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Page 9 text:
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WHERE WERE YOU? Announcer: Kennel Krispies presents, Where Were You? an imaginative fabrication of historic events which-Thank Heavens!-never happened. But first, a word from our spon- S0l'... Friends, does your dog act run-down after being hit by a Gene Wagar dairy truck? Watch his ears perk up and his tail wag when you feed him Kennel Krispies. Only first choice gopher chops, distributed by Paul Malkonian 8a Co meatpackers, are used in Kennel Krispies. Famous dog trainers like Sandra Viale recommend Kennel Krispies for your dog, whether it be cocker spaniel or poodle. So next time you're at the corner grocery store, be sure to look for the familiar orange-and-pea green box with the Kennel Krispies Saint Bernard on the front. -And now, We take you back to 2000 B.C. in Asia Minor where we will witness the last days of the Trojan War. Every- thing is as it was then, but . . . Where Were You? Walter Concrete: This is Walter Concrete reporting from Troy. The walls on which I stand are a masterpiece of en- gineering achievement. Unlike Rome, Troy's walls were built in one day. At daybreak, the plans were drawn up by em minent architects Warren Bovie and George Lee, and the last particle of Joel Moskowitz's quick-hardening cement had dried when the Greek fleet came into view. The Greeks had come to seize the beautiful captive Helen whose face had stopped a thousand clocks. -Time was run- ' 1 nmg out for Troy. We switch you now to Gail Lasdon in the market place Come in Gail Lasdon in the market place.
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Page 10 text:
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Gail Lasdon: Yes, indeed, this is Gail Market in the Lasdon place . . . I think . . . Let's stroll up the main street. We first see the shop of Harry Cohen, the Toga Tailor. Inside we find Deanna Squadrito bending over a hot needle. She seems to be working on a rush order for Jane Donaldson, exclusive buyer for George Doodian's harem. That's a big job. Next we come to James Filkins' Chariot Repair Shop, Where chief mechanic Robert Mosher is installing a Holly- wood muffler in John Reents' custom built, John Schantz model. Proppedagainst yonder wall sits Doug Gillespie, dis- playing his complete line of garden-fresh vegetables, figs, dates, and kumquats brought in -daily from Gail Farmers' garden paradise which produces delicacies for only the most discriminating palates. . However, if your palate's not so discriminating, you can seek remedy for your indigestion at Gressler and Bellan- ger's Apothecary. Behind those fcough . . . coughb fumes, Bill Young is assuredly, experimenting with a new elixir. But wait! ! I see someone we should-meet. It's the last lady of the Trojan stage, Peggy Cutler. How's the new show, Peg? Peg: Wonderful. I have a very demanding role in the adopta- tion of Sylvia Dale's novel, The Eye-Opener. It's called Pop Eyes Out and was adapted by Barbara Lewis. I play Eye and Cornelia McMann plays Pop. There are magnificent stage settings by Lanay Cummings. Gail: I know, Ilve noticed the play bills around the city, very eye-catching. , Peggy: Oh yes: They were done by Tanya Dee, Nancy Chard, and Laura Decker. Myron Van Dyke did the printing. Gail: Look out, Peg. Here come the newsmen, led by James Kubizne, photographer of the local daily. I'm leaving. We take you now to that Trojan landmark, Sheary's Inn. Reporter: This is James Knightly at famous Sheary's Inn, noted for Jeannette Mil1er's cherry pies. As we enter, we see Dave Armitage, expert on word pronunciations, thumb- ing through a competitor's dictionary, some upstart called
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