Union Springs High School - Hischolia Yearbook (Union Springs, AL)

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iiiiiiiiiiitMiiiriiiiiliiriiiriiiitrMiiiMiKiiniiiriiliriMirriiiitnni ' iiiiitiiiiiiiiiiii iiiiiiiitiiiiiiiriiinriiiiMiiiiiiniiiriiii rriiiiiiiiiriiutiiiiiiiiiiiiiiiiiiMiiiiiiiirriiiiiiiiiiiiittiiiiriiiiiiiiiiiniiiiiiii ' 14 THE HI SCHOLIA 1929 .i,ll„ii„t tt (Illlllilt 1 Ml iiiiiiiiiii iiiitiiiniiiiiiiiiiif Hill I iiiiiiiiiit mill Mlllllliliiiii tiiiii 1 Senior III FLOSSIE MAE GARDEN Flossie Vag bond Literary Society. A maid of feiv wo rds hut loads of pure thoughts. IRENE FEAGIN Tee Lanieiian Literary Society; Pierian Liter- ary Society President ' 28; Glass His ' orian ' 26, 28; Class Prophet ' 29; Basketball ' 28. ' 29; Secretary Athletic Association ' 29; Most In- tellectual Girl ' 29; Advertising Manager His- cholia. To the last man she will hold to her maiden aim, old maid. CLARENCE FORSYTHE Fo Class Poet ' 26; Lanierian Literary Society; Athenian Literary Society; Football ' 28; U Club; Most Athletic Boy ' 29. Not learned in court nor versed in wit, but Icved by those who know him best. ■ JAMES MAY Guv ' ner Class President ' 25; Vice-President ' 26; Sec- retary-Treasurer ' 28; Historian ' 29; Jefferson- ian Literary Society; Tappa Keg Literary So- ciety Secretary-Treasurer ' 27, President ' 28, Orderly ' 29; Advertising Manager Athletic As- . ociation ' 29; U Club; Most Reliable Boy ' 29; Editor Hischolia. Tall folks with large props are usually good- natured — here ' s the proof. FRED WILSON Peanut Class Vice-President ' 28. ' 29; Lanierian Lit- erary Society; Vagabond Literary Society, Vice-President ' 28, Secretary-Treasurer ' 29; Assistant Editor Hischolia. Small men can be laughed down, but great men never. II I mill I mimiimiii i mm i mimiii i in. mi u mn i limiimiin mini mill: immmmmiimiii mimiimiimiimiimimiimiimiimimiimiimmiimiimiimiimiimimiimiimiim . ' iiiii iiimi.iiliillimiimiiiiiliimiiiiiimiimiimiimiimiiiilliiiiiimiimiiMiiilil»

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iliiiiiiiriiiniiililllllinilliiiiriiiiiiiiMiniiiiiiiiiiiiiiiiiiiiiii)iiiiiniiiiiiii ' iiniMiiiiiiiiiriiiitMitiiirr iiiiiiiitiriiiriiiiiiiniiiriiiiriiiiiiiMiiitiiiiiiiiiiiiiiiii: 1929 THE H I SC H L I A niiiiMiiiiiiiiiiiiMltiiiitiiiiiiiutiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiriiiiiiiitiiiiiiMiiiiiiiiiiiitiiiiiii ' iMiiiiiiriiriiiniinriiiiiiiiiiiiiiiMiiiiiiniiiiiiiiiiiiiiiii iiiiitiiiriiiiiiiiiiiiiiiiiii 13 iiiiiiinMniiiiiiiitiiiiiiiiiiiitiiiiiiiriiiii Senior III MARGUERITE MOORE Snooks Class Reporter ' 26; Class President ' 28; La- iiierian Literary Society; Athenian Literary Society, Vice-President ' 27; Secretary-Treas- urer ' 26, ' 28; Glee Club ' 26; Beauty Section ' 28; Picture Editor Hischolia. She is sweet and demure, and therefore to be wooed in a knit htly manner. JIM POWELL Jim Class Reporter ' 25; Secretary-Treasurer ' 26, ' 27; President ' 29; JefFersonian Literary So- ciety ; Vagabond Literary Society President ' 28, 29; U Club President ' 28; Football ' 26, ' 27, ' 28; Captain Football ' 28; Basketball ' 29; Baseball ' 28, ' 29; Finest Boy ' 29; Busi- ness Manager Hischolia. God made the man, and its the man ' s ou )i fault if he allows the icomen to make a fool of him. STUART PUGH Mooney Class Secretary-Treasurer ' 26; Lanierian Literary Society; Athenian Literary Society; President ' 28; Football ' 27, ' 28; Alternate Cap- tain ' 28; Basketball ' 28, ' 29; Captain ' 29; Baseball ' 28, ' 29; U Club; Handsomest Boy ' 29; President Athletic Association ' 29; Ath- letic Editor Hischolia. He is a man of unbounded stomach. THELMA SIMS Thelma Class Poet ' 26; Assistant Class Will ' 29; Jef- fersonian Literary Society; Pierian Literary Society. Kindness rules in her heart for all her friends. EXTON TUCKER Gooley Jeffersonian Literary Society; Tappa Keg Literary Society, President ' 28; Class Secre- tary-Treasurer ' ' 29; U Club; Football ' 27, ' 28; Basketball ' 29; Baseball ' 27, ' 29; Vice- President Athletic Association ' 29; Most Cour- teous Boy ' 29; Assistant Business Manager Hischolia. Good and shy, but everything about him handsome. liMiiii I tiiiii iiiiiii t I iiiiiMii iiiiriiii iiiiiiiiiiiii uiiilii ' it ittiiiiiKiiiiiiii tiiiiri II I iiiiiiiii liiliil liiiinii IIIIIIIII iiiiiiiiii mmimiiiiimiiiiiiiii iiiiiiin iiiiiiii iiiiiiiiiiiii i i mi m iiiiiiiiii iiii

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iiiiNiiiiiiii(iiiiiMiiiiiniiniiiiiiiiiiiiiiiiiiiiitiiiiiiMiHiiniiiMiiiMiiMMiMiiMiinriiiiiiiiiiiiiiiiiiiiMMiriiirriiirriiiMiiiiiiiiiiitiiiiiiiiiiiiiiiiiiiiitiiiiMiHiiiiiiniiiiiniMiiniiiiiiiiHiiiMiiitiiiMiiinii( 1929 THE HI SCHOLIA 15 iMniMnMiniiMMiiliiiiiiiiiitiiiMiiiiiiiiiiiJiiiitiiiiniiiiiiiiniiiiiniiiiiiiuiiiitMiMiiiiiiiMiirtiiiiiiiiiiinMiiiiiuiiiiiiiiiiiiMiiiiiiiiiiiniiiiiiiiiiiiHiiiiiiiniiiiiiiiiiiiiiii Senior III History Cri S I stand viewing the cyclorama before me various emotions pos- yll sess me ; here, tears for those days that are no more ; there, - laughter at some humorous reminiscence. My eye is attracted to a kindly figure standing without a gate, her face overspread with a sym- pathetic smile and her arm gently placed upon the shoulder of a young boy who is looking joyfully through the bars. As she opens the gate for him to pass through, her familiar face brings back memories of the day when she was opening it for me. The boy passes on and makes what would appear to be a low bow ; but no — he remains in that position while a number of paddles beat merci- le-ssly upon his posterior extremity. He bears it like a man, however, and soon takes his place as a paddler. Here the artist changes the young fellow ' s costume. He is now wear- ing long trousers and he is carrying some books under his arm, too. Can it be that he is studying? No. He just thinks he is. He stops along the way to talk with numerous men and women. Each of them takes a book from under his arm and fingers through its pages as he talks. History, English, biology, geometry, Latin, French — some person talks with him concerning each. Now the scene has changed somewhat. The small boy is now almost a man. We see him in a stadium crossing the goal line while the crowds cheer wildly. The picture darkens to a room. It is night and the young man sits at a table studying. Yes. He IS studying now. But now I am back to where I started and turn to go, but I stop to notice a peculiar change which has taken place. The kindly woman who was standing at the gate is gone. In her place I see a man with one arm on the shoulder of the youth who is holding a diploma in his hand. The young man gazes joyously through the bars of the gate, but the picture is very dim and seems to be changing constantly. Here the artist himself stands painting on another round of the cyclo- rama. As his brush passes over the surface some of the figures are made very distinct, but he is painting very slowly. What is your name, sir, and why do you paint so slowly? I am Time. I cannot hurry, but my work is very correct. Will the picture continue in its beauty and distinction? I cannot tell. I paint only as yonder young man acts. James May. iiiiiiiiiiiMiriiiiniiMiiiMiiiiiiitiiiniiiiiiiiiiiniiitiiiitiiiiiiiHiiiiiiiriiinniHniiiiniiiiiiiiNiiiiiiininiifiniiniiitiiiHiniiiiiiiiiiiiitiiiMiinhiiiiiMiiuiinMiitiiiriiiiiiiiiiiiiiiiiiiiiiii HIIIIIIIIJIIIIIMIIlllllllllllllltlllltnilllllllllMlllllllllllllllltllNllllinKnilllllllllMlllltlllMllltllllllllllllHIItlllllllllllltlllNlllhllHnilllllllllllllllllllllMIIIIIIIIMIIIIIIIIIIIIIIIIIII