University of Evansville - LinC Yearbook (Evansville, IN)

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HUMANITIES MISS FLORENCE KEVE IS HEAD OF COLLEGE ART DEPARTMENT ART Evansville’s art department offers 22 courses to the student desiring to make his major field in art. With a minimum of 30 to 35 hours of art required for a major, courses ranging from free-hand sketching and figure drawing to oil and water color painting are offered here. Courses in the history of art also are offered for back¬ ground. Students majoring in education for a position as an art teacher in the future are offered a special laboratory course. STUDENT ARTISTS Betty Wood and Frank Chandler, working in the art laboratory, show one phase of art. DON SWIFT shows his ability in mod¬ ern art. This modernistic trend is growing in popularity. To the non¬ artist, however, perhaps the only appealing feature is the beautiful combination of well-mixed colors. LABORATORY WORK is required in most art courses. Juna Howard (above) puts finishing touches on a drawing. Many students have had their works put on exhibition in the Reserve Library and in the TUB. PAINTING is a popular art course. Nobel Hart (above) appears to be concentrating on the painting he is doing. Selecting proper color scheme is difficult job; often colors must be mixed to get desired hue on canvas. 25

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S»|i .w ' V ' mm STUDENTS JUNA HOWARD AND PAUL D. MILLER CHAT WITH DEAN McKOWN ABOUT CURRICULUM BREAKDOWN ILLUS¬ TRATED ON CHART. THIS IS PATTERN LINC WILL USE IN THE FOLLOWING SECTION, WHICH REPORTS ACTIVITIES

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CRESCENT STAFF MEMBERS perform some of innumerable jobs required to get paper out. Cluttered desks and tables are necessity. Richard Ryan (standing) meditates on what to do about some copy being read by Don Swift (facing CRESCENT Student newspaper goes from weakly to weekly publication of campus news After a period of almost suspended progress during the war years, John A. Royd, assistant professor of journalism, took over the reins of the Crescent and built it up to two national awards, one in 1948 and one in 1949. Recognized by the National Scholastic Press Association as an outstand¬ ing college weekly, the Crescent is seeing better days ahead. The Crescent operates on a page editor system which calls for a chief editor and assistant editors. An assistant editor is in charge of each page. The editor, Sue Dannet- tell, with her small but efficient staff, published the Cres¬ cent on every scheduled Friday during the year. In the fall quarter the assistant editors were: Bob Young, Bill Collins, Ray Lasher, Charles Greer, and Bill Cobb. Staff writers were: Jean Marshall, Walter Prickett, Lennis Gregory, Richard Schlemm, Bill Bickley, Richard Fields, and Kurt Kluger. In the winter quarter Editor Dannettell inaugurated a new system requiring three additional assistant editors. They were: Bill Bickley, Ralph Weber and Richard Fields. Staff writers during the winter quarter were: Bob Bammer, Frank Chandler, Marvin Fox, Roger Ingle, A1 Parten- heimer, Richard Ryan, Curt Scheible, Norman Stewart, Don Swift, Karen Warweg, and Mack Wise. Columnists for both quarters were Frances Jones, Jerri Steinmetz, Jeff Hays, and Bill Woods. Sam Wherry was staff photographer for the entire year. crew). Others seated left to right are: Curt Scheible, Mar¬ vin Fox, Roger Ingle, Norman Stewart, Bob Bammer, and Frank Chandler. Main job for these potential Winchells and Peglers is reporting news interestingly and accurately. EDITOR SUE DANNETTELL (above) checks some ad measure¬ ments with Charles Van Winkle, business manager. Miss Dannettell, appointed editor for the year by the Publica¬ tions Committee, has endless worries. Responsibility of seeing that paper meets deadline every Friday rests on her shoulders. She has been on the staff for two years. 26