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Page 15 text:
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singing There's a Hot Horse in the Old Town Tonite. Let's talk to some of these townspeople and get their re- action to these recent events. Here's a happy-looking soul. What's your name? ' Carol Connolly: I'm an angel, and I'm just passing through. Walter: What do you think of the wooden horse? Carol: I think it's heavenly. It's a peacherino. Well I'd better be fluttering oif now. Good-bye-yesye-ye. A Walter: Good-bye. And here we have an excited person. Who are you? ' Brenda Powell: fSays nothing, appearing extremely nervous. Ji Walter: Are you nervous? ' Brenda: No ! 1 ! In Walter: What is your opinion of the horse? Brenda: tAgain is too nervous to speak.J Q . Walter: That's an interesting opinion. Here come two more prospects. What are your names? Sylvia Dale and Nancy Chard: CBlank Staresj Walter: Are you sisters? Sylvia and Nancy: fBlanky Walter: I'1l try again. What do you think of the Trojan Horse? Sylvia and N ancy: Walter: I think that gives you a fair idea of the public senti- ment. At this point, the crowds seem to be dispersing. Some of the college students, William Beaudoin, Katherine Klem, Victoria Kuchinsky, Susan Meeter, Geraldine Waters, Patri- cia Phalen, and Anna Curtain are headed back to the fungus- draped halls of Eucalyptus State. Sally Genthner, Dorothy Jaskson, Joan Lucowitz, Faye Mattison, Deanna Yastrob and Mary Ann Trepanier are returning to the archives to finish transcribing the diets for Miss Markey's locusts. To avoid any problems we'l1 leave now, before the Greeks hidden in the gigantic statue descend on the unsuspecting Trojans. We have shown you what it was like on a certain
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Page 14 text:
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bara Forester, royal psychiatrist, finishes psychoanalyzing him, the entertainment will begin. Here come the dancers now, led by Carolyn Cook and Sue Margosian. This group, consisting of Jean Collier, Elaine Faraci, Eleanor Flubacher, Pat Galligan, Carol Haldeman, Marilyn Matthewson, Sheila Miller and Lillian Jevanian, is a member of T. T. O., the Trojan Terpsichorean Organization. And now after an exhausting performance, the dancers are being carried off stage by a team of stretcher-bearers, Robert Hinken, Michael Dwyer, William Kane, Robert Hrubenak, Ralph Labbee, and Joseph Hartley. Carolyn Mil- ler, Carol Sluus, Joyce Connors, and Debbie Brown are now serenading the company with that new hit tune. Don't Sit Under the Fig Tree With Anyone Else But Me. The Royal children, Thomas and Norman of Whitehurst, are managing to cause quite a stir even under the watchful eyes of their tutors, Jacqueline Hayes, Janice Coonrad, Ar- lene Whipple, and Carol Connolly. I see now that the dele- gation has finally been able to reach the king's side. He seems to be nodding his head in assent, and the delegation is leaving in jubilant haste as Bernard Lazarus and Carol Kasarjian, obviously the best-dressed court members present, show the newest fashions to the king. Richard Keefer, Brant Kehn, David Large, A1 Lococco, Walter Bates, Jim Miller, Ronald Baker, Norman Epstein, and Gerald Lewis have opened the palace gates and the delegation departs for the city. We return you to Walter Concrete there. Walter: The townspeople, especially the town scribes Barbara Pitanello, Frances Smulsky, Shirley Rosen, Jean Mancinelli, Carol Price and Louise Osterman, who record Trojan history as it happens, are running wild. Donald Mclsaac, Paul Mudar, Phillip Pollock, James Thompson, Elias Woitovich and .Samuel Yetto have rolled the horse into the city . . . and a riot is dednitely breaking out! Officers David Wil- liams, Quinlan Mabin, Nathan Jackson, Peter McCarthy, James Quinn and Joseph Rooney are having trouble keeping order of any kind. College students Carol Crislip, Carolyn Shultz, Jay La Palme, Larry Brunelle, Joe Lemner, Sue Ro- quet, Janis Murnieks, Tom O'Brien and Ralph Prezzio are
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Page 16 text:
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day nearly 4000 years ago in Asia Minor. What 'kind of a day was it? - A day like all others filled with history- making events, but 'Where Were You? Announcer: Kennel Krispies and Carey's Little Innard Pills have presented Where Were You's'i version of the Trojan War. Next week we will be present at another historic event, the Graduation Exercises of the Class of 1957, Troy High School. On tonight's show John Kriworutchko, Thomas Lloyd, and Halla Teal created the scenery, video was by William Giz- zarag audio by Lee Muratig special effects by Carl Weeks and Brian Sullivan, choreography by Vincent Powers and Heather Melvilleg orchestra by Thomas Mancinog lighting by Arthur Marchandg wardrobe by Valerie Leach and Diane Gaileyg script by Andrew Keenan. Be with us next week when we present our second and last program of this dramatic series, Where Were You? CLASS WILL Introduction Ladies and gentlemen, students and faculty, most worthy audience, may we set you a scene: The time is a time of strife, the place of seige is ancient Troy tand we do mean ancientj. Amid the din of battle, whom do we find thundering up and down the ramparts, scribbling madly on her papyrus? Why, it's Helen of Troy. Now, all this is hear- say and romanticism. We bring you now the truth behind the legend, the facts. It seems that four long years ago, the Troy Board of Educa- tion captured 231 innocent young souls. These poor students were dragged from their sandboxes, baseball fields, pool tables, and school books to that ominous bulwark on Burdett Avenue. Here, they were regimented, brain-washed, and brow-beaten.
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