University of Missouri College of Engineering - Shamrock Yearbook (Columbia, MO)

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1 , n Q 64, Pardon - I R - Lk, V, ' p A I 'xx ll -, Prof in Geom- What is space? Freshman- I can't explain it, but I got it in my head all right. ' V aaa - Fair Co-ed- I suppose you will com? mit suicide if I refuse you? He- Ah, yes, that has been my cus- tom. ' ' PBPBPI4 I' Welsh-QIn descriptive geometeryj, Now, Mr. Percival, how does that look? ' C Percival Qwaking upj- Oh, that's all right. ' Welch- Are you ina receptive posi- tion back there, Mr. Percival? A little greater perpendicularity of the body might be better. Shorthorn- Meyer boards by the day, doesn't he?', V1 ' - Landlady's daughter- What makes you ask that? ' Shorthorn- I see that he comes in every day-to pay his board, I suppose. P14 X4 K4 A ' Calling on an intellectual woman is, to the average man, just a form of men- tal gymnastic practice lwhich he takes to brace 'him up so that he can enjoy the enervating society of some cute fluffy little thing for the rest of the week. The individual you can spare the easiest is generally the one that is around the most. P14 PI4 P14 The man who is a failure hopes for the best, but-the man who is a success takes it. 'I' 'I' 'X' . The foreman of a gang of railway men has more than his share of Irish wit. The other afternoon he was walking along his section of the line found one of his laborers fast the shade of a hedge. Eyeing the man with a stern smile, he said slowly: Slape on, ye idle spalpeen-slape on. So long as ye slape ye've got a job, but when ye wake up ye're out of wurrkf' P14 P14 P11 when he asleep in The evening wore on, continued the man who was telling the story. P Excuse me, interrupted the would- be wit, but can you tell us what the evening wore on .the occasion? A I don't think that it is important, replied the story teller. But if you must know, I believe it was the close of a summer day. ' PF P14 P14 If a man lends his influence he rarely gets it back. p B PF 'B PI' A genius is a man who knows when to keep his mouth shut. Eighty-Two