Turner High School - Hi Lite Yearbook (Atlanta, GA)

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Class Prophecy Lights! Action! Camera! Let me look into the lens of the camera through which I will film the future. I will film, to my best ability, the super- production of the Turner Theatre. With Principal Davis as director, this will be one of the most outstanding produc- tions in years. Lights! Action! Camera! I see in my lens in the medical field President Isadore Hill- man, an outstanding surgeon at his spacious hospital in Los Angeles, California. There is his head nurse, Daisy McGuire, and her assis- tant nurses, Shirley Munday and Julia Dell. The camera turns, catching sight of the promising Rayford Newman as President of an architectural firm, with Bobby Character as his helper, and Racine Winston, Angeline Meadows and Gloria Dooley as secretaries. The lens move slightly and I see Ralph Riley as Disc Jockey on a New York radio station and Albert Davidson and Thomas Marks as technicians. As the camera rolls we see in the future Ora Gresham, captain of Lady Ren's world famous basketball team with Mary Huff, Elsie Gresham, Rosia Chapman, Annie Butts, Dor- othy Calhoun, and Rajah Weaver her star performers. Well, well, there is Jimmy Langford head coach at Morris Brown College with Steve Crews and James Washburn as his fellow workers. What a View when top coach Jack Anderson has Kye Kye Denham and Hu- bert Paige as his team of workers! In the field of education the lens shows Saralyn Ricks as president of Spelman Col- lege, Charles Walker, Professor of Sociology at Morehouse, and Maggie Zimmerman, head of the School of Social Work, Atlanta Uni- versity. Stop! There's Jackie's Famous Design- er's and Decorator's Shoppe, Hollywood, Cal- ifornia. Gee, that's Jackie Johnson! What an array of talent! The camera films the most famed dancer of the century, Claire Greene, who has just returned from a tour of Europe and Asia. Music! Music! Bettye Bussey just fin- ished her fifth appearance in Carnegie Hall with associates James Beasley, Patricia Glenn, Bettye Robinson, and Ann Morgan. The social view, through the lens shows us Bennie Gus Talley as playboy of Corn- cob, Georgia. While filming on the coast of Florida, we see Mrs. Pauline Newman, the former Miss Mitchum, with her three boys and two girls in their 1959 Cadillac, while father Ray is busy at Work making his fifth million. Remihgton-Rand Business Machines, In- corporated, has employed Ida Lou Strickland and Naomi Boyd to fill two top executive positions. They take with them a retinue of secretaries, namely: Alycia Amey, Christine Hall, Rubye Varner, and Jeanette Harris. As the camera rolls, the film is running out, but before it does we see the challenging housewife ot Corncob, Georgia, the former Miss Addie Amos. The lights are now on the most honored artists of the Atomic Age-Charles Benton and James Holston. Cameraman??? Action! There is Doris Clark who has just returned from Austria where she won the Davis Cup Meet with other teammates. Upon catching a final glance, I see Anna Truitt and Margaret Ross on the Editorial Staff of the Atlanta Constitution. Cut!! Rush the films to the developing room and see the most famous celebrities in the years to come. I am sure that this will be one of the best productions that Director Davis has ever presented, with E. F. Evans and V. S. Sutton as producers, and J. C. Nash and M. B. Ar- nold as business managers. Thomas Marks PROPHET

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