Trinity College School - Record Yearbook (Port Hope, Ontario Canada)

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Led Zeppelin Appearing at the Rock Pile August 1315, two shows only - advance tickets at A 62 A lleeord Bar. If you bought advance tickets, you were in, if not, youwereleftoutinthecold with 3,999 other kids. Led Zeppelin was the biggest group lu hit Toronto since B.S. dl: J. The Rock Pile was jammed, 2000 kids squeezed into a building that can comfortably hold 1500. The temperature outside, 75, and inside, 95. The appearance of Robert Plant Qvocalistj quickly raised the tem- peratures of any 'chicks' in front. Plant is de scribed as the sexiest singer in Rock. You can tell he knows it and wants everyone else to know. Thrust forward, screaming ltmgs tearing inside for more, Jimmy Page crouched over like a hunchback, is Page playing a guitar or is he playing Plant? Incredibly alike sounds arise from Plant's throat and Page's guitar. You Shook Me , and 'Dazed and Confused . They did both to the audience. John Paul Jones on bass, John Bonham not to be missed on drums, QBonham looking like a freaked-out version of Ritchie Yorkej, John Paul Jones meditating to his guitar strings occasionally smiles at Plant. A closeknit, together group. Few announce- ments, only the togetherness of the four moving to a new song announces it. Few songs in actu- ality. They played their songs for nearly 10 minutes apiece. Page soloing constantly through most songs, fresh riffs every few seconds. Pure joy flowing from Page as he alternately caresses and rapes his guitar. Bonham keeping a steady drive, never overbearing but always present. Jones base lines quiet and yet. if you can get your eyes off Page. very beautiful and technical. He is the finest bassist to appear in Toronto. A group of 2,000 sweat-soaked kids exit out the back doors of the Rock Pile. Most are still dazed and confused by the frantic perfor- manCe put On by the Zep. Plant's voice and movements still show in the eyes of some girls. Bonham dreams are still ringing in the boys' ears. The Rocker has once again presented a super group. - CC. f'lIlt'Cl7l'4.'lld Page 23

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AIice's Restaurant Alice's Restaurant, the movie based on Arlo tluthrit-'s satiric narrative, goes beyond sardonic humour to serve as a eulogy for a generation of flower children. Those who go to see Alioe's Restaurant expecting a razor-sharp satire asin the song will be disappointed. The highlights of the song are contained in the film but they takea back seat to the social comment it offers. The film opens with the familiar folk chords nf Arlo's famous song, but soon the viewer forgets the humour and becomes involved in the trials and tribulations of Alice and Ray Brock trying to operate their restaurant in quaint Stock- bridge. Massachusetts. There is beauty and joy in their church-turned-restaurant, which serves as it commune for hippie. But it loses its beautiful people and becomes infested with groupies and dupe addicts. The breakdown of hippies is ex- emplitied in the reversion of Shelly, adope addict, In speed. Eventually he kills himselfin amotor- cycle afxident. At his funeral, there is widespread mourning as Joni Mitchell's 'Songs to Aging Children Love' serves as an epitaph. The words are sung as a small group congregates around Shelly's grave in the snow. - I. Pearson Alan MacRae Well, you win some and lose some and some get rained out . . . The school was very 'lucky' to get 1VIr. MacRae and Co., for only half price 65001 as he was on his way to make a tour of the west. fprobably in search of employmentj. What was advertised as a good folk group' turned out to be a rather pitiful country and western hoe-down. Amid the yee-ha's and hoots of a moderately critical audience, fconsisting mainly ofthosefrom Boulden House who weren't allowed to leave! Alan MacRae Night reached a climax when he did some vaguely amusing impersonations of famous characters with a background of 'This Land is Your Land . All in all, it was deemed as a total failure, and the only thing Mr. Gordon had to say was that there will be no charge for last Saturday's 'concert '. - S. C. Pearl Page 22

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IN THE MATTER OFJ. ROBERT OPPENHEIMER 'l'ht-sc days, it seems that contemporary thcntrc has rcgrettably become synonymous with nudity. or similar gimmicks. To see an example of good contemporary theatre, without such gim- micks, one has only to go and see Heinar Kip- phnrdt's play. 'In the Matter of J. Robert Op- pcnheimerf The play is based upon the 1954 Atomic Energy L'ommission's investigation of nuclear physicist J. Robert Oppenheimer as a security risk. However, it is a theatrical event, not an essay or an assemblageofdocumentary materialg the script is imaginary. as are several of the characters. As was announced over the O'Keefe Centre public address system, the hearing is but the framework for the play. Most people would look on a non-murder trial as a dull topic to base an entire three-hour play upon. However, in Oppenheimer , it is not the actual plot that is so importantg one could even say that it is superlicial. What makes the play are the issues and the characters. The issues range from guilt by association to the role of ultimate weaponny, from the part played by science in political decisions to per- sonal freedom. All are examined clearly and plausibly, with perceptive observations and lo- gical conclusions. Oppenheimer himself is very well acted by Paul Sparer. who portrays the scientistas an intel- ligent, witty, and very likeable man. Right from the beginning, the audience is attracted to him, pitying him and sympathyzing with him. Sup- porting Sparer are several good actors, the most notable of which are W. B. Brydon, as an aggres- sive prosecuting attorney, and William Myers as a combination philosopher-investigator on the tribunal. The only fault I could find was in the script itself. At times the arguments began to drag on, while at others they were replaced by bickering. But this is trivial and did not deter from the interest of the play. lntellectually stimulating as well as enter- taining, In the Matter ofJ. Robert Oppenheimer is worthwhile as a debate about fundamental issues which face the world today. - if Moore Page 24 H. . ' 5 Muna! Aff- U' --.amomilonvmlcr u-q1nQduPUUlMllll 1 .I to-nlnnaw KNIIU-U . .' W-lWl1U'UW FUN 'U-naman-new u 'f , tg, I ,1 1 x X 'gs 433 f . l