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Page 44 text:
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i Drama i Club The preparation oflohn Sipes' QLutherj hair by Fr. Moore, fabovej, and the detailed, unique, face make-up and costuming of Mike Riordan fCajetan, rightp are just a few examples of the Drama Club 's many hours of work be- fore every presentation. Q- 1 fleft to right, top rowy A. Johnson, Pat Meehan, Neal Augustus, Dennis Stoltz, Ted Roberts, John William- son, Pat Cavanaugh, and Joe Davis. fthird rowj Fr. Theodore Sans qmoderatory, Frank Hawkins, Tom Ste- vens, Allen Kempf, Larry French, Mike Wahl, John Laughlin, Brian Searles, Tim McDaniels, and Guistino Dattilo. fsecond rowj Anthony Lukes, Joe Hardesty, Curt Hill, Mike Riordan, Kevin Martin, Bill Arbaugh, John Sipes, john Eiler, Jamie Gardiner, and Tom Jones. ffront rowj John Redmon, Dennis Price, Joe Wight Neal Oliphant, Tom Murdock, Pete Rivard , John Bennett, Charles Bennett, Mickey Suell, and Bill Kimp- flein.
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Page 43 text:
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ECHO Cleft to right, standingy Terry Hancock, Mark Sallee, Bruce Raque, John Eiler, Kevin McAdams, and Dennis Bohr. fsittingj Kevin Martin and Tom Murdock. flyingj Joe Wight and Tim Barry. Not pictured: Tom Johnson, Rick Blake, Dave HAMROCK Q left to rightj Charles Spizzirri, Tom Leppert, Steve Oechsli, Frank Poschinger Joe Scholl, John Clark, Bruce Raque, Rick Oliphant, Pat Meehan, Brian Searles and David Fortney. Not pictured: Rick Blake and Dave Stoltz.
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Page 45 text:
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Art Trinity's Art program, under the direction of Fr. Albert Moore and Mr. Michael Price, was aimed toward those stu- dents considering art as a major in college. This year 's pro- gram was divided into three parts: Art I, drawing and de- signg Art II, two dimensional color design, water color, and sculptureg and Art III, stone sculpture, plastics, and oil and acrylic painting. Examples from each ofthe above divisions were dis- played in the library at midyear. 24 r, I I . M' 72 K The steady hand of Mark Stiebling fabovey and the utter concentration oflohn Bennett fleftj exemplify the work and effort put in- to each art piece.
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