University of Santa Clara - Redwood Yearbook (Santa Clara, CA)

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gcs v urncb uy, bdyb change in winter registration date from Jan. 2 to the 3rd. ..dr. hip pocrates comes here to speak, and if you think censors have a (Xtober Co 13™ ST. JUDE INVITATIONAL DOUGLAS DAVIS falll ■D c ( , CD CD CD 3 - O)o O) O 1- Qc3 .11 oa ° 2 : - ' o) i -o c B v o c O 3 CD D O -o w O) o 1- c trt ¥ . CD 3 : ■o rt! o o , CSJ [ o . D O +J C Q. o u O Q ■o (T) HS

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Wrapping up with all the freshmen registering on Wednesday, this crash course in How to be a College Student was coordinated by Assistant Dean of Students Betsy Kovacevich, assisted by Jose Lopez and the rest of the Steering Committee, along with some ninety sophomore, junior, and senior orientors. Orientation was the end result of the hard work and diligent effort of many people in the University community. All those people who worked out of sight, the ones who didn ' t wear the buttons, such as the administrators, the food service people, and the theater arts people, to these and all the people who made Genesis ' 73 such a great success, a heartfelt Thank You . 15

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they ' re impressed...700 people, santa clarans and otherwise, sing nappy sense of humor you ' re crazy. ..you can ' t see most chalk colors on the blackboards , can ' t close the non-existent drapes to show slides and the In the minds of a majority of people the realm of an art gallery contains landscapes and portraits, and classical sculpture. Fortunately Lydia Modi Vitale is not a member of that majority, and never has been. In her time as director of the De Saisset Gallery she has acquired a reputation for encouraging the new, the exciting, and the different . artistic endeavors. She upheld her reputation during the Fall of 1973 by bringing well-known artists from the fields of videotape, expressionistic painting, and photography to Santa Clara. The gallery opened the busy quarter with a special showing of the works of two artists trying to reflect the nature of a society. The expressionist blobs of Sam Francis seemed to capture the spirit of today while the curt-toned photographs of Edward Curtis, the nineteenth century photographer, seemed to present the lifestyle of the American Indian. Also visiting the Mission Campus during the quarter was Douglas Davis, the noted New York film critic and videotape artist, who made a number of tapes for his De Saisset showing using the students and scenery of Santa Clara University. But by far the most controversial and intriguing show of the quarter was the presentation of Robert Rauschenberg ' s corrugated cardboard collages. And so, while it seems that there may be galleries specializing in portraits, landscapes, and classical sculpture, the passing of time seems to affirm that Santa Clara is not that place. It is a place for challenging the vistas of art