University of Michigan - Michiganensian Yearbook (Ann Arbor, MI)

Page 4 text:

CHOOS INC A PIANO. Continued. WHY KRELL PIANOS LEAD. TONE. TOUCH. ONE all-important point in the selection of a piano is to be certain that it is made from thoroughly seasoned materials. Assurance in this particular can be had only by purchasing from a maker whose reputation would suffer were his name placed on an inferior instrument. Some makers rely chiefly on reputations won by founders of their houses instead of the present quality of their manufacture. As a rule no mistake is made where preference is given to the maker who is rapidly rising to fame solely upon the merits of the instrument he produces. In the latter case the pianos are not only more reasonable in price, but they are generally better instruments than those manufactured by firms that depend upon former reputations, which possiblythey are slowly but surely losing. On the other hand a wide berth should be given to so-called ' ' cheap pianos. They are a delusion and a snare. An experi- ment with them never fails to prove costly in the end. A really good piano always commands a fair price, about midway between the fancy figures asked by makers who are living on past reputations, and the ruinously low figures at which irresponsible makers are compelled to sell in order to make sales at all. L F LATE years ' ' A distinctively original creation, both as regards the scale and manner of construc- tion The Krell Piano has forged so rapidly to the front rank in the piano world, as to fairly dis- tance all competitors, and some pertinent facts concern- ing this remarkable instrument would therefore seem to be in order. As the result of progressive improvements, made by master minds and mechanics, backed by unusual resources, in building up a new and perfect system of piano construction, Krell Pianos have reached the highest standard of excellence. They are the only pianos now made combining all the essential qualifications requisite for a thoroughly artistic piano. That this statement is not extravagant is borne out by the unhesitating stamp of public approval. The beautiful tone, perfection of scale, susceptibility of touch, elegance of case, together with the superior quality of materials used and skilled workmanship employed in the manufacture of Krell Pianos, all have a part in the finished instrument, which has been aptly described as the Acme of the Piano Maker ' s Art. 99-99 For their wonderful volume and exquisite quality of tone. The Krell Upright and Grand Pianos are preeminent. While the tone is clear, and full and brilliant, yet it retains that sympathetic mellowness so pleasing and fascinating to the refined musical taste. 9. 9 9 9 The Krell metal flange repeating actions are unsurpassed for their ease and plia- bility. Being light, firm and responsive to the touch, they do not fatigue the per- former upon the least exertion, as is the case with most other makes. As none but the finest materials are used and the greatest possible care is exercised in their manufac- ture, sluggishness and sticking of keys are completely overcome. The keys are of the finest quality of ivory, and French-filled dead-finished Ebony Sharps. SCALE. The scale of the Krell is 7i octaves, is scientifically correct, even and perfect, and so devised, having only one bearing, that the tension of the strings runs perfectly straight, and is equally distributed. This is one reason why Krell Pianos are so easy to tune, and why they stand so well in tune. They are three stringed and have, a nickel plated Capo D ' Astro bar running throughout the antire scale.

Page 3 text:

PIANO TACTS. r w LEADING firm of Piano manufacturers have recently published a brochure styled Pacts, which contains so much interesting and valuable information that we feel assured no apology will be needed for reproducing the little work entire for the benefit of our readers. FACTS are but the result of experience representing things done, acts, deeds, from which are established truths. A fact must be a truth. That portion of the pub- lic interested in the Piano question has more frequently than otherwise, when seeking light, been brought to realize that it has not been dealt with according to truth or facts. 9 9 9 ' 9 A valuable experience covering many years, and the widest possible range, in the manufacture, handling and sale of fine pianos is sufficient warrant for this presentation of facts for the guidance of those who may be interested. We have nothing to con- ceal, but have every reason for wanting the real facts concerning pianos to become as widely disseminated as possible, and we believe no disinterested person could be found who would be inclined to dispute the truth of the statements made herein. By taking heed of the facts that follow it should be comparatively an easy matter for the average person to choose a piano wisely, to care for it so as to keep it in the best possible order for the greatest length of time, and always to obtain the best re- sults it is capable of giving. Perhaps the most important transaction in the life of the individual, so far as the piano question is concerned, is in the selection of an instrument. Very few person-i have occasion to choose more than one piano in the course of their existence, and if in such case, as frequently happens, a mistake in the selection is made, it means piano di sappointment for life. An instrument may sound well in a spacious sales-room, where there are no furnish- ings or hangings to interfere with the sound, and be found entirely different and want- ing in tone in a furnished appartment. Good judges even are sometimes deceived in this way, and but few persons are able to make a wise decision. This mistake may be avoided by choosing a piano with a sustaining quality of tone, that is, when a note is struck in any part except the extreme treble, it should continue to. sound for some time thereafter. This will be found the best general test of a piano, for one with a sweet, sustaining quality of tone will sound well in any room. AS TO FACTS. A RIPE EXPERI ENCE. CHOOS INC A PIANO.

Page 5 text:

THE ' Krell Piano Pedal action is made of light but strong iron castings in the place of wood, which obviates the constant liability of warping, squeaking or getting out of order. It is an established fact that more complaint has been made of squeaking pedals than of the badly out of tune piano. This has been done away with by the introduction of our Patent pedal action. PEDAL ACTION. The case work of the Krell Piano is elegant in design and beautiful in finish. The cases are made from thoroughly seasoned wood, double veneered inside and out. They are finished in fancy Mahogany, French Burl Walnut, Circassian Walnut, Italian Wai nut and English Quartered Oak. We also manufacture to order, from special designs, cases to match any style of furniture and in any kind of wood. 9999 The full flanged metal plates of Krell Pianos are cast from an improved pattern which is on the principle of a Grand. They not only embody great strength but give to the Krell Uprights the qualifications of a Grand, making them in reality a Grand Piano in upright form. ELEGANT CASE WORK, A GRAND PIANO IN UPRIGHT FORM.