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Page 12 text:
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NextstoD... UNA partners with UCLA Film Festival toundtT George Lindsey and UNA Continuing Studies Director Dan Throgmorton announced at the 2004 festival an interesting opportunity for students who want to become movie stars or moguls when ihev grow up. Under a new inter-university partnership, UNA film students will soon be traveling to UCLA to study the entertainment industry and to get some real HolK ' wood experience. According to Throgmorton, film students will begin taking UNA prerequisite classes to kick off a certificate program offered by UCLA. The program will culminate with a 12-week summer internship in which the students will actually live on the LA campus. Its [UCLA ' s] certificate programs in film, television and entertainment studies are the gold standard in the industry, bar none, said Throgmorton, vvho used his former employment at the California university to help set up the prestigious partnership. If they had had that when 1 wont lo school here, I would ha e been the first one on the bus, Lindsey said. Film students are required to take a mini- mum of five courses in the field of their choice: development, pre-production, production lor fi film and television and post-production for film television. In addition, UNA will offer elective classes in acting, cinematography, film history and appreciation, film theory and directing. Students participating in the certificate program will also take an online, industrv role- D.in Throgmorton playing game entitled The Business of Hollywood, which will help ease them into the demands of their internship. It really immerses OLD FRIENDS. Lindsey and tmest Borgnine exchange greetings PAVING THE WAY. (nj; i() Jane Kagon conducts a workshop.
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Page 13 text:
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udents in an environment where they really learn hard data on not nlv what it takes to get a mo ' ie made, but also the all nuances that re involved in the industry, said Jane Kagon of the UCLA ntertainment Studies and Performing Arts, who is the planner behind le California side of the program. Lindsey also commented on the program ' s potential to help ring new talent to the entertainment industrv. It [the program] gives anyone that wants to be involved in film chance to learn from people who know about it. An actor who is pro- ssionally trained can get his foot in the door a lot better than some- ne who hasn ' t had anv training at all, he said. There are so many people with great talent, with great skill, et lev lack the network to get them before the right production compa- ies or the right producers, so their talent goes unidentified, Krogmorton said. — Evan Belanger EETIN ' G OF MINDS. President Robert Potts listens intently to Lindsev. Tliis year ' s best of show for a professional film vvent to Lightning Bug, the writing directorial debut of Robert Hall, a former Cullman resident, shown above with his wife. The film, which was shot in Cullman, depicts Green Graves, who must deal with the realit} ' of growing up poor in the South. lisunderstood and with an abusi e stepfather, he nevertheless pursues his dream of becoming a special- effect make-up artist. Basically it follows close to mv own life. I know what if feels like to be the main character, someone whose aspira- tions seem greater than they can achieve, but it is by no means a documentary, said Hall, who is todav a successful special-effects make-up artist in HoUj wood. The film featured such notable names as Laura Prepon of TJwt ' 70s Shozr, Kevin Gage of the movie Blow, Ashleif Laurence of Hellraiser, Hal Sparks of Queer as Folk, and Don Gibb of the X-files. V. RM WELCOME. Ernest Borgnine is greeted when he arrives at the airport.
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