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Page 27 text:
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Page 26 text:
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li ,,- s -1 .Q ...e ,,. L 24 effects of the Helio were very ap- parent in the lights that were grad- TOULON HIGH SCHOOL QUARTERLY uated the following spring. Jess Fleming, 1901. IllllllllllllllllllllllIlllllllllIllIllllllllllllIllllIlll1lIIlllllllllllllllllllllllllllllllllllllll'lllIIIllIllllIllllllllllllllllllllllllllilIIIIlllllllllllllllllllIllIIlllllllllllllll!llllllIllllllInlllllllllllIIlllllllllllllllllllllll IIllllllIIllllllIlllllllllIlllllllIllIIllIlllllllllllllllllllllllllllllllllllllllll DAY. By Arnold Bennett. Arnold Bennett is one of the best known and most popular of modern playrights, novelists and philoso- phers. How to Live on 24 Hours a Day is one of the most interesting and logical of the group of his works known as the Pocket Philosophiesf' The book deals with the wasted hours of the average person and shows how these hours might be used to a great advantage not only to the individual but to society in general. Many families -successfully solve their financial problems by use of the Budget System. Why not apply this tothe use of your time? One of the best uses one could make of their wasted time would be to give an hour and a half or two hours at the most to reading this small book, How to Live on 24 Hours a Day. PENROD. . By Booth Tarkington. Penrod Schofield is a real boy, with a dog. He lives in a small city, and his pal is Sam Williams. Two colored boys who live across the alley, and Georgie Bassett and Maurice Levy are other playmates. He is eleven years old and has given his heart to Mar- jorie Jones. Penrod is much misun- derstood by his elders and has ac- quired the reputation of being the worst boy in town. s He tries the drug, junk, and show businesses with varying success, but f Xi this show creates quite a sensation in is 2 'r , town. Then, being favored with a invid imagination, a picture he sees oh the evils of a drunkard's life sug- gests to him a story which he tells his teacher as fact. This helps him Psi lllllllllllllllll llIlIllllllllllllllllllllIInlIllIllllllululllulllullllmlNnullnn1unlunlunmuunun temporarily but gets him into trouble later. ' Next he discovers that the name little gentleman applied to him is particularly obnoxious. This leads to his getting into a tar fight during which he goes crazy, or so his father believes. For the same insult he takes a fearful revenge on their min- ister. ' But later he and his friends decide to be ministers, for Herman has por- trayed it as a very interesting pro- fession requiring a good voice and the ability to climb trees. In the con- test which naturally follows, Georgie Bassett has his reputation ruined, and Penrod, as usual, gets into trouble. Perhaps the best of the stories is the one of the pageant, for it illus- trates a boy's modesty and self-con- sciousness in front of a crowd, in the matter of dress. Penrod is really des- perate and will do anything rather than appear in the costume which his mother and sister have constructedg so one can hardly blame him for the astonishing disguise in which he seeks protection. The funniest thing all thru the story is Penrod's unconsciousness of how funny it is. It is all so natural to him and he is so serious about it that it makes the story all the fun- nier. As a man gets older he forgets more and more how he felt when a boy, until he finally loses the point of view of the boy entirely. Very few men can keep the boy's point of view, but I think that Tarkington is one of these few. Allen Williams. Cathryn Graves- What have you in the way of vanishing cream ? Art Pierson- Two quarts of sour milk. A - I--' -Y -X 1-as g -f r -4 ---w-- -------emi-r 1 ---- ' f-1-A
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