Truman State University - Echo Yearbook (Kirksville, MO)

 - Class of 1981

Page 33 of 424

 

Truman State University - Echo Yearbook (Kirksville, MO) online collection, 1981 Edition, Page 33 of 424
Page 33 of 424



Truman State University - Echo Yearbook (Kirksville, MO) online collection, 1981 Edition, Page 32
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Truman State University - Echo Yearbook (Kirksville, MO) online collection, 1981 Edition, Page 34
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Page 33 text:

le ndelson E. Spoede Fwann and IS during a actors used relying 0!: 1t the It was r seen, and the along? fessed tI didntt 1 some- not 1. uIn a dead :ally m it.,, eci- went. ,1 i. :9qu H719 W 3m ?iownT w Wsuhilmai props szwi Hm avtors felt it. Luella xwiirw semm. Who played Mrs Gibbs. said i started out cold mrkey with mime but once I started thinking about the actions and everything, it was greatfh ttThe play was hard to do because its been done so much? Strong said. Its extremely hard to do something new and interesting with an old play. The lines were easy, though. It was plain and simple language that everyone can understandft Michael Collins, senior, who played Doc Gibbs, said, uThe script makes the show. Itts so well written that the play carries itself. We probably didnt come close to portraying the characters the way Wilder wrote it because each production is different. Deanna Swan, senior, who played Mrs. Webb, said, uItts really hard for me to play age. Pm used to playing in roles my age and I found it hard to portray middle age? ttIths a gradual process? Strong added. ttYou have to let the characters grow? Collins said, uYou have to internalize how the character feels inside and act like that. The stage manager had the most difficult part. ttI had to talk to the audience and also be in the play relating to the charactersfi Strong said. Julia Miller, sophomore, who played Emily Webb, said she had difficulty in the death scene of the play. ttI had to let go of the physical world? She said. ttIn the last act, I had to be really serious, and feel what Emily was feeling? Eric Lanham, sophomore, who Portrayed George Gibbs, said, HI had to work on my character. It wasnt really hard to play George, but I had to get in touch with his feelings? The cast noticed a diversity in the audience over the four nights they were on stage. ttEvery night it Changed, said Aubrey. ttOpening night Was the best because everyone was DSYChed up about it? ttThe older audience would probably react more to it than a younger trowdf Strong said. ttTheytd appreciate It more because ittd get to them. BUt there was no barrier with the aUdience. The play was an indication of What life was really likemeav t . , mnr- : Orr WW w :-;h-L;:V4t31irw:. Blossoms of Russia On his death bed h After his employers vacated the house, Fiers, the butler, played by freshman Jason Grubbe, lies near death in the final scene of the fall production nThe Cherry Orchard. Back when - Reminiscing about the better days of the cherry orchard, Jason Grubbe as Fiers, Bill Lemen as Gayelf, and Keith Oliver as Pistchik are sorrowful over its end. T. Gosselin T. Gosselin A touching scene - Senior Mike Collins and Pat Ham's, Wife of J. G. Severns, director, discuss the Russia of their time and before in a scene. from ttCherry Orchard. Harris played the lead 111 the play. i T. Gosselin Our TowntCherry Orchard29-

Page 32 text:

g; 1 B aldwin Hall was in all its barren glory when the American classic llOur Townh, was presented. Thornton Wilder designed the play without the aid of props or scenery, so the stage of the Little Theater was totally bare except for two tables and some chairs representing the house- holds 0f the Webbs and the Gibbses. The play portrayed life in a small town in the beginning of the 20th 4' century, and revolved around the three most important phases of life: daily living in the first act, love and marriage in the second act, and death in the third act. The most notable character in the play was the stage manager, portrayed g by Jeff Strong, senior. His role was T hard to define because it was so versatile. As a thread of continuity, he T7 2 80m TowntCherry Orchard spoke to the audience when introducing the play, and yet he still remained in direct contact with the characters throughout all three acts. The plot was both poignant and funny. It related to the crowdls experience. Audience members responded to George and Emily when they fell in love and were married. During the last scene, spectators were deeply moved by the role that death plays in everyonels life. Steve Lamzik, sophomore, was captivated by htOur Town? uI loved it? he said. ltThe death scene was especially good. It changed my attitude toward death, and broadened my mind to living? Most students were enthusiastic about the plays realism and the way it depicted life in a small town. A natural scene by Melanie Mendelson E. Spoede Playing house e Seniors Deanna Swarm and Luella Aubrey pantomime sheIIing beans during a scene from the play Our Town. The actors used imaginary props throughout the play, relying on their actions for expression of ideas. liI liked the playf, said Bob Davidson, sophomore. ltI thought the mime effects were pretty good. It was different from any play Ild ever seen, and it portrayed everyday life and the problems you face as life goes along. Mitch Hamilton, 'junior, confessed that he did not like the play. llI didnt like it because Ild rather watch some- thing thatls not good for you and not socially acceptable? he explained. uIn a general sense, it was realistic, but dead people donlt talk back. I didnt really get a whole lot out of it because I watched it just to write a review on it. He was enrolled in Theater Appreci- ation. The review was an assignment. Th use of were a and St: Lu. Mrs, f turkey thinkii everyt. ttTl ifs be uIths e new a: The 1i plain ; everyo Mh Doc G show. carries close 1 way Vl produr De: Mrs. T me to roles I portraj 6t1t1 added. grow? Col intern: inside manag tiI also b charac Jul Emily the d. let go tlIn th and fe Eri portra to wo really to get Th audie were Chang was t psych ltT react crowd it mor But t audiei of wh



Page 34 text:

The sound of applause thundered people who actively produced the an gmpl through the Little Theater. They stood show? Jim Severns, professor of lfggiliil'fl While the cast performs on stage, backstage, knowing they dramatics and director, said. gj-adua: the tech crew gives a helped produce the show, but llWe have a technical director, a Stage hemmet realized the applause was not for manager, a costume designer, shOW- q BaCkSta 6 them. a property master and people who V-I d g What most of the audience members work on the set for stage craft take thl did not realize was the and designing classes? approva f number of people and effort it Technical director John l the cost per ormance took to build the set, find props Whiting was in charge of the in the a and prepare lighting techniques. entire set. ttI donlt generally redo th by Melanie Mendelson mBedroom Farcel had around 50 read the script at all when I One design sets. A lot of details are a sheet given in the script, but I donlt scallops like to follow them. I get most made t of the ideas out of my head? Befc Whiting said he knew he had to Goeke build three bedrooms, so he and garmen two interns finished the beds and see before Christmas vacation. One Som 0f the biggest problems a with a technical director faces is the a blue limited space in the Little be won Theater. We realized the low dress Vl height, depth and width in the and I t .Little Theater and were able to qt was work around it? materia The technical crew had to start stretch1 1: rehearsing as soon as the cast wear it a3 WM, did. tlThe cast starts trehearsingl pants 5 l 1W on a bare stage? Severns said. Ano l ttWe like the actors to be separate may 0V from the tech crew. At ttechnicaD on stag rehearsals, we don,t want to l Pile on. stop for the actors, problems? Fischer, Severns said they did have? inVOIVW practice furniture before the set was complete. A special rehearsal, called dry tech, was held for the tech crew. ttDry tech is for operational problems like lights? Severns said, ltWe run through all the cues and try to get the timing just right. Therels a simple board in the Little Theater and manual dexterity is required to operate it. Sometimes therels only a minute or two between cues. The operator has to be like a piano player. ' A particular problem encountered in ttBedroom Farcel, was the number of times the telephone was to ring before the actor picked it up. ttThe operator runs blind? Severns said. ttHe was given a verbal cue and then counted to seven before he cut off the rings. Timing was very important? Besides the set, costumes are Pulley e After Nick, pIayed by Randy Bame, falls out of bed, Janet, played by Deanna Swan, tries to help him up, hampered by the characteris bad back. uoumooq es 1

Suggestions in the Truman State University - Echo Yearbook (Kirksville, MO) collection:

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