches or confusion. Right? Right? .... Production Day: Production manager walks in, stories have not been copy-read and can ' t be typed yet but that ' s ok because typesetter hasn ' t come in yet and won ' t be in for at least an hour, editor makes entrance, four messages awaiting him one each from Phillips, Shymanski, Flickinger and Giacomini concerning a certain story which might lead to libel charges and dealing with last week ' s editorial on decrim- inalization of murder and production manager is sitting around waiting for copy editors to come in but typesetter comes in first and there ' s nothing to do except play darts and wait for copy editors who finally come in and there are still four stories which haven ' t been written and copy edftors each have two of their own to write and typesetter finally starts working, loading the film in wrong tinly to find mistake an hour later, while rabble walk in from breakfast, twenty-two clowns, roustabouts and ballerinas sauntering in looking for a reason .not to start 45-page term paper, due tomorrow, and typesetter ■ I ' II IIIMW % I i . y capturing the moment 53 Thunk.An eight. Wham. Missed. Hit the wall. Thunk. A three. Thunk. A six . . . He goes forward to collect the darts, but he doesn't bother to tally the score: his mind is busy with other things. Mostly he's trying to figure out what he should be doing right now lbesides playing darts in an empty office at 12:45 in the morningl. He could go home and go to bed. There is that option. That's one thing about yearbooks, especially at this school: you can always postpone it a day. Or almost always. You can't postpone it when Don comes tomorrow. Don comes tomorrow. Why is there such a change in the office atmosphere when those words are said? Simply, it is a statement that Don Freeman, the yearbook representative, will be by tomorrow night to check on our progress and pick up whatever has been done. No big deal, right? That's what has friends of yearbook staffers so confused. 'LHey, wanna catch a movie at Camera One tomorrow night? No, Don comes tomorrow. Don comes tomorrow, To a staffer, the words are like a far-off fire alarm: they mean that the deadline is here, that the pages we've all been working on have to get done. The red dart with the bent tip refuses to come out of the wall. As he tugs at it he's still thinking of options. Should he work on pages that they've already started, see if he can't finish 'em up, or should he try for some new pages? There's 20 hours left before Don comes, and that's about what you need to complete four leasyl pages . . . let's see, now: lfll-Ie could continue work on those pages in the Closing section--you know, the sentimental ones. Yeah, but those require a sort of creative insight that's usually in short supply at 12:47 in the morning. But when you did the Opening it was later than that, remember? You wrote the copy at the typesetter. Hm. A possibility, but there's no way to get the color pictures done in time, and besides, Boscacci's got some slides he wants you to see. Okay. Hold on the Closing. ClYou could print pictures for that special section on TV class, the one Totah wrote. Vickie has got the layouts all pasted up and Mary copyread and typeset the copy lthree timesl. All you need is a few more pictures . . . but those pages deserve the best pic printing around. J.R. Keating is the man for that: give him a call tomorrow and he'll do 'em. lfllt would be nice to finish up those pages on The Santa Clara, but that means you'll have to go through the contact books again, and it's best to have Karen straighten 'em up before you do that, She won't mind, it's only the 35th time she's done itg she'll be down in the morning. So we can't do that now.Besides, the eyes rebel at the prospect of going through those thousands of microscopic contacts for the 36th time at 12:48 in the morning. l1lThere's the Organizations section. The layouts are already done and you and Peggy have selected the pictures already and they've been sized and everything. But you promised her you'dfind her that picture of Randy Phillips, and that would require another perusal of the contact books. Scratch that idea. UAH the Junior pages need is three-dot lyou know, that line of copy separated by three dots that runs throughout the book?l. Totah wrote you reams but you still need a little more, But how many juniors can you remember trivia about at 12:50 in the morning? l:lYou could develop that film that Ehlenbach took of the Earth Family Mass. On second thought, though, why not wait for Paul and Rich Santana to get together and develop that color he shot it with as well. He said he thought those might be excellent. . . Can't do the sports sections. Those are Dennis's pages and you would rather not get in his way. No, you oughta do something else. Not work that other people can and will do for you, but work reserved for the editor. --But what's there for the editor to do, except play darts at 12:53 in the morning and worry? carcasses c cannons mph-. Junta.--. 1.-num Z NWI! 1 Iiillllhllk . IIISTIIIIII 'I'IOW G llc-d luunm- ' frhluy .hmuuryg 7. I9 , u -1 im . - .mn ,. u nn.: -.er -...A - ru D 1 i I Q ll S ,X Y sir' fi rg' it . fe .?5e1.s 'f 1' ' Nt -'mxv is unable to work with all the noise but that ' s ok because typesetting machine on rag and guy who usually fixes it is in LA and will return in March but little glue and rope seem to do trick and typeset copy begins appearing and layout editor gets to work but realizes that all the stories being typeset are not the ones he needs and rabble in the office let out a cry for Pizza! as their stomachs begin to rumble hungrily awaiting the arrival of four RT specials and the dart game in the yearbook office erupts into all-out war as the dart guns are broken out and the battling spreads into production room where half the production staff is captured and held hostage and when they are released they resume work but the cry of Pizza 1 is getting louder and headliner breaks two editors argue over what pictures to use and three stories are not turned in but then the pizzas arrive and there is peace Work stops All is quiet Peace and pizza, sodas and serenity. Editor begins berating and cursing key political figures in latest political scandal or curses because there is no scandal and nothing interesting in issue two stories still not turned in but headliner is fixed and work begins to grow intense and panic slowly begins to sink in and rabble disperses after pizza but returns before dinner to let loose a barrage of sheep and narwhal and TS jokes and sexual innuendos begin cropping up and the light table crew begins to giggle and rabble then leaves for dinner five people are left working heavily in panic-riddled room as time fades away and nothing seems to be getting done but pages slowly begin to take shape with just a few more stories to typeset and pictures are chosen and headlines are written and typed and the pictures aren ' t done yet and someone calls and wants to know if it ' s too late to submit a letter to the editor and pictures are still not done and the pages are proofread and mistakes are corrected at least those that are caught and pictures are finally done and are cropped and pasted down and last minute mistakes are being corrected and cutlines are being written for the pictures and everything is finally done and editor rushes the pages to printers in Menlo Park who has been calling for the past two hours wanting to know when pages would be done and production room grows silent as the last light is turned off. There are many analogies that can be drawn concerning The Santa Clara, from carnival to military parades. The Santa Clara, though, is nothing more and nothing less than the people who conceive, incubate and give birth to it It is these people, the creative, the rowdy, the im and mature, the innovative, the talented, the eager morons, the leaders, the followers, all the circus folk and military types--it is these who are The Santa Clara. The newspaper is an extension of these people, their writing, photography, production and editing What you don ' t see is the hours of work, dedication, selflessness, insanity, strife, despair, hunger, blindness, cottonmouth and sleeplessness (as well as the procrastination, clowning and shooting the breeze) that goes into each issue of The Santa Clara. What you read is this and more. Sometimes you might even read a little news, oh boy. ■ capturing the moment Thunk An eight. Wham. Missed. Hit the wall. Thunk. A three. Thunk. A six . . . He goes forward to collect the darts, but he doesn ' t bother to tally the score; his mind is busy with other things. Mostly he ' s trying to figure out what he should be doing right now (besides playing darts in an empty office at 12:45 in the morning). He could go home and go to bed. There is that option. That ' s one thing about yearbooks, especially at this school: you can always postpone it a day. Or almost always. You can ' t postpone it when Don comes tomorrow. Don comes tomorrow. Why is there such a change in the office atmosphere when those words are said? Simply, it is a statement that Don Freeman, the yearbook representative, will be by tomorrow night to check on our progress and pick up whatever has been done. No big deal, right? That ' s what has friends of yearbook staffers so confused. Hey, wanna catch a movie at Camera One tomorrow night? No, Don comes tomorrow. Don comes tomorrow. To a staffer, the words are like a far-off fire alarm: they mean that the deadline is here, that the pages we ' ve all been working on have to get done. The red dart with the bent tip refuses to come out of the wall. As he tugs at it he ' s still thinking of options. Should he work on pages that they ' ve already started, see if he can ' t finish ' em up, or should he try for some new pages? There ' s 20 hours left before Don comes, and that ' s about what you need to complete four (easy) pages . . . let ' s see, now: □ He could continue work on those pages in the Closing section--you know, the sentimental ones. Yeah, but those require a sort of creative insight that ' s usually in short supply at 12:47 in the morning. But when you did the Opening it was later than that, remember? You wrote the copy at the typesetter. Hm. A possibility, but there ' s no way to get the color pictures done in time, and besides, Boscacci ' s got some slides he wants you to see. Okay. Hold on the Closing. □ You could print pictures for that special section on TV class, the one Totah wrote. Vickie has got the layouts all pasted up and Mary copyread and typeset the copy (three times). All you need is a few more pictures . . . but those pages deserve the best pic printing around JR Keating is the man for that; give him a call tomorrow and he ' ll do ' em. □ It would be nice to finish up those pages on The Santa Clara, but that means you ' ll have to go through the contact books again, and it ' s best to have Karen straighten ' em up before you do that. She won ' t mind, it ' s only the 35th time she ' s done it; she ' ll be down in the morning. So we can ' t do that now. Besides, the eyes rebel at the prospect of going through those thousands of microscopic contacts for the 36th time at 12:48 in the morning. □ There ' s the Organizations section. The layouts are already done and you and Peggy have selected the pictures already and they ' ve been sized and everything. But you promised her you ' d find her that picture of Randy Phillips, and that would require another perusal of the contact books. Scratch that idea. □ All the Junior pages need is three-dot (you know, that line of copy separated by three dots that runs throughout the book?). Totah wrote you reams but you still need a little more. But how many juniors can you remember trivia about at 12.50 in the morning? □ You could develop that film that Ehlenbach took of the Earth Family Mass. On second thought, though, why not wait for Paul and Rich Santana to get together and develop that color he shot it with as well. He said he thought those might be excellent . . . Can ' t do the sports sections. Those are Dennis ' s pages and you would rather not get in his way. No, you oughta do something else. Not work that other people can and will do for you, but work reserved for the editor. -But what ' s there for the editor to do, except play darts at 12:53 in the morning and worry? H l Seen from the outside,'the yearbook should not come out at all. l mean, look at it. The amount of work is phenomenal, truly staggering, and what does the staffer get paid for his time, eyesight and razor-nicked fingers? An occasional root beer and slice of pizza. And the editors-well, cautious people always stay clear of yearbook editors because they know he must be crazy just to take the job lnot to mention what the job will do to himl. So why is it, then, that there is a yearbook at all? Why do the people do it? You could query a lot of staffers and get a lot of answers--UMasochism Hlnsanityu k'Dunno --but the truth seems to be essentially this: there is a job to do, a job not anyone can do, but maybe you can, and you would prove yourself bull goose loony if you did itg so you do it. It's that simple. What about the pay? There 's more to lhfe than money, fella, and besides, some of those pizzas, sittin' around with the staff and bull shootin', are kinda nice. What about the hours? They're lousy, yeah, I mean, I don't like to give up my summers, but it gives me an excuse not to do my homework. But you know no one will care. Yeah, but we will, and we'lI care enough to make up for the rest of 'em. Martyrs, they think of themselves, down in the basement of Benson, and there'll always be those that think martyrs are crazy. All that, for one book? It's got to be the goin', not the gettin' there, that's good. Good night, all. It's approximately 23V2 hours later, and Don is just leaving the little office in downstairs Benson, carrying the Class sections and most of Fall with him in a little cardboard box. Behind him, the staff begins the long slow unwind.Too wired to sleep, they goof around the office, something they've gotten good at, The talk turns to plans for the next deadline, what we'll work on now, what will get started and what will lhopefullyl get done. A few exhausted staffers leave. Talk degenerates into unprofessional topics. Teacher quotes are remembered and swapped, a small dart-gun war breaks out, flares and dies and then the editor is alone again in his office, dart-gun in his hand, contemplating his planning sheet, the remnants of pizza, a broken dart and the picture of himself pinned to the dartboard. Lnoqwllp l capturing the moment Q E. Who are they who who do what they do who never shout fowl nor ever do howl the ever so few the staff of the Owl Who are they who who read through and through the poems and the shorts which reach for the hearts of me and of you. who are these sorts? Who is she who the queen of this zoo why kingly Cindi sitting quite prettily in alphabet stew. so cleverly, so wittily and Mary, Linda, Jim to name only three of tens of him and twenties of she Who are they who who do what they do who slaved and who shook for the sake of two books so that me and that you could give them a look. ', ,,I,- .,, , , . l.. ,wiv i, A V r U i 4 , ,0' I J i Q...-gli i ii ii wx i li ' .1 , ya s1QA2?Pl V I U' nu . ,. vs 4 vgx. N v, i .1. 11 ' ' =■— «■ Jiii i 12 ■« lwl( . T m Seen from the outside, the yearbook should not come out at all I mean, look at it. The amount of work is phenomenal, truly staggering, and what does the staffer get paid for his time, eyesight and razor-nicked fingers? An occasional root beer and slice of pizza. And the editor--well, cautious people always stay clear of yearbook editors because they know he must be crazy just to take the job (not to mention what the job will do to him). So why is it, then, that there is a yearbook at all? Why do the people do it? You could query a lot of staffers and get a lot of answers-- Masochism Insanity Dunno --but the truth seems to be essentially this: there is a job to do, a job not anyone can do, but maybe you can, and you would prove yourself bull goose loony if you did it; so you do it. It ' s that simple. What about the pay? There ' s more to life than money, fella, and besides, some of those pizzas, sittin ' around with the staff and bull shootin ' , are kinda nice. What about the hours? They ' re lousy, yeah, 1 mean, I don ' t like to give up my summers, but it gives me an excuse not to do my homework. But you know no one will care. Yeah, but we will, and we ' ll care enough to make up for the rest of em. Martyrs, they think of themselves, down in the basement of Benson, and there ' ll always be those that think martyrs are crazy. All that, for one book? It ' s got to be the goin ' , not the gettin ' there, that ' s good. Good night, all. It ' s approximately 23 ' 2 hours later, and Don is just leaving the little office in downstairs Benson, carrying the Class sections and most of Fall with him in a little cardboard box. Behind him, the staff begins the long slow unwind. Too wired to sleep, they goof around the office, something they ' ve gotten good at. The talk turns to plans for the next deadline, what we ' ll work on now, what will get started and what will (hopefully) get done. A few exhausted staffers leave. Talk degenerates into unprofessional topics. Teacher quotes are remembered and swapped, a small dart-gun war breaks out, flares and dies and then the editor is alone again in his office, dart-gun in his hand, contemplating his planning sheet, the remnants of pizza, a broken dart and the picture of himself pinned to the dartboard. capturing the moment Who are they who who do what they do who never shout fowl nor ever do howl the ever so few the staff of the Owl Who are they who who read through and through the poems and the shorts which reach for the hearts of me and of you. who are these sorts? Who is she who the queen of this zoo why kingly Cindi sitting quite prettily in alphabet stew, so cleverly, so wittily and Mary, Linda, Jim to name only three of tens of him and twenties of she Who are they who who do what they do who slaved and who shook for the sake of two books so that me and that you could give them a look. ■ tit wE 1 :i fj J J r i f 1. ' Wf A ;  k  ' J BHB HI capturing the moment St. Joseph ' s is a quiet place at 6:50 on a Friday morning. The only people up and about in the area are a few security guards, a janitory, and the morning KSCU disc jockey, the Earthman, Mark Walker. Walker enters the studio to begin his 7-9 morning show, the newest addition to programming at KSCU. As Walker begins his mixed assortment of rock ' n roll, he makes a quick check of all the studio equipment, a chore he performs daily as chief engineer of KSCU Radio. At 7 a.m. the music begins, and so does another day in the life of KSCU, the student operated and staffed radio station at the University of Santa Clara. Nine o ' clock rolls around and the Earthman ends his stint in the basement of St. Josephs. General Manager Pat Dowdle strolls into the office full of life after his first class of the day. After exchanging early morning barbs, Walker leaves for classes, and Dowdle busies himself with the overdue bills on his desk. After those have been squared away he picks up the phone and dials the Federal Communications Commission in Washington, DC to check on KSCU ' s pending application for a FM license. No new news from DC. A few more business calls and it ' s time to kick back. News Director Bill Reilley arrives at 10 to produce his version of KSCU News. Reilley takes a glance at the newspaper to spark his show and picks off a short item about his favorite politician, Richard Nixon ( the dirtiest of them all ). After struggling with the equipment, Reilley finishes his masterpiece and departs for his niche as bartender at Lil ' Bronc. Meanwhile, the Big E, Erwin Meeks, program director for the station, has bounced into the office with his trusty assistant, Tom Cosgrove. They ' re ready to combat the day ' s programming problems and to dream up new gimmicks for the jockeys. Cosgrove writes out the week ' s programming logs while Meeks finishes the production of his show, This is Progress. With Cosgrove in the office, the insults fly from Dowdle, who never misses an opportunity to abuse his favorite target. But Cosgrove is not slow to return the abuse. What a friendly atmosphere. As everyone clears out for their 10 o ' clock classes, sports director Dennis Murphy comes in to make arrangements for the annual airing of the Bronco-Giants benefit baseball game. So far, he has lined up Giant owner Bob Lurie and John The Count Montefusco to join KSCU sportscasters Bud Nameck and Tom Cosgrove in the broadcast booth during the game. Murphy finds a snippy note from Dowdle demanding press passes to an upcoming Giant series at Candlestick A quick call to the Giants confirms the passes and Dennis smiles in satisfaction, enjoying the burden of covering the Bay Area sports scene for KSCU. Murphy then reads the morning paper, awaiting the arrival of Jim Ryan, Friday ' s sports announcer, and controller Jim Atwell, the man who handles the books. As usual, they both stumble in around noon, recovering from a tough night of sleep Atwell checks the financial records to confirm the lack of money and the dearth of expenditures, and jots a note to Dowdle and Walker to that effect. Business out of the way, Atwell sits down to pick the KSCU race horse of the week for Ryan ' s show. He ponders over the lists a little longer than usual; he ' s now two for five and the masses are grumbling. He finally picks one, and Jimbo Ryan uses it to put the finishing touch to the Friday edition of KSCU news and sports. Pat Dowdle shows up again, after his last class and a few cold ones at the Bronc, to check and see what the mailman brought. He tears open a few envelopes and makes a phone call or two, and laughs at the condition of the studio, already a disaster area from the busy morning production. Kate Hutchinson, diligent record librarian for the station, strolls in punctually at half-past-twelve, eager for the excitement of pulling and filing myriad albums after her business classes. Today she sighs and prepares a few new albums for airplay, leaving the formidable record library for a little later. And music goes on in the day in the life of KSCU. Friday afternoons are spectacular at KSCU, because the afternoon deejay is none other than Rob Deline, the Cosmic Cowboy. Deline is one of the oldest, best and wackiest of the corps of disc jockeys, and that ' s saying quite a bit. His style comes straight out of the Colorado mountains: a mix of Coors and rowdy rock ' n roll. Rob shows up early today, demonstrating how important it is to be reliable when you ' re a deejay, and fiddles through the rows of records, pulling out his favorites carefully and then his less-than-favorites hurriedly as the clock nears two. You ' re listening to KSCU Radio at the University of Santa Clara, Deline rambles into the mike as the digital clock flips over to 2:01, KSCU broadcasts at 89.1 FM on the Teleprompter cable in Santa Clara. 91.1 on the Gill cable in San Jose, 535 AM in Swig Hall, and 89.1 FM in the west campus dorms. I ' ll be with you until six. Stay tuned. This is the Cosmic Cowboy-- as the sounds of The Marshall Tucker Band roar over Deline ' s voice. He leans back, adjusts the ' phones and the mike, and gets himself loose for the long haul. And the music goes on until 2 a.m., without any commercial interruption, just the occasional voices and goof-ups of a motley bunch of college students having a good time learning about radio broadcasting the hard way, and playing more music for your ears to snort. And this is KSCU Radio signing off. Friday has now gone into Saturday, and in a few hours the KSCU day will start again. The people will be here again, not for any pay, credit or glory, but for the personal satisfaction of bringing you the best in progressive rock ' n roll. Coming up next: a cut off Neil Young ' s new album, and this is me, the Earthman ... : i jaL% Cl U C $7000 deficit is an accounting error . . . meanwhile internal conflicts keep Executive V.P. Dan Jacob busy with RECOGNITION - P of BOG tardiness and asks Danny about the phones stagnate compared to the on Day at the Races-and wins! ! ! . . . Junior Class officers also include V.P. Marlene Baca, Secretary q ■■t ' «MHBMM H _ i llpNp 1 ■•, ? -. Reception are among the contributions of the Junior Class to the Year of Celebration ... An overflow C -.. n .X 1 . ik- -4 I f X.. 21 Q5 ' S ' ,ua 5- ? so ifai 'f 15? 2 1 gn nk, b 1 ,- ,fa il x. the Ski Club is betrayed by dismal snow crop , 7.7 Xi- rl- ni' ' ..' I ,':n' I, ' , . !',n' , .Y 9' t l . . v- , ' ' up , M. , 3:6-:li E ' 1,1 fig!!! - A X. ,, ,V V: u--,i , - , we-,. .. wya' , - U' 4q!'., ,f 2:1 br ll' ' 'N l A, ,xn . k.' V .-47 5 1, N fllllf . -' M nn ,,,,,-ni , I .,, - 1 ' 'null' z L.. ,,:A,, Y, , ' f lu Q' I . . x -26532 ff' , .E:iif ,fa,,, uv QE , IJ R 3 1:'953xf .x-,' ' .ax 'ff 'Y ' M 'iw 2 J.-J ' - .-ALL gil A IP' f ' -g,,..-Qi.L Late-year incliscretions mar a smooth year for. Santa wx lxj, ' N ,, QF, A , -., A .M X ' W iz-, ,, - 1 ,. YE' 'ff . J up ,. , ' ,Q 13 , ,wt I, . N f ' L-ir, I ' ,xx . 1 , 'f!1'!,- ,. AVL I . . 5 51143-M ix ,J X 11 ff: ' X M, 'Cr vu B f , f :vw ,, , I Q , Q T . Y V .V Y QA g p ,H -,-i Ra-L?..w Wx 4 YY: ,n ly' ' Q. - A ,gp Mi ' 4 ' x H - J ij? I I W X , Yi Q xg, , -.X . ' Clara '-.Wei Lmder the leadership of Dennis McLaughlin . 4 .4-I Av' 5' ein in-f ' X -Q .nj f K xo! X ,lin -1113 ,ei 4 , f' ET :-Wqfl Li T gTQ'3f'V K f y X f 1 l 11, ' 11- .Y 'll 1 ., .gk ,, 3 . ,sf 41.1 ' :fa i W c . For those who bother to read staff pages, you can guess what's coming: this yearbookf like all yearbooks, is the achievement of a handful of people working hideous hours for no tangible reward other than seeing the editor's Thank You in print, and this is where the Thank You is printed. You also can figure that this is where the editor gets all nostalgic and confides with you that it's really all worth it just for the experience and the people. Well, sorry to disappoint you, but l'm not gonna comment on the experience--words fail me--and l 'm pretty sure that my staff knows how much the effort they've made means to me. They know they already have my deepest gratitude, so l think I 'll use this space to tell you what you can thank them for. You can thank Mary Murphy for being my confidante, for the hours we spent analyzing what people like you want in yearbooks, for masterful Letrasetted headlines, and for her faith in this book and its editor, without which there would be no book. lProbably no editor, either.1 You can thank Karen Anderson for her unswerving loyalty, the times she gave up much better things to do for this book, especially the sacrifices she resolutely made when the editor needed a steadfast person desperately. You can applaud Paul Totah for the lU'e he gave an otherwise gloomy Redwood office, for his magical typesettin' fingers, his expertise, and his uncanny ability to make things fun and get things done, all at the same time. You can appreciate the talent of J.R. Keating by checking out the pictures in here: almost all of the artsy ones were printed by this man, a true master, and the quality speaksfor itsehi but JR. wasn't just a printer, he was this book's chief photo critic and quality control. lf the pages seem unusually crisp and well-laid-out to you, or even if you're not inclined to notice such, you should still be thankful to Vickie Camgros. Vickie was a summer recruit who became an ace fast at the red paper, the lines, and the Letraset that compose a layout, and she pulled this book through the summer. To Vickie, as with J.R., this book was certainly more than a job, and you can be thankful for that. Peggy Hernandez deserves kudos first of all for her ability to get the editor organized, and secondly for her own organization and steady hours. Peg's yearbook-wise and would always be willing to do anything she could U' it would helpg it did, immensely so, and you should be thankful for that. Dennis Caulley, Linda Larson, Paul Ehlenbach, Rich Santana, Brian Cronquist and Dave Leonard all brought their professional quality talents to bear in The 1977 Redwood, and you can thank them for that. You can thank ace photographers Dave Boscacci and Tom Burns for a number of candids and color in this book, you can thank Doug Salin for the excellent play pictures, and you can thank Paul Fry for masterful shots of eiyengs sluch as Graduation. All of these photogs came through in pinches for t is oo . You can thank Neil Perrelli, Ray Polverini, Pam and Pat Hernandez, Vicki Saitui and Tim Bagwell for big help in small things. lf you enjoyed the out-of-context masterpiece quotes in the Teacher sections, you can thank Pete Hemmen, Little Tommy Brysacz and Eugenie Nicholson, among others, for their perseverence in staying awake in classes and in Benson for those. Wit and wisdom were provided this year by Mary DeMange and Sue Lindner, respectively, who kept the editor alive and kicking, and contributed more than they know to the success of the '77 Yearwood. And Ut you want to thank the editor, Ken Eklund, he'll say You're welcome. I think he can honestly say that he brought it all to you, and that it is his book, but don't get the wrong idea: he had an idea, that his staff helped him with, that he would bring 1977 to you, and he hopes that it will be your yearbook. f iwuu In ... x 1 l,., 5 i il it Q ,W -.,,.,,. i 'X 'li . , ' JY , - X, 'V n 1 . New . 1 5 A S- . gn I J V Iv. I V I' ,r- fir . xl i Q,.,z:L lx . .vt 'Ili , i if ' A 1,.' , ,, H fy' if an ..,. 1 3:4 .,: aj ,j .rg .5 'J k:3,.., rbiffbgepi .1 1' f' 1'-'73--+ve.-r,f .'l. 1 Q N if - ' if 2 -' iyirgi' ZQQJ, I . ' l LL, tif? ' - Q - f' A 1, I ff! fgii. ,ET l T, .a il 3: - Y .- wil-t,-1 T! -I-'pfihifii r ra ,2.ssf11.'-f,1..,,y is - mt, ,,- -..45,J' , t--f 3 .rg ., 0' 1 -. ' jf ' 5 . K ,X 1.-, dj J , 'I' v.. .gy ,. 'V A X f V. wr Zfgk i,. :!--gftyggzgb 'M I mi - .- 1-.... Q ' -...sm , 1 ' 5 , .41 . .---f , ' . L -g A. ., Lita: ll. '5 1-ff' - .' EN Q 0 ls i ' i I i l N 'S I ' iw Wil , .-174.1 ,E i i l . 7 rj ll-X I, at-' if 1,43 , .LQ-. 'Iii-fo .i lig 'f -i.. l 35:94 . 'X iw. SA ' gs . th-T s P-':T' . . , , . ,gfgg-Q., , .ybm -1 - l 1 x. ' J.. Journalism pieces!! can' . Cindi IS ics to share their culture with othe picn MSfeJk . 7 R 1 • For those uj io bother to read staff pages, you can guess what ' s coming: this yearbook, like all yearbooks, is the achievement of a handful of people working hideous hours for no tangible reward other than seeing the editor ' s Thank You in print, and this is where the Thank You is printed. You also can figure that this is where the editor gets all nostalgic and confides with you that it ' s really all worth it just for the experience and the people. Well, sorry to disappoint you, but I ' m not gonna comment on the experience- -words fail me- -an d I ' m pretty sure that my staff knows how much the effort they ' ue made means to me. They know they already have my deepest gratitude, so I think I ' II use this space to tell you what you can thank them for. You can thank Mary Murphy for being my confidante, for the hours we spent analyzing what people like you want in yearbooks, for masterful Letrasetted headlines, and for her faith in this book and its editor, without which there would be no book. [Probably no editor, either.] You can thank Karen Anderson for her unswerving loyalty, the times she gave up much better things to do for this book, especially the sacrifices she resolutely made when the editor needed a steadfast person desperately. You can applaud Paul Totah for the life he gave an otherwise gloomy Redwood office, for his magical typesettin ' fingers, his expertise, and his uncanny ability to make things fun and get things done, all at the same time. You can appreciate the talent of JR. Keating by checking out the pictures in here: almost all of the artsy ones were printed by this man, a true master, and the quality speaks for itself: but JR. wasn ' t just a printer, he was this book ' s chief photo critic and quality control. If the pages seem unusually crisp and well-laid-out to you, or even if you ' re not inclined to notice such, you should still be thankful to Vickie Camgros. Vickie was a summer recruit who became an ace fast at the red paper, the lines, and the Letraset that compose a layout, and she pulled this book through the summer. To Vickie, as with JR., this book was certainly more than a job, and you can be thankful for that. Peggy Hernandez deserves kudos first of all for her ability to get the editor organized, and secondly for her own organization and steady hours. Peg ' s yearbook-wise and would always be willing to do anything she could if it would help: it did, immensely so, and you should be thankful for that. Dennis Caulley, Linda Larson, Paul Ehlenbach, Rich Santana, Brian Cronquist and Dave Leonard all brought their prof essional quality talents to bear in The 1977 Redwood, and you can thank them for that. You can thank ace photographers Dave Boscacci and Tom Burns for a number of candids and color in this book, you can thank Doug Salin for the excellent play pictures, and you can thank Paul Fry for masterful shots of events such as Graduation. All of these photogs came through in pinches for this book. You can thank Neil Perrelli, Ray Polverini, Pam and Pat Hernandez, Vicki Sattui and Tim Bagwell for big help in small things. If you enjoyed the out-of -context masterpiece quotes in the Teac her sections, you can thank Pete Hemmen, Little Tommy Brysacz and Eugenie Nicholson, among others, for their perseverence in staying awake in classes and in Benson for those. Wit and wisdom were provided this year by Mary DeMange and Sue Lindner, respectively, who kept the editor alive and kicking, and contributed more than they know to the success of the ' 77 Yearwood. And if you want to thank the editor, Ken Eklund, he ' ll say You ' re welcome. ' ' I think he can honestly say that he brought it all to you, and that it is his book, but don ' t get the wrong idea: he had an idea, that his staff helped him with, that he would bring 1977 to you, and he hopes that it will be your yearbook. !7 c vj Journalism pieces( this year along with poetry, photos, and fiction in their two issues . . . and Black students are kept busy rve carv students . . . Providing service to community the SHOP helps victims of crime a. r SH program . . . Fr. Coz accuses SCCAC ' s goal . . . 3 s C 8 o -t-l ( ) CO -t-1 c T3 3 -t— • i-i CD a i— i 69- T3 3 X! C CD 0) O DC E i-i i 0) I S-i CD o c CD 3 to CO c 1-1 -t-l c 3 In SCU ' s NORCALPIRG €nGin€€Rin i:Hosce astounds all with concrete canoe, ieee mO(TO CnClinftfePinfl d, such as the Barney Qfrffi e rf w 4 .N --'W 'Q' 1. Q1 'Qi -' W: 'ITL gfv f. 7, 3 M. 1.2 .'x., - ., K- , . 2 2 ,,,.LI Y- ' 'P I 1 . J 1 sw, it ' if M 4 -Qu 1 f' 1- ,wi-M g ,r..W:g.,5. iN QD -tx .- gl X ' -A J X X in 3 - H31-I.. 1 f, 1, . 1 U il., 'gmt' f ,. W J . ,..,.I LL 4 .4 -A md :Q NH X V INK' P K 4 gy? S 5 ,,,. Q, ug 3 . Mi., F U: 4 4 ,N 'e , -,Y R, .V .-iw' 4.-55,1 'V . Y' if-jzaf-.m:F'? slew- 62 ,vl- fJ l'er. 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James Torrens ' , ♦earfhy amik? is his farewell to SCU . choreographed by Marlene Dwyer, composed by Kevin Garvin, conducted by Lynn Shurtleff , . Ly, ed Sea. stheR al? odt ve X E 5 EI 1 .. .X , . V , . F ww 1 - .api ' U g.2gf'Ft1 151 ' - 1'-,g5.,1:f ,lj 1. 4' ,,..f'1 .: 'v .V w 4.l' Q . tfui ' J ' J RQL L0 MAY 1 S ' Thanks for the support, but I resign, says Dr. Miles Merwin . . . Students take art into their own hands to create a L- -J k 1 8 l m ■ ! k  P« ., H ' - 1 Ew -.: 4 A| i  B 7 'Q ,-1 J 9A B A ' fu. ww Mr W W an M 'K Mfg 'm 1 if n H ' ,, .wx A . .4 vw ,Wm mm uf! ,w 2- - - W w WWW . w W i' QM . , ,,f..,. , ww : f,-.1':. -1.4 1 4, .2-, ' -wi? J' 5 rm A 1 7: sf W Mg ,ov all Elf 'fix .V J' 1 mu' Bmw 'YYY I L-I iw Hn.- . .,q,',N, . .' M W v' I fr 1 . YF: 11. v-5: n . f 3 - ' N x Y N A 4 IIN L' MT E .., l V gn., 5 ja qcffifk ' 1 Y , 1 nl 12.41. I J 1 -, ,M wif -. M, K f' .. nn r vu! O - ' H2 , . R uv' ' fi : ' fe . V, , 5. ix- , 'e ,A 5 'af '- A ' ' ' , ' 4 , . ' ' rev' . a' ' ' ' I X -l , h . L J 5 x Q 1 4, ., Q ,Q fi' A . ggi ., . -X .1 Z' . 7 , ' ' 4 .o ' ,. 5: fs x L ' ',' , - -- J ,, W ' ,- I x . , I N , x ' H -A r. A , . is - V - we-. a Z-5' .l U , J S W. -1 ' f-1 X v I -. 1 1' '4- 5 an i , sa ' . 1 t 4- x A. - ' i., wr . . und' A A 1. 1 W 1 X x vffiik 1 '- 3 I if 5 4? A A l , . fs- . 1-be :K-' 1 vm- u' C545 4 NW, '55 u . 5 f Y t. 'FE 4-10- -14 ■ ■1 • s + iJJJ • . P • 5s t • M L m i P t 1 1 B l r3k • a? £ « f W La --■• :.■ R ' l JLfS tfr 1 K ? V } frA a 4 0 t y ' J$ 5 Li . w. M ' u± k C . r • 1 ' «s auAk ft J I fc i B :r o jW p , - % • ' I •• • ■« . f V k5 4 tiCBcenscem with nick weber, si... IOLANTHE directed by Fred Tollini, SJ { a musical with Molly McDonald, Kathy Nymoen, Nick Nichols, Ed Gross . . . Revival of ancient tradition brings back the rollicking jr v 1 r j f iJ punch ccckies SENIOR Barbecue Talent Show ' account for sudden GPA drop in graduating class . BRONCO BASEBALL Young SCU Baseball team is tossed in a new league, and comes GIANTS VS. BRONCOS game . . . Rick Foley im pitches very well . . . Fresno State defeats Foley and the Broncos have no life left for a championship . . . George Hahn, Russ Brett, Bill ■ MH %m SMI Coach Lou Lucas ' jv baseball team captures 1ML Western Conference CHAMPS CHAMPS J r iswon by under r soccer team in national competition in Dallas MEN ' S CREW «£■ n 8 C ) § Br o ' 3 3 CO o (0 o I 1 - ■ 5 ' £ ff Season opens with slow start team of San Jose in spring game . . . Q eY 40 teams participating through extensive workouts ... Sal Taormina asks Rick to charles huber paul harrell BUSINESS graduates a grand total of 177 michael adza steve almassy james atwell mark barber michael bear sandra becic paul biagini Steven boitano robert boragno m.k. bohman kallen chan ronald cieslak thomas crom paul locatelli, sj charles louie John pagani students . . . Accounting: MAJOR Pat Dowdle leaves KSCU for kathleen custer doris donaldson patrick dowdle martin evans michael ferron kevin figg phillip foster steve francoeur alan fray daniel fulcher chris giannotti michael gray tim griswold kathryn horn leslie imperiale dorotea janolo lori kelly wayne kozlow george krumpotich kingston ku jflfe M l it Bk Stephen kurtela joan maggi richard morgin albert pimentel Joseph rubino betty lange Joseph maglione carol nadler judy quan renee russo william larsen louie mariani bradley o ' connor robert raffo Jonathan ryan thomas lawless pat mccarthy rick oka victor republicano john scanlan mark legg rrfaureen mcginty steve parsons michael riordan d ' ann see todd lowenstein John mcveigh Caroline phan matt rocca nicholas skaff maureen sproviero margaret sullivan barbara jo toomey Stephen vollmer william Wilkinson anthony yano CD editor nearly omits J Administrationz K n A r m A • - i TAu. w §fe Jk robert barich carol belick timothy brennan kevin brown wynnie chen michael cook thomas corsiglia roger manley rick espinosa rodney palla carmelo ferrigno nicholas parshootto dick hansen jillpurdy robert Johnson kenneth ravizza jean leufgen hope ronco james ryan kellyne tani anne-alba walicki gregory whitney mike whitney mary winkler from 77 REDWOOD Business mary lou alaimo abraham andrade jr alex bebout david beccaria jeff black John cerchiai charlene cole anthony crivello jana garland sid hughes frank jerome brent kolhede kenneth lundry gary machado lou marengo dennis parkin jim passadori paul raggio michael rombach duane rose james ryan martin salameda william schrup michael sims mark witzig leads sing-alongs for the rugby en u I o3 Steak, Will Travel . . . SENIOR Doug Herring u o joel leidecker I W 2 3 ' i55S h.b. kirschen dennis moberg robert alien russ brett robert carlino kip ceccarelli cedric chan fred chesnut mary conlon william cronstrom j carl debarbrie charles della salla james eichenberg gary elam Film at 11:00... SENIOR bob engel gwyneth evans carlyse franzia ben gleichner jim hawkins sabrina james jon loberg donald lynch nikette rajkovich torn Schneider michael mcgrath michael mcroskey cameron nicholson marc pujalet pat tsang francisco verduzco henry vitkovich frank zamoni Dan Murphy goes underground for the Math department . . . SENIOR Clay Drees absconds with borrowed towel to Sierra michael munson shelby mcintyre george alfs carol favell crisangelillo Jeffrey fischer michael bini julie gordon elizabeth chalmers Jacob helali elise day james hess marie kelly david kleinke michael krouse deirdre murphy torn murphy gin ong jeannette peck gary randies vicki sattui farida sokari michael spillane nellie trolan barbara van charles volwiler trevor vonk June comes in April robcrt o ' bricn charles rogers Quantitative chaiho kim norval pohl Methods mike sisois s. tsai welcome to the upper pits 9t anonymous student zeb vancura thomas Collins antonio corbelletta karen cotten Johannes cramer mary Cunningham gelacio delizo karen dorchak lisa erickson waiter fronsdahl diane garibaldi richard haro lawrence haviland k fc At dean John drahmann CO 3 1 CO graduates a grand total of 160 students Biolo «o a You ' ve got to learn to be interested . . . hard to do when you ' re fulfilling a science requirement. dean John drahmann thomas fast peter d ' eliscu william eisinger leo hombach, sj bradley hayes sukhantar Johnson libby loftus barbara miller cynthia pedersen martha hernandez jody kanter bernadette mahan gary mondo mary russell david hornor anne kurzeka denise melia david nile nancy sandkohl Cerr graduates before he can change his mind--again . . . SENIOR Ralph Wagenet folds fantastic animals for May Faire booth gary schaefer susan shankland lelia sih jack singer martha smith david Stevens raymond triplett susan valeriote mary walsh neal white It looks like it ' s going to rain tonight- the mountains are getting closer anonymous student John mooring linda caren SENIOR Paul Porrovechio sets up loan company for Campisi geraldine tomlinson ' When I was young I was fascinated by grasshoppers. I stuck one ' s head under water and it didn ' t even drown. . . I couldn ' t figure out why. So I put the whole thing under water-it drowned. francis flaim residents on dorm door . . . business A strong acid is a proton donor . . .Well, it ' s like if a big man cam e up to you late at night and pointed a gun at your head and told you to take his wallet-wouldyou argue? michael sweeney david white ann doeltz robert pfeiffcr Joseph deck william adams john armstrong alvin cadman jim chen kristi kjos was usual for Gie ni$tr,u MAJOR Al Cadman, Sanfilippo ' s own entrepeneur randy mednick timothy reed gary russell shelley stewart richard villa lawrence nathan joel anderson Stephen asmussen david causey thomas crosby james delworth rod divelbiss a Lucretia Borgia is alive and well and brewing coffee in Benson Center. anonymous student Hill Combined Sciences michael ioannou STUPIDITY INCREASES and football during his SENIOR year . . . grace on the volleyball court wins mario belotti masako darrough EXPONENTIALLY. anonymous student Jeff hall henry demmert clayton drees diana hancock doug herring thomas horan John jauregui Stephen marriott arnold maurins david b. merritt steven molinari kenneth moscaret kathleen raidy Joseph waight economics MAJOR Arnie Maurins 3rd floor Campi si t.j. whalen j.m. heinecke marshall medoff r. springer richard coz, sj robert looney jeannette garretty daniel dick Und from here is just plugging in numbers, which is for the birds — and freshmen. karel de bouvere Poetry in o i a- james foster dale mugler othemotios julianne how ernest huqhes robert kay daniel murphy alice kelly vladimir drobot grant fraser gerald alexanderson MAJOR Rita Robbins comes out on top among University women in Putnam national math contest . . . Film on the half hour eugenie nicholson paul porrovecchio mark priestly Justine regalo carol rench rita robbins i tim ford david r. merritt paul thompson carol lynn yamate award-winning Physios: philip mc cormick MAJOR Dave Mcrrit owns a piece of Orradre carl hayn, sj fred weinhaus eric hanson karen hermassi bernard kronick richard roberts, sj i politician are all Political Science MAJORS elaine anderson rebecca campos glenn casados pamela collins John coppinger darlene d ' amico debra delgado anne denman Jennifer ereno phillip flaherty margery formico anthony fotinos damian huttenhoff paula kreizinger steve marchette dennis mclaughlin pamela nobel david nommay John o ' shaughnessy michael ray a If you listen to the newspaper... william stover SENIOR Carl DeBarbrie wins Las Vegas bowling tourney robin robinson charlene rusciano brendan scharetg howard schmidt scott shoemaker edwin strader elizabeth tanke tourney but loses his shirt bob petty ghassan talhouni doug wright melvin fortes  i v tmt marvin schroth james otteson robert numan roland lowe :PsvohoLogv: MAJOR Josette Casalnuovo keeps the peace on coed 5th floor Swig susan anderson nona armstrong dean bretney maria contreras paul dubrasich lorraine edel susan englert paul gaeta john giacomazzi cynthia gravelle Christopher healey peggy henderson patrick killen torn krassowski thomas lohwasser kevin mallon deborah maronick lucia martin james mcmullen brian mills anne nejedly norma nimer anne pabst mitra parkhideh phyllis rodriguez ann roth amy schenone thomas shakely dale silva darby teichgraeber daniel volk mary zorn John Monaghan wins linda cool charles rosen joan kruse nTHROPOLOGV: award while pauline sanchez sheila baird john monaghan michael rosenberg valerie blasi ■ SENIOR Eugenic Nicholson has smashing debut at train station . . . SENIOR Jim Nomura gives ■ wmm i paul verden witold krassowski kichior iwamoto nancy olsen SENIOR Cleo Asuncion wins SOCIOLOGY ard bonni christensen mary demange cathy huston his plants top treatment with imported water . . . SENIOR John Cardoza moves refrigerator for desperate Swig dwellers ira finkelstein john hagerman ' eugene hudson michael hyndman timothy mason james nomura glenn fanimura mark Wilkins s: .2 4-I fu 35. ua .:: -I-I k VVilkins. fears his smart tuner may reveal Mar OR ng SENI 29I'1 ngin C -,....-1- - , . . e of h1s M transmltter to the feds clesplt The job of engineers is to find out how not to do work. raymond yarbrongh henry nettesheim 1 ff- . Q . xc- , l lu timothy healy H is E' N YS 'ef dragoslav slljak jon raggett a. morgan Johnson R.O.T.C. engineer award . . . SENIOR Dave Schertler proves that jim abercrombie fred ackerman frank bellecci matt f ilice dennis murphy thomas peterson james rollings david schertler al sturla ' They wanted to measure the strain on an eggshell as it was hatching. I guess that ' s what you do with government money. harold tapay kristen walsh mark wathen 3 o 01 r o =3 t— t- —t 0) ronald danielson ira finkelstein John hagerman of his pirate F.M. transmitter to the feds, despite tH eugene hudson michael hyndman timothy mason james nomura dan lewis dragoslav siljak james ferguson alan giorgi james lepetich u You sounded so | fantastically brilliant . . and then you blew it. eugene fisher james macdonald michael prout john quilici dennis rourk dirk thomas george young, jr. I ' m glad you could think of it — because my mind went blank after I asked the question. george sullwold Classics. in verbal dexterity . . . You ' ve been Kroppified? Well, at least he didn ' t say you ' d been Kropped on. 99 fr waiter kropp, sj There ' s no brilliant thought going on up here. j.d.b. Hamilton, sj ( Just Damn Brilliant Hamilton) 99 -, 1 • james torrens, sj Thoreau could get there — and we all know where there is, we ' ve all been there ••just by using his ears. diane dreher laura cooper cynthia duncan Dr. Eleanor Willemsen co-authors book on infant psych with t T . ' It ' s all a matter of carrots. larry levinger (English .1AJ0R arlene endo nancy f loyd elizabeth moran John dunlap mary ann aschauer phyllisgray richard grimes james holt Virginia hull daphne hurrell jeff zorn carol kay robert mason Stephen mcgee louise nicholson mary o ' connor Louise Nicholson . . . merlyn oliver marie pert danna peterson vickie pridemore william quiseng So what makes it funny?— Of co urse it ' s terribly funny -you didn ' t realize that? george sullwold , J fc 1 It ' s my favorite student goof No kidding: ' crucifiction! jesse gellrich Don ' t be afraid to say stupid things.I say stupid things all the time. You just never notice. charles phipps sj a ' Now I ' m going to make the exam tomorrow rigorous because I know that ' s what you want. Joseph subbiondo There were four- I use the term loosely- men in her life. francis x. duggan | celia raffetto david ramey gretchen romani michael sheehan more (EJnglish denise smith dick thiebes tina tomlinson frances warmerdam susan wheeler John wichtendahl patrice wiggins anne witzleben Pat Martin adds magic K T As I get older I realize more and more that n organization is •r only a . -—— deception . . . All j y discipline does is make you feel guilty . fred tollini sj carol rossi ted gross mary dean doug salin jeanne torre katherine welch cy edwards steve millner (E[thnic Studies! Fine j£irt j. r. keating The medium is an electronic gerald sullivan si General Humanities marion benzin james billmaier janeen canale patricia chavez candis cooper linda coronato steve crosby ann dewey annette ducasse MAJOR Linda Coronato makes kathleen friedrich carmel fugett joanne getas lucy gonzales theresa helms peggy hill maureen kelly kathleen kinkela lori locurto jennie luna james mahoney cheryle micali diane murray julie nino janet osbon mary anne perasso cheryl raasch kristy scott mary anne Stewart denise wakefield susan abell John anzur william arvizu mary frances ayala lisa brown michael carpene terry cassidy peter craigie robert deline mary desmond Who ' s Who in American College Students . . . undernourished Campisi residents fight for HIg george donovan john farbstein kathleen fritzsche melinda germann gail giacomazzi matthew gilbert gregory goethals richard hagedorn elise hart james hurlbutt Romping around castles- one of my favorite occupations. timothy o ' keefe tim othy o ' keefe steve gelber mary gordon thomas Johnstone mark julius john kelley mark lincoln kenneth linhares cydney long michael lynch david mayfield nancy nash john padilla «© y| MAJOR John Farbstein ' s cuisine . . . Prof. Osgood T. Schmulkoff moves Joseph portuondo robert potter terence ryan kim shanley diane shelton john steffensen julie torre mark torres john treacy robert uyttebroek The Natural Man has problems-lions tend to devour norman martin, sj matthew meier istvan mosey istvan mocsy miles merwin Osgood t. schmulkoff david skinner thomas turley into the throne room as |morejM M History ' faculty is hired J f denise vasquez paul walker Most students today have the fashion consciousness of Chinese peasants. •peter pierson mS Cin tlSLTl the harci Way a year in Austria • Jim Hurlbutt learns who the hell is Dave Schertler £ S3 u a x B OS o LU 1 3 ann rabe heribert breidenbach elena offstein o a re ® re a «) 5- re ■8 re o n =r 3 ' CO g? c CL re 3 re en 0) re CL 0) o 2 re g 3 o g o ' 3 r iWodcrn Ixanguagcs 3 susan mahone I maria menard I marilyn miller sharon murphy mayra perez margaret shameem sue ulloa rin s s and I=french fries . . christian van den berghe Dugan --one picture is worth a thousand words . .SENIOR Jon, raymond biondi yumiko grolmes _3Ja£anesej frank Jimenez patricia dugan + a-- r veronica la coco victor vari that ' s Italian victoria brink mary driscoll karen carter gregory fleming aida chaparro jorge Jimenez james cimaglia debra long eileen costello Christopher loza debbie cucalon mark maggipinto margaret Simpson adrian tejada ahdrew rematore f panish MAJOR Debbie Cucalon becomes X ( ) ' u 1-1 CD 0) O c (0 1- 0) CO c 1- o CO 0) o o susan snook j. bert neely Are those the risers squeaking? . . . Well, I don ' t care as long as it ' s in tune. lynn shurtleff 99 Music soothes the savage robert hagopian michael leutefield ro roger nyquist charles lampkin I . f f T Jv j W r - 1 c 1 frederick copleston sj daniel dahlstrom timothy fallon, sj james felt, sj charles bolton williem clarke robert cornelis steve martin SENIOR Paul Walker sings in operas IPhilosotohy tim meissner gerald mullaney mellissa noble sharon root ( If Kant were living today, he ' d roll over in his grave. 99 chris page james fisher william parent .; This might be brilliant — don ' t know. For the moment it ' s one of my own little Brownisms. bernie brown, sj I -, francis smith, sj tennant wright, sj - Afc £  ; Tv joan massyngeberd ford I salvatore tassone, sj vance eckstrom dan germann, sj What are the Commandments? What ' s the fourth? God, how embarrassing! Don ' t let it get around, you ' ve got an joe grassi unconverted minister here. ' bob senkewitz, sj i nower iReligious Studies lillian deck henry dominguez greta hanson geoff long richard rosendale charles white a There ' s one thing I ' m sure of. Christ never ate a ham sandwich. joe grassi lynda bender elizabeth cross charity donovan ida fung mark hannon bill bielby al gibson John gbodrich shaves his head theatre Srts MAJOR Lisa Cross, patrick martin pat wagner nelson Washington lalita witt steve schult z JW r w ron skolman And that straightens the whole world out -for today. 99 engineering professor eg o O c a. 9- 5 ' CO c (1) CD _c o CO c ' c c ' CO a v' 1-., ,Aw in wa X My 1 ,,. I fflagixjf ' ,Q , V .' S512 Tx I X .gl 5- ,' , - ,, - XF' J . 1 H H: I, A u ' V- ' 'Il .ax Q E ' V '7' 4 -XG. f 1, .14 JK, WX 43 Eileen Costello, a double major in Spanish and English, graduated Summa Cum Laude, was a nominee for a Fullbright- Hayes Grant, was a finalist in the Danforth Graduate Fellowship competition, was a charter member of Pi Chapter of Phi Betta Kappa, was listed in Who ' s Who in American Universities and Colleges, worked on The Santa Clara, was a volunteer teacher and aide in bilingual elementary school classroom, among other things. JATION, To describe, selectively and concisely, my relationship with the SCU community during these past four years is not unlike attempt- ing to take a comprehensive final exam over a quarter ' s coursework in a fifty-minute class period. However, since my college career has often required me to undertake both these feats, I ' ll make a stab at it. Freshman year, of course, was spent in dispelling the normal feelings of confusion and intimidation that anyone entering college is bound to experience. Once having gained my footing, I began to feel ties and gain insights that helped me sense how I, as an individual, could take the raw material which learning had provided and make my own contribution to the quality and cohesive atmosphere of Santa Clara. Pursuing this interest, I worked as a reporter for the student newspaper and gained an invaluable look at the University behind the scenes. The facade of the institution lost much of its impersonality, replaced by the very human qualities of the many people who work together to make SCU tick. My junior year spent studying in Madrid, Spain did not allow me to participate directly in the campus community but it did provide me with the knowledge and enthusiasm necessary for what I consider my most memorable period of involve- ment with SCU. As a substitute Spanish instructor for the University, I was able to experience that intangible element that makes this campus unique and unforgettable. I found that my learning did not stop with the transition to the other side of the desk, but rather was encouraged to grow in an even more animated way by the influence of faculty members who themselves embody this dynamic sense of continued learning through teaching. 8$ ■ out standinq seniors ■ j eileen costell o lisa cross i are among Lisa Cross, a theatre arts major, starred in numerous drama productions at SCU throughout her four years, and was awarded the William H. Leahy Prize for her contribution to dramatic art at Santa Clara. My experience at Santa Clara was like a ride on a carousel-round in circles and full of ups and downs. Watching and learning; laughing on the way up and learning on the way down. There are so many memories; good people and good times, singing in staircases and watching white owls in moonlit gardens, midnight dashes to Jack-in-the- Box or 7-11, and taking time out from an all-nighter to watch the sun rise. I remember as well times of finding out, sometimes entirely too suddenly, that I wasn ' t quite as smart or talented as I wanted to be, and wondering if what I had would grow enough to carry me. What I found at Santa Clara was that I didn ' t have to do it alone--there were friends who became teachers and teachers who became friends, and we all pitched in together to find gifts in each other to share with the world. I am thankful for the opportunities I was given here to explore myself and my art in ways I doubt I could have elsewhere. My art is theatre, and the times and the people I have found here have led me to experience it in ways I never even knew existed, or at least that I never dreamed I could be part of. On and off-stage there were lessons to learn; some of which came hard. But pounded thumbs, poked fingers, wounded egos and other such occupational hazards weren ' t enough to stop us from trying again to be part of the art we call theatre. Santa Clara has been a good place for me, but I ' m not sad that it ' s time to leave. Many of the people who made it what it was for me are leaving too--and besides, the real world is waiting-slight- ly frightening, very exciting. This has been a place for learning; soon I will be in a place for doing. The experience I ' ve had here has been good--now I must see if I can apply it. Perhaps inspired by the tantalizing horizons of tabletops, a baby tries to walk; her mother holding both hands, leads the wobbling infant forward, Come on, honey, you can do it. One more step. The experience is full of falls but the reward is independence and confidence--plus the discovery that each new experience offers a new view of the world. In the same way, the people at SCU have challenged me to continue trying, even at the tasks I had labelled as Too hard. The best moments, of course, came when suddenly, the struggle over, I found that (amazement!) I could do it. So, as I dash down the halls of learning--late again, but with so much to do where can one find the time to be on time-T chalk an encouraging graffiti on the walls: Do what you think should be done. To discover what that is, trust yourself and God. Enjoy! Louise Nicholson, an honors English major, was a member of Alpha Sigma Nu, vice-president of the English Club, was an English tutor and did volunteer tutoring with deaf children. louise nicholson raduates promenading to the sound of Pomp and Circumstance ' ' played by have learned far more from my experiences at Santa Clara than I could ever have contributed. I would like to thank my folks for putting me through school, my friends for being there when I needed them and Fr. Oliger for the flowers. If I keep this brief, I get a bigger picture. Mary DeMange was assistant Owl editor, photo- grapher for The Santa Clara, master printer for the Redwood, birthday editor for the Redwood, senior rep for the Soc Anthro Club, member of University Community Council, transfer student orientor, head resident assistant of Walsh dorm her freshman and sophomore years, as well as active in campus liturgies. Mary assumed various identities during her four years at Santa Clara. y mary de mange diana hancock We must never look back on learning only forward to more learning, using memories to learn from. A university is people; students, professors, and even though I hate to admit administrators. Santa Clara ' s small size enables one to acquire many lasting friendships both within the student body and the faculty. It teaches students to get with it, to relate, and to deal with people. However, the university has also been oppressive at times because of grade competition along with inflexible requirements and grading schemes. One cannot meet many people and discuss many issues looking through ten five-hundred-page texts a quarter, though I must admit I finally achieved doing it. Off-campus students are blatantly ignored when it comes to planning, and many times by the on-campus students when it comes to making friends. Let ' s hope the future holds a broadening scope for faculty, students and the world. Diana Hancock, graduating Summa Cum Laude in Sciences as an economics major, was awarded honorable mention for the St. Clare Medal, offered teaching assistantships at both the University of Illinois and University of Pittsburgh, an academic fellowship at University of British Columbia, and membership in Phi Beta Kappa. ff t outstanding seniors jana garland ar My extensive participation in a diversity of social, political, and athletic areas has supple- mented my academics and molded me into an experienced individual. Effort has been my! vehicle to maturity; its success has instilled! satisfaction and self-confidence, while its failure! has given me the insight to revise my attitudes and actions appropriately. My involvement and determination to excel at Santa Clara have given me needed exposure to develop my character and intellect. Upon this foundation, I may now assign my priorities and challenge my capabilities to their greatest extent. Jana Garland received the St. Clare Medal, served as ASUSC Secretary, Junior Class Treasurer, was on the Board of Educational Review, and the] Executive Committee of the Accounting Association, a member of the Young Republicans, a volunteer at Agnewsl State Hospital, captain of the women ' s intercollegiate golf team, and played intramural Softball. tim meissner Other than the social events gravitating arounc kegs of beer or athletic functions, the experience of open and spirited classroom dialogue is mosi memorable of my SC years. This experience didn ' t happen every day, but when by chance it did, it made learning an enjoyable, dynamic experience. Tim Meissner, a philosophy major, was the recipient of the Nobili Medal, and President of S. HO. P. at the beginning of ceremonies . . . outstanding senior Thank you Santa Clara, it has been wonderful. If I had a dime for every person I met, every good time I had or every new thing I learned, you would have to rename the Activity Center because I ' d buy you a floor that doesn ' t eat Bronco basketball players. Remember me not as a diligent RA or a serious student (I was neither of these), but rather as Mike Mundane, the author of the Derelict Newsletter and the kid who sang Alouette at Graduation. I will never forget you, this place is a part of me now. Chris Healey, a psychology major, was a member of Alpha Sigma Nu, chosen Senior Class Speaker, was 8th floor Swig RA and Head RA of Sanfillipo, and was captain of his intramural softball team. chris healey Tim Meissner receive the St. Clare and Nobili awards . . . Remarks are made by Mr. Roy Wilkins of the NAACP . . . Joanne Getas selected to be the Senior Speaker for the class of 1977 . . . David Schertler, SJ, runner-up for the Nobili medal, graduates Summa is an darby teichgraeber Mutual growth has been my experience with Santa Clara. Perceiving a change in me, as I watch those around me change, I realize suddenly the myriad of experiences I have had here over the past four years. This growth has involved, first of all, academics--the oftentimes superficial exams, lectures, and papers balanced by the smaller informal seminar discussions better characterized by style of learning. It has included the formulation of new goals, values, and beliefs, which have made my life more meaningful. The greatest part of the Santa Clara experience, though, has been the people; the numerous friendships developed through participation on various teams and in outside activities, as well as those started by accident--after a casual meeting or during my serious work hours at Leavey Center. It has meant waiting with anticipation for the slowly approaching twenty-first birthdays, exuberantly celebrating our new-found adulthood, and then dreading our twenty-second ' s. Above all, it has involved counseling and being counseled. It has been a time of witnessing new and better facilities, programs, and faculty, along with the occasional loss of excellence. It has meant thousands of hellos, and, sadly, many good-byes. For all this, I want to thank Santa Clara and every one of my crazy friends for the silly, serious, painful, happy, never-to-be-forgotten moments which have contributed, in whole, to my growth. Honorable Mention for the St. Clare award . . . Professor Cum After four years at Santa Clara I will come away with gratitude for having belonged to a community. Santa Clara was not just a school with schedules, classrooms, books, tests, and deadlines. It was people, both students and teachers. The many varied relationships you form creates the community you belong to. At Santa Clara I have had the opportunity to know professors, counselors, Jesuits, and a wide variety of students from many different areas. All these individuals with opposing backgrounds and different outlooks combine to form a group whose diversity of interests insures that everyone will find both academic challenges and long-lasting friendships. One of the unique features of Santa Clara were professors that were sincerely interested in your academic advancement. They were as much a part of the community as the students. The opportunity to form personal relationships with instructors is the basic difference between a small, finite environment and being simply a number among thousands. At large schools you are limited in scope but here I have had the privilege to know my Department Chairman, Dean of Students, the entire Cadre in our ROTC Department, and numerous other professors. Beyond that, the friendships I have started here made all the long hours worthwhile. Santa Clara was an experience in learning to grow, both academically and emotionally You could not possibly put a price on what I have gained from Santa Clara. I can only thank the people who gave me the opportunity--my parents. John o ' shaughnessy Darby Teichgraeber, a psychology major, was a WRA Council member, recipient of the Henry Schmidt Sportsminded Woman and the Father Carroll Outstanding Member of the Women ' s Tennis Team awards, played powderpuff football, intramural soccer, and Softball, she was listed in Who ' s Who among American Collge Students, was a member of the Psychology Club and graduated Cum Laude. John O ' Shaughnessy, a political science major, was a member of the Political Science Association, Alpha Sigma Nu, was a Cadet Corps Commander for ROTC, was the recipient of a two year army fellowship, was WCAC Scholar Athlete for 1977, included in Who ' s Who in American College Students, and played varsity golf for four years. !« Laude Theatre Arts majors pop streamers and sprout Daniel Dahlstrom peruses a philosophy text during the course of the proceedings ... Dave Merritt, Summa Cum Laude, wins the , _ fai ry wings upon matriculating . . Spanish major Mark Maggipinto graduates Summa Cum Laude . . Jeff Diehl graduates . Tom Crosby, an economics major, was 1st floor McLaughlin RA, Head RA of Swig, participated in freshman football, intramural football, basketball and Softball. sciences Orella Prize . . . Math major Skip Hughes graduates Cum Laude . I wrote this at my typical hour, the last possible one! I have just finished packing and I leave SCU in the morning. I ' ve been asked to write on the relationship between (myself) and the University in 250 words. Impossible!! I will not write a historical summary of places, events and specific individuals which spark affection in me, for this can be done about any University. Santa Clara has not been any University, but the Univ- ersity where I ' ve spent four years growing, both socially and academically. I look back now and realize my mind is foggy for I remember only the good times. Yet that ' s only half of the experience. The other half, the painfut, troubled times are really the times when I ' ve learned to cherish Santa Clara. Santa Clara, aside from its typical academic and social functions, has been an environment which allowed me the priv- ilege of many good friends. The type which helps one through those troubled times I spoke of earlier. I almost transferred after my freshman year in Swig, because I wanted to exper- ience a large University with a more diverse student body. On this last night I can honestly be thankful I didn ' t. Granted, Santa Clara ' s weakness is possibly the stereotypical student, or so one would think at a surface glance. In essence, however, that is what Santa Clara has been for me. A school which is small and close enough to break that surface, with people, and most importantly, with myself. torn crosby pat dowdle One of the most outstanding charac- teristics that holds Santa Clara University above others, is its size. Santa Clara is a relatively small campus, with this year ' s undergraduates numbering 3200. Because of this small population, students can develop closer and more individual relation- ships between administrators, faculty, staff, and other students. In my opinion, this is what education is all about--a learning experience where people deal with other people on a day-to-day basis developing individual moral and intellectual values. Because my main interest lies within my Chicano culture, I have chosen not only to focus my attention soley on academic consciousness, but also on cultural, political, and social consciousness. If a student is to gain the education of a whole person, then one must relate with other people of various backgrounds and cultures within the university community. One of my main purposes, along with some other Chicanos, has been to try and expose the university community to historical, religious, and artistic aspects of the Chicano culture, thereby working towards a better under- standing. This has often been a long and difficult route to travel, and many times I was unsuccessful in reaching this goal. How- ever, I felt that my relationship within the university was at its best during the moments when I saw a positive response from those whom I was trying to reach. Patricia Chavez, a general humanities major, was Chairman of El Frente, Editor of El Estudiante Del Pueblo, a member of the Everett Alvarez Screening Committee for Chicano Scholarships, was a reporter for The Santa Clara, and was a member of the ASUSC Recognition Committee, among other things. pat chavez Patrick Dowdle, an accounting major, was General Manager of KSCU Radio, member of the Communications Board, and a member of the Student Board of Finance. An education can not be complete without an application of the principles and studied material. Only so much can be learned from the formal education process, the rest must be obtained from outside sources and interactions. I guess you could call this a balance. Many things provided this opportunity for me, the chance to apply much of the classroom training through workable outside activ- ities. The best part about this year was that it was enjoyable doing it. The opportunity to work on various projects and endeav ors and to feel like something was actually accomplished could only be satisfying, and showed me how valuable the interaction between formal and informal education actually is; one that should be highly stressed. At the same time, this balance must include time for play. As it is often said, there is a time for studying and a time for play. Santa Clara is such a close knit group of individuals. You need (at least I did) those breaks at Tahoe (casinos!) and Santa Cruz with the gang. I ' m sure they helped my health. But too much of anything can be harmful, so that medium, the balance, is the key. English major John Tjenos graduates Cum Laude . . . Mary Walsh attains the Bachelor of Sciences in Biology dermis mclaughlin Dennis McLaughlin, a political science major, was News Editor and Editor-in-Chief of The Santa Clara, wrote for the Redwood, was 1st floor McLaughlin RA, worked on the Search Committee for a University President, won the Michael Shallo Prize in Political Science, was a member of the Political Science Association, was included in Who ' s Who Among American College Students, and Alpha Sigma Nu. Dear Santa Clara, We ' ve both known for a long time that this letter would have to be written. All good things must come to an end, and our relationship was good for a long time. I was only eighteen when we met, and I thought you were everything I ' d always wanted. You were just the right size, had personality, and promised great educational experiences. We had some good times together in those first years. But we grew apart. Your ideas began to seem stale, as did your friends. Nothing different ever seemed to happen with you--and you liked it that way. You didn ' t even seem as interested in teaching anymore (you decided it was better to write books, get a big name, attract more money). I need fresh air, a place where different people meet and exchange different ideas--a place where people actually think, rather than just react. You simply can ' t satisfy me anymore, so it ' s best I move on. But I won ' t forget you (I can ' t, no matter how I try-and I have tried), nor what you meant to me four years ago. So long. PS--You can keep the TV; I took the blender, no hard feelings, hmm? V There is no denying that the quest for the Bachelors degree presupposes a relationship between a student and the university. To form a single relationship, however, would be an error on anyone ' s part. As a freshman day student, it would have been easy to remain just that; a day student. By winter quarter, and with less effort than I expected, I found there to be more diversity of opinion and life-style than I had imagined at a small, conservative University. It was at this point that I felt best about my situation at Santa Clara. I knew there would be more to experience than just academics and a few scattered social functions; new friends, late-night study groups and out-of-town excursions became part of my education. Admittedly, these relation- ships fluctuated, usually with academic concerns and social activities trading priority. Yet, all these relationshiips were positive, mostly because they were new, different and exciting. Change is exciting. Change is what I will remember when I remember Santa Clara. Dale Silva, a psychology major, served as President and Social Vice President of the Off-Campus Student ' s Association, was a three-term orientor, and was captain of his intramural basketball team. dale silva a §• (A) 0) Outstanding Senior Dale Silva misses Comrnencement for--of all things--a test My relationship with Santa Clara has always been a strange one. In turn I have ignored, despised, and enjoyed this university. Each phase of this relation- ship formed a part of my education here. At first, I remained aloof from the school and had little contact with it apart from the classroom. Then, when I did get involved through living on the campus, I was only moved to bang my head on the wall, cursing the school's apparent inability to satisfy me. At that point I was as enthralled with the Santa Clara Experience as I was with cholera! ' However, in my last year as an undergraduate here, I've come to accept and enjoy many of the institutions and the people on this campus. This new perception of the university came from a new feeling of self- acceptance on my part. Self-acceptance can quickly lead one to accept others also. In my previous years at Santa Clara I had been expecting the university to provide me with some sort of intangible satisfactiong unfortunately, no relationship works in that one-sided way. Santa Clara, like anything else in life, will only make you happy when you are willing to seek that joy on your own. My happiest experiences at the university have been when I was able to be myself with close friends. The Christian Life Community helped me, through its members, to learn a lot about true love and acceptance, thereby helping me to appreciate the good qualities of this school. To have a good relationship with this university you must make a positive effort. Santa Clara, academically, socially, and spiritually, can only be what you yourself make it. If you want to suffer and complain--you will, have no doubt of that. But if you want to experience personal progress and happiness you can find it also, but only if you step out of yourself and figure out just where it is you are going. As the words of a song say: 'LThat path is for--your steps alone. Unfortunately it takes time to find our way to growth and personal fulfillment,but only by taking the very first steps on your own initiative will you ever get there, no person or school can perform that task alone. Ken Linhares, a history major, was a member of the Christian Life Community, Phi Alpha Theta, Alpha Sigma Nu, Phi Beta Kappa, participated in intramural basketball and was the recipient of the 1977 Redwood Prize. ken iifihsfss Y . V W' Mg, V 1- L fl u .--f..f' .1-v' - jfilf J' ,A ,- ., .f,.. M.. I A . ly'-S ,g . - . -- E 5. - 'c - -' -. at Hg.,-L A , :.':1 ', N , :Lg ..- H ,W ' 112'-? :1:5ff'A 'N-' . -.V-.-'hptj - . Mies..---'sql' ' fa .,, f H ,...,.,,,, ..., , . . .h . ,, ., ,.-.. . ..e1. .-, - -i.- r- , . ., .-,. ,. w . . 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X, 'x K, 1. 31 - 14 H W i ,-Q.---f ', ' , 1' . lillllll'f' 1 ., l, . is - -M. 'V 'l - , ...ni T - l 'W-I -- , , 4. 'I -. -I - - '-- Q I Q -1 - ., 'fs :f--s- . , , , .iw - . . , . ,- 4. - . ..A- . I. - f V -fy. 4. Looking back at the Univ- ersity of Santa Clara is like gazing into a mirrorg you recognize some similarities in yourself but you note some changes. Those changes occur in attitudes, outlook, and per- sonality. I tend to believe that each of us will carry an essential ingredient of the Santa Clara experience with us. That essential ingredient might be summed up by the perfect blend, but neverthe- less it is distinct for each individual. For myself the fact that we as a school were able to somewhat improve our- selves academically, and no doubt we still have a very long way to go, was very satisfying. Between midterms, the Tubes, McLaughlin Hall, ASUSC, and the people here I don't believe the memories will be allowed to fade after the shock of the real-world experiences settle in. The, Senior Year seems to mark not so much the end of the Santa Clara experience but the creation of a new chal- lenge or commitment. That commitment continues to ask who we are, what we are, where we are going, and what our contribution will be. Santa Clara provides one perspec- tive for approaching this as- pect of contribution. In conclusion, though, I'll never forget McLaughlin Hall, Or the poker games. Or the St. Patrick's Day toasting ses- sions hosted by Room 121. But most of all l'll miss the people and the togetherness and es- pecially the idea of what could have been. mike ,ra Mike Ray served as ASUSC Presi- dent and participated-in a number of committee's and councils including the Committee on the Search for a University President, and served as part of the Orientation Staff for the Freshman Class. t...,w-A . X dennis ruurph Cindi duncan . I X Xie My relationship with Santa Clara has been one that I'll obviously never forget. Four years of anything would be tough to forget, but fortunately the good times have out- numbered the inevitable bad times, and I was able to get along pretty well. A highlight for me came earlier this year when it looked like the basketball team was going to upset U.S.F. at Toso. We were in it until literally the last second, when our dreams of national rankings were shattered. Imagine outplaying the number one team in the country in every aspect of the game, but still losing. What a letdown. It wasn't long though before I realized that there was more to my relationship with Santa Clara than just a lost basketball game. In fact, I have found that making the best of this relationship also means more than memorizing a formula for Physics or writing a paper for Church History I. Naturally a main objective for my stay here was to become educated , but what does that mean? What good is a four point grade point average if you can't get along with anything but a text book? Often taken for granted are the countless relationships within that involved the people, the campus and even that occasional beer at Lil' Bronc. These are the things that I'll remember most. They are ingredients in the broad education that made my four years here a satisfying relationship indeed. Dennis Murphy, an engineering major, served as ASCE President, was the Engineering Society's Treasurer, was a KSCU staff member, worked with the Alumni Office, was listed in Who's Who Among Students in Colleges and Universities, played intra- mural sports and was captain of his softball team and served as cz coach in the powderpufffootball league. The sense of community at Santa Clara, which stems largely from the Jesuit influ- ence at the school, has made me feel closely related to the University. It does not really matter whether or not one is Catholic or agrees with the beliefs of the Catholic Church. Santa Clara's roots are in the Christian tradition which combines with .Santa Clara's 126 year history, small campus size, and small student-teacher ratio to create a close-knit community. Of course, it becomes easier to find one's place in the Santa Clara community as one becomes more acquainted with campus life. For myself, I feel most comfortable at Santa Clara during my senior year because by that time I had worked several years on student publications and spent a great deal of time coordinating the Sexism Institute. In ad- dition, friendships were well-established and class schedules were easy to determine. My post-graduate plans had also been decided and I appreciated Santa Clara a little more because I knew I would be leaving it soon. Santa Clara, with its long tradition and personalized approach to education, offers a rewarding relationship to any student who is willing to devote a little time and effort. Cindi Duncan, an English major, was typesetter and reporter for The Santa Clara, and editor of The Owl. My relationship with Santa Clara has always been a strange one. In turn I have ignored, despised, and enjoyed this university. Each phase of this relation- ship formed a part of my education here. At first, I remained aloof from the school and had little contact with it apart from the classroom. Then, when I did get involved through living on the campus, I was only moved to bang my head on the wall, cursing the school ' s apparent inability to satisfy me. At that point I was as enthralled with the Santa Clara Experience as I was with cholera! However, in my last year as an undergraduate here, I ' ve come to accept and enjoy many of the institutions and the people on this campus. This new perception of the university came from a new feeling of self- acceptance on my part. Self-acceptance can quickly lead one to accept others also. In my previous years at Santa Clara I had been expecting the university to provide me with some sort of intangible satisfaction; unfortunately, no relationship works in that one-sided way. Santa Clara, like anything else in life, will only make you happy when you are willing to seek that joy on your own. My happiest experiences at the university have been when I was able to be myself with close friends. The Christian Life Community helped me, through its members, to learn a lot about true love and acceptance, thereby helping me to appreciate the good qualities of this school. To have a good relationship with this university you must make a positive effort. Santa Clara, academically, socially, and spiritually, can only be what you yourself make it. If you want to suffer and complain--you will, have no doubt of that. But if you want to experience personal progress and happiness you can find it also, but only if you step out of yourself and figure out just where it is you are going. As the words of a song say: That path is for--your steps alone. Unfortunately it takes time to find our way to growth and personal fulfillment, but only by taking the very first steps on your own initiative will you ever get there; no person or school can perform that task alone. Ken Linhares, a history major, was a member of the Christian Life Community, Phi Alpha Theta, Alpha Sigma Nu, Phi Beta Kappa, participated in intramural basketball and was the recipient of the 1977 Redwood Prize. ken linhares T mi— ■im—i i - 0 f Looking back at the Univ- ersity of Santa Clara is like gazing into a mirror; you recognize some similarities in yourself but you note some changes. Those changes occur in attitudes, outlook, and per- sonality. I tend to believe that each of us will carry an essential ingredient of the Santa Clara experience with us. That essential ingredient might be summed up by the perfect blend, but neverthe- less it is distinct for each individual. For myself the fact that we as a school were able to somewhat improve our- selves academically, and no doubt we still have a very long way to go, was very satisfying. Between midterms, the Tubes, McLaughlin Hall, ASUSC, and the people here I don ' t believe the memories will be allowed to fade after the shock of the real-world experiences settle in. The Senior Year seems to mark not so much the end of the Santa Clara experience but the creation of a new chal- lenge or commitment. That commitment continues to ask who we are, what we are, where we are going, and what our contribution will be. Santa Clara provides one perspec- tive for approaching this as- pect of contribution. In conclusion, though, I ' ll never forget McLaughlin Hall. Or the poker games. Or the St. Patrick ' s Day toasting ses- sions hosted by Room 121. But most of all I ' ll miss the people and the togetherness and es- pecially the idea of what could have been. mike ray Mike Ray served as ASUSC Presi- dent and participated in a number of committee ' s and councils including the Committee on the Search for a University President, and served as part of the Orientation Staff for the Freshman Class. My relationship with Santa Clara has been one that I ' ll obviously never forget. Four years of anything would be tough to forget, but fortunately the good times have out- numbered the inevitable bad times, and I was able to get along pretty well. A highlight for me came earlier this year when it looked like the basketball team was going to upset U.S.F. at Toso. We were in it until literally the last second, when our dreams of national rankings were shattered. Imagine outplaying the number one team in the country in every aspect of the game, but still losing. What a letdown. It wasn ' t long though before I realized that there was more to my relationship with Santa Clara than just a lost basketball game. In fact, I have found that making the best of this relationship also means more than memorizing a formula for Physics or writing a paper for Church History I. Naturally a main objective for my stay here was to become educated , but what does that mean? What good is a four point grade point average if you can ' t get along with anything but a text book? Often taken for granted are the countless relationships within that involved the people, the campus and even that occasional beer at Lil ' Bronc. These are the things that I ' ll remember most. They are ingredients in the broad education that made my four years here a satisfying relationship indeed. Dennis Murphy, an engineering major, served as ASCE President, was the Engineering Society ' s Treasurer, was a KSCU staff member, worked with the Alumni Office, was listed in Who ' s Who Among Students in Colleges and Universities, played intra- mural sports and was captain of his softball team and served as a coach in the powderpuff football league. dermis murphy cindi duncan The sense of community at Santa Clara, which stems largely from the Jesuit influ- ence at the school, has made me feel closely related to the University. It does not really matter whether or not one is Catholic or agrees with the beliefs of the Catholic Church. Santa Clara ' s roots are in the Christian tradition which combines with Santa Clara ' s 126 year history, small campus size, and small student-teacher ratio to create a close-knit community. Of course, it becomes easier to find one ' s place in the Santa Clara community as one becomes more acquainted with campus life. For myself, I feel most comfortable at Santa Clara during my senior year because by that time I had worked several years on student publications and spent a great deal of time coordinating the Sexism Institute. In ad- dition, friendships were well-established and class schedules were easy to determine. My post-graduate plans had also been decided and I appreciated Santa Clara a little more because I knew I would be leaving it soon. Santa Clara, with its long tradition and personalized approach to education, offers a rewarding relationship to any student who is willing to devote a little time and effort. Cindi Duncan, an English major, was typesetter and reporter for The Santa Clara, and editor of The Owl Undoubtably, as most of you read these pages, you share in a common thought: What makes these turkeys so outstanding? I must say, I agree with you 100%. I feel a little ridiculous being here, and even more ridiculous answering (or trying to answer) some ambiguous question about my relationship with Santa Clara. But who am I to buck tradition?? Every year, someone picks a handful of seniors and assigns them an abtruse topic from which they are supposed to impart their wisdom to the general student body. WHAT A JOKE! ! The secret is that if there ' s any such thing as wisdom, a twenty-two year old Senior probably hasn ' t found it yet, and if there ' s any such thing as outstanding, it ' s probably not at the University of Santa Clara. My relationship with the university was best when I realized that neither this school nor anyone in it can be classified as outstanding (myself included). Learning this, I was somehow more free to do the things I felt were important, no longer intimidated by ideals that have no bearing on my rights as an individual. Since there ' s really no such thing as outstanding, feel free to set your own standards, morals and goals. Don ' t let anyone tell you that you can ' t. No one is better than you are. So relax, and most of all, have fun. You may be quite good 9t .It ' ;. ougSalin, a fine arts major, received the Handler Prize for outstanding tnbution to student publications, served as a photographer and Photo tditorfor The Santa Clara, a display photographer for the Theatre Arts and Athletic departments, was a prefect at Bellarmine, and a TA for the ME machine shop class, and was editor of the 1976 Redwood which asked its outstanding seniors the elementary question Is learning an art form? The University has taught me many things. It's taught me how to be an engineer, and a good one at that, by providing an outstanding department with excellent teachers. l'm grateful for the fine academic education I've received, but I'm much more grateful for the non-academic knowledge I've gotten. I've learned about people, some beautiful, some not-so-beautiful. , There have been problems, mostly in finding acceptance within my field, but that non-accept- ance has hardened me somewhat so that perhaps it will help in the working world. l'm not sorry for intruding on their world, I found a field where I could accomplish a lot and I intend on staying there. Prejudices exist everywhere, it's too bad, but they do. The school has taught me how to make some good, close friends, and sadly also, how to lose some of them. Yet, I think I've come out ahead on the whole deal, I lost fewer than I gained. So, thank you to the University of Santa Clara for all you've given me, I'll always remember you and be grateful. w e , 74 3. , Robin Senigaglia, an engineering major, was president of Tau Beta Pi, a member of Alpha Sigma Nu, the American Society of Mechanical Engineers, Engineering Society, Women's Engineering Society, and placed 2nd overall in her is Presentation. Senior Thes H. Q- N :i E . it i - if Tobin semi a lla . - Seniors stand in their dt? ' 'f I 4- I . .4 -1- .. A 1 ny- A .I i - 'S!'fIC' 5'-E 711:-1 -if F li - '-'null-. 'It 'Riel 124 'Q gi,-.tr - slat' st ,- P' --'-f ' V' , -:Itl'iJt,15f'gf x . - -XX -M ',: jf 1iTr'w?.!':f. - ' -ivlgifgl..-f. ii -:FI Qr ' ll riff: r' 1 '-X . 1f1'.f-n.-y-5.51, Q13 A kgs- l12'9l'ilflifi!.i1i5i-IFAI- 1 - f -'ifi1Il:1ei?'tQ'IET -I '- .I 5'?I:.glllm?f:1t '-4.2 -'tai .,I'-.MII . lvl.-tr:2f 1'1'f' :I 1-2 .1 2. 'A 'stir' 2 ff' 2 JI' stefmfg - 44 Q . I I I 57 52 li.?Vi'-I I ' .f ,. :ffl I 22311, 1211. nit-eil: -Q ii' rf. C 'ff-'l. I, L -gl':f 2'f '1'Q, 'i,:J ...-- 'lt --- I. if at . mf- -f if , -f ls i A- ' 1 '1-'K,1c'i.4i ie.. 1,3-pf fr -1 , se, I- V lr. I. if I I -.'4Fa .'11 1. - -'tl'1't39?i'?f1Ti.1f'I'1iiff-x . I '. in ' Ri-. :hi ', P .I ff- of .' ii' F E ll 5 T555 I ' - Xl ef, 1 .M :' I ' I 1 x . , . . '-' . fijfgi 'I . are t last Santa Clara line ever. . . Adieu, class of mctty evans I'm writing this as my fellow students stagger across the stage to receive their pseudo diplomas with cameras clicking incessantly. You might think I picked this time in order to capture the sentimentality of the final hours but you're wrong. I didn't want to break tradition by handing this in on time. Being an accounting major, I don't often express my thoughts on paper lwhich l'm sure is evidentl but I welcome the chance to reflect on this school's role in my life. Primarily I've noted that Santa Clara won't give you anything, it's up to the individual to extract what he or she wants. I've taken much from SC in the form of knowledge, friends, and personal experiences, but your past is only the amount you can store in your mind. As the days pass peripheral relationships and events will subside leaving only an inner core consisting of the memories of a few true friends and meaningful moments. Some of these bring my roommates, a midnight talk with a Jesuit, the loss to' USF, solitude in the Mission Gardens, and final good-byes at the airport. , Soon my acquaintances at SC will only exist in my mind. I only hope that I too will exist in the memories of the many I will never S68 again. Marty Euans, a business major, served as ASUSC Treasurer, and graduated Magna Cum Laude. fran warmerdam My relationship with Santa Clara is somewhat paradoxical though not unusual. Maybe you could categorize it a love-hate relationship. I guess the truth of that statement can be seen in my conflicting emotions about graduation: reluctance at leaving my comfortable niche vs. an eagerness to leave. Yet if the educational experience of Santa Clara has been a worthwhile one, such reactions are expected. My negative view of Santa Clara stems from the provincial attitudes of both students and admini- strators; specifically, concerning social attitudes, academic questions and personal responsibility. The narrow frame of reference also extends itself to the boundaries of the University beyond which, unfortunately, too few of the student population rarely glance. At times we all seem to forget There is life beyond college. However, my positive opinions of Santa Clara are based on the very factor which causes me so much discomfort: its size. The relative smallness of SCU has afforded me the opportunity for academic, social and even spiritual growth. Those instances I was most at ease here were times when I experienced a definite community feeling (more readily available with a limited student body). My personal development and hence my most positive times at Santa Clara were a result of my active reaction to our community. Thus, fall quarter of my junior year, when I was happiest at Santa Clara, was when I was most involved in the academics, most interested in the people and most open to change. As I leave the Mission Campus, I recog- nize this varying relationship with Santa Clara has served its purpose. Using my semi-developed mind, I know it definitely is time to go. Frances Warmerdam was a Resident Assistant for two years, worked for Fr. Coz, and participated in the planning of campus liturgies. I «« s - sJ o Ironically, my most rewarding relation- ship with Santa Clara comes when the relationship is almost over. Only after my four years here can I appreciate what Santa Clara has meant to me. The first thing that comes to mind are the clubs, dorm-life, and even the newspaper staff that introduced me to the friends that I ' ll always remember. The close student body-faculty contact also stands out as a positive aspect of a Santa Clara education. After all, I would like to think that I made some friends among the faculty too. Although the word tradition is some- times considered passe these days, I also remember the sense of tradition fostered by a Jesuit institution founded at a Franciscan Mission site. Some of my most introspective moments were spent on lazy afternoons in the Mission Gardens, where Frisbee flying fanatics romped next to a church that represents over 200 years of history and religion. That kind of juxtaposition of past Jim hurlbutt 2E and present puts a lot of everyday problems into perspective. Finally, I should be grateful for an interesting and sometimes challenging aca- demic experience. I can demic experience. I can ' t say that I have enjoyed every class here. Nor can I say that I agree with Administration decisions that deny tenure to outstanding professors while uninspired teachers continue their mediocre ways under the protection of an outdated tenure system. Nevertheless, I did grow intellectually and spiritually at Santa Clara, and I am grateful to the professors and administrators who were a part of that growth. My years here have been frustrating, exciting, infuriating, joyful, and contempla- tive, but they have seldom been dull. I ' m glad I ' m leaving, but I am also very glad I came. Jim Hurlbutt, graduating Summa Cum Laude as an Honors history major, was awarded honorable mention for the Nobili Medal, worked as a feature editor for The Santa Clara, and as a staff-member of The Owl. ,. _ ' Sfe f 1 The University has taught me many things. It ' s taught me how to be an engineer, and a good one at that, by providing an outstanding department with excellent teachers. I ' m grateful for the fine academic education I ' ve received, but I ' m much more grateful for the non-academic knowledge I ' ve gotten. I ' ve learned about people, some beautiful, some not-so-beautiful. There have been problems, mostly in finding acceptance within my field, but that non-accept- ance has hardened me somewhat so that perhaps it will help in the working world. I ' m not sorry for intruding on their world, I found a field where I could accomplish a lot and I intend on staying there. Prejudices exist everywhere, it ' s too bad, but they do. The school has taught me how to make some good, close friends, and sadly also, how to lose some of them. Yet, I think I ' ve come out ahead on the whole deal; I lost fewer than I gained. So, thank you to the University of Santa Clara for all you ' ve given me, I ' ll always remember you and be grateful. Robin Senigaglia. an engineering major, was president of Tau Beta Pi, a member of Alpha Sigma Nu, the American Society of Mechanical Engineers, Engineering Society, Women ' s Engineering Society, and placed 2nd overall in her Senior Thesis Presentation. robin senka£lia • • Seniors stand in their ' last Santa Clara line ever . . . Adieu, class of ' 77 marty evans I ' m writing this as my fellow students stagger across the stage to receive their pseudo diplomas with cameras clicking incessantly. You might think I picked this time in order to capture the sentimentality of the final hours but you ' re wrong. I didn ' t want to break tradition by handing this in on time. Being an accounting major, I don ' t often express my thoughts on paper (which I ' m sure is evident) but I welcome the chance to reflect on this school ' s role in my life. Primarily I ' ve noted that Santa Clara won ' t give you anything, it ' s up to the individual to extract what he or she wants. I ' ve taken much from SC in the form of knowledge, friends, and personal experiences, but your past is only the amount you can store in your mind. As the days pass peripheral relationships and events will subside leaving only an inner core consisting of the memories of a few true friends and meaningful moments. Some of these bring my roommates, a midnight talk with a Jesuit, the loss to USF, solitude in the Mission Gardens, and final good-byes at the airport. Soon my acquaintances at SC will only exist in my mind. I only hope that I too will exist in the memories of the many I will never see again. Marty Evans, a business major, served as ASUSC Treasurer, and graduated Magna Cum Laude. ig ig e....,Ly.,WlQ7 U 4 l i r W m ' f'GNuZ.'1f . Y. , f r I' . . . only afew of which, if any, are here on these pages. VVhen it comes right down to it, there is not really uery much here, compared to what 1977 really was. What was it? If you were here, you know, and all this book is doing is reminding you of what you know, presenting you with a picture or a word that freezes a moment that echoes a moment of yours, or, if you were not there, t tries to bring that moment to you Perhaps you never knew Lisa all A1 fajrf, ,gf -4.8. A f!i 1 v .. Ir ,. V 1 1 new llia' ww , , I i , A , li wx , ill 11 . ig Q ' I 4 I , 1 I f L y:,.i ,A- L I 11. A 'is NB, Lf' iul. l MLA V 1, .-n i if y 1 ,Q A. ,, 'ui'l i l . I i . 1 i ., , A. 1 ' •« .• . . . only a few of which, if any, are here on these pages. When it comes right down to it, there ' s not really very much here, compared to what 1977 really was. What was it? If you were here, you know, and all this book is doing is reminding you of what you know, presenting you with a picture or a word that freezes a moment that echoes a moment of yours, or, if you were not there, it tries to bring that moment to you. Perhaps you never knew Lisa Cross or perhaps you were home sleeping when Doug Salin got his diploma. Maybe you didn ' t cut your noon class to catch the Royal Lichtenstein Quarter-Ring Circus. Or maybe you did. Maybe you haven t a clue to what Santa Clara University was like in 1977. Or maybe you do. In any case, all this book is trying to do is to bring across a few isolated moments of 1977 to you- -what goes between the three dots is up to you to fill. flfe WSu ? %Wi whether you remembe the smiles of friends wfrrrt JS 2 ft 4 ' N ■ . ' or the loud or silent applause of achievement, 1977 was worth it. —the editor «?r The year 1977 was brought to you by . . . If you quote me, I ' ll deny it. -Jr. charles phipps, sj, director, honors program congratulations to the class of 1977 compliments of LEO W. RUTH, JR. E. JACKSON GOING, JR. W.I-I. BENDER HARRY N. LALOR NORTON S. CURTIS AWQTQ, mmm Q Since - , Famous' For 1885 S Fine Flower: santa clara san jose 2215 the alameda 2nd and san fernando los gatos willow glen 112 n. santa cruz 720 willow street JACK MIEULI JR. AND STAFF class of '37 TUCKER PIQIIVTTNG 45 wilson avenue san jose, california 14081 292-2787 R.H. WEHNER CONCRETE CONSTRUCTION CO 1900 e. campbell san jose, california telephone 244-6600 r.h. wehner, jr. Ipresidentj 390 martin avenue, santa clara telephone 244-6600 concrete sawing subdivisions: curbs sidewalks gutters em 'Ti F-my Q40 ,J I , is For savings or ff 5129-1-if-1 1 rig- ill D ,M or - ll e Ins, 2 ne n.Z',',,,,,,m '--------N-N5 ' ' il l fiibq' ll l 4 place to go IS I I gr , . ., 1: ,xl ,,,IUS,,: c lee l 4 I 55 Bank of merlca. I A .. s,...V ..., .. r..... .... . .fffffff f ll ,,- , Mz::z L-faor5,,,,m I J BAN K . 0F AM E RICA BANK OF AMERICA NTLSA 1 MEMBER FDIC SANTA CLARA MAIN OFFICE EL CAMINO-KIELY BRANCH SAN TOMAS INDUSTRIAL PARK BRANCH 909 Lafayette Street 2670 El Camino Real 2925 Scott Boulevard C4081 277-7354 C4081 277-7384 f408J 277-7572 fi congratulations to the class of 1977 compliments of LEO W. RUTH, JR. E. JACKSON GOING, JR. W.H. BENDER HARRY N. LALOR NORTON S. CURTIS jmem Since 1885 Na uUJs Famous For Fine Flowers santa clara 2215 the alameda los gatos 112 n. santa cruz san jose 2nd and san fernando willow glen 720 willow street JACK MIEULI, JR. AND STAFF class of ' 37 TUCKER 45 wilson avenue san jose, California (408)292-2787 R.H. WEHNER CONCRETE CONSTRUCTION CO. 1900 e. campbell san jose, California telephone 244-6600 r.h. wehner, jr. (president) 390 martin avenue, santa clara telephone 244-6600 concrete sawing subdivisions: curbs sidewalks gutters For savings or checking, the one place to go is Bank of America. BANK Itl of AM ERICA BANK OF AMERICA NT SA • MEMBER FDlC SANTA CLARA MAIN OFFICE 900 Lafayette Street (408) 277-7354 EL CAMINO-KIELY BRANCH 2670 El Camino Real (408) 277-7384 SAN TOMAS INDUSTRIAL PARK BRANCH 2925 Scott Boulevard (408) 277-7572 -dedicated to generating student support and enthusiasm not only for the legendary Kork, but for SCU basketball as a whole -making its presence felt through posters, T-shirts, and the publication of the First Korky Manifesto -spearheaded by the likes of Pat Loftus, Lee Nordlund, and Rick Allen, THE KORKY CLUB is looking forward to another spirit-filled basketball season, and expects you to be there!!!! meet the folks who brought you .pogboRo t t 0 t  i  AN FRANCISCO fOqHQRJR NCAA DUMPS DONS: 3 YEAR PROBATION f T - - r. --written by Tom Mullaney and George Donovan, and produced by Linda Larson, Ray Polverini, Paul Totah and Doug Salin, The Foghorn was a skilful parody of USF ' s own school paper. It was distributed simultaneously at USF and Santa Clara on the Friday before USF played the Broncs at Toso Pavilion, and received laudatory press coverage from local TV and radio stations in the Bay Area, as well as mentions in the sports sections of The Chronicle, Examiner, and the San Jose Mercury. congratulations to the class of 1977 from T«CAHYZ , 7© OWENS CORNING FIBERGLAS 960 central expressway santa clara, ca. RACE STREET FISH POULTRY resh killed 111 our poultry dressed on the premises Jarsanti Riparbelli-owners ilenty of free parking etail and wholesale ryers--roasters--turkeys--rabbits becializing in large orders for picnics, ianquets, etc. iur five locations to serve you are RACE STREET FISH AND POULTRY MARKET 253 race street 294-4856 RACE STREET FISH AND POULTRY 584 s. murphy avenue 736-7660 RACE STREET FISH AND POULTRY 3695 union avenue 371-2122 SHAW INSULATION CO. 975 richard avenue santa clara, California sound insulation graham hall we ' ll keep things quiet in the quad RACE STREET FISH AND POULTRY highway 9 251-7660 RACE STREET FISH AND POULTRY los altos 998-7496 CONGRATULATIONS AND BEST WISHES TO THE CLASS OF 77 FROM THE DEPARTMENT OF MILITARY SCIENCE Q MWM (Mf,W fill) portraits publicity weddings passport and i.d 2235 the alameda, santa clara, ca. 95050 ilounb Table UNIVERSITY ELECTRIC 1391 franklin street radios stereo tv appliances 17 varieties of pizza hamburgers oven baked sandwiches salads beer wine free soft drinks for ladies telephone 244-6500 mon-thurs fri-sat sun 11 a.m. - 1 a.m. 11 a.m. - 2 a.m 12 p.m. - 1 a.m 2165 the alameda santa clara, California tel. 248-9123 congratulations to the class of 1977 from THE CAMPUS STORE your on-campus shopping center ' RYAN ' S SPORT SHOP 167 north bascom san jose, California everything for every sport telephone 294-3655 BERKELEY FARMS gold medal winner home owned since 1910 for quality service and quality products telephone 243-3997 910 warburton san jose, California compliments of the rubino family PACKING CO. INC. growers, packers, shippers VALLEY VIEW PACKING 1095 hillsdale avenue san jose, California (£)OPY RIGHT congratulations to the class of 1977 kodak ektaprint copies 4 cents - student discount XEROX color copies available at low cost The University of Santa Clara Alumni Council extends its con- gratulations to the class of 1977 and cordially welcomes them into the comradeship of their fellow alumni. book binding and lamination M-F 8:30-6:00, S 9:00-4:00 2939 park avenue santa clara, California 247-4692 MISSION CITY LUMBER COMPANY 651 harrison street santa clara, California telephone: 296-0650 ELMOPARDINI, CONTRACTOR California license no. 122549 371-c mc glincey lane campbell, ca. telephone 371-3193 Come to the lYlingus --an out-of-the-way vacation spot ideal for those bored with this world. A continuous adventure, with intrigue, wizardry, sor- cery, romance, warfare and strife as invigorating spices. No matter what your inclination, there is a place for you to go in the Mingus Environs. Accommodations will not be made for everyone and are limited [although vacancies occur constantly] so put in your application now. A word of caution: Mingus may prove to be so captivating that you may never return . . . HOURS Sun. • Thurs. 9 a.m. - 11 p.m. Fri. - Sat. 9 a.m. - 1 a.m. LITTLE PROFESSOR BOTTLE SHOP imported domestic wines fine liquors - kegs - party supplies 2565 the alameda santa clara, ca 95050 ralph v. giannini 296-0790 class of ' 65 university center 2555 the alameda santa clara Among other things, IBM computers are helping scholars to find what the poet Shelley learned from the works of Milton — helping scientists to track the erratic flight paths of the whooping crane — helping historians to deduce precise shades of meaning in the Dead Sea Scrolls— helping astronomers get close-up pictures of the eerie face of Mars and helping oceanographers, sailing the lonely reaches of the east tropic Pacific, determine the course of an equatorial undercurrent. W S JP When people are seeking information, it ' s amazing mkJmJmjm how often IBM computers can help. In times of rising inflation and higher annual costs, normal athletic in- come does not meet all athletic budget require- ments. Supplemental funds are provided by sports booster groups to ease the budget situation. At Santa Clara this burden has been assumed by the Bronco Bench Foundation, Inc. Without help from Bronco Bench, sports at Santa Clara would gradually deteriorate rather than grow competitively. ...ion, row Bronco Bench Foundations, Inc University of Santa Clara Santa Clara, CA 95053 Your help is greatly appreciated and your membership contribution is tax deductible! ! JOIN THE BRONCO BENCH HELP SCU STUDENT-ATHLETES Father Bill ' s Used Hats in Santa Clara will guar- antee the finest in things for your head! We have Stetsons, beanies, tennis, golf and worker ' s hats at discount prices. And, for a limited time only, Bill proudly announces grad- uation caps at reduced prices!! So come on by today and check us out! if ao • ' Mi Hfiji T ! S? V B - • I- 4 . £ Rl ' cHI neff 4 Kc )L«r j T w£. a f «? N .. - « f ; c:baRL«s «• - ■■ i . ' !i £? «S • r y l ' , Vl ,-.Am-If 5 -,NN fx. ,gr M -., ,.... . 7.7 , ,..---,-'- ------- --'-Af'-- 3 '- '- ' ' 'N A -qv-'Hwy' irihvl - laments of sanfaTcLatia cir2ioeresft57