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Page 63 text:
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TILLSONB uRG IDISTR 0 H IFQ Moro 19:0 fi .QE ic 5501, L ima if I,'f IQ pl JU' QQ' .1 1.9 H C503 Nfl .. Qyg , N' , CC 1 X9 X .- x 1 1490, 1 ,tl W' Q QQ ,T zulu-way l l ' 5 f A A A . 3 1 ' P ail U 5 1 1 If , 1 ' ag, 5s..,f:, 'Q I r l 4 ' 4 I ' g . X 1 It 9 x I si-5 ee ,X Y Q ' N, ff 'I . 'Z'-1' x ri ll I .A4 .UL ' l in ii? ' 'sa ' '- l J' 3 ' 4 , I -'- 7 'iffy' A fn X X J N - Q5 X -'-l ' 1 lx, 'F ,- M ' I I- Q so Q 63 M 1.2.33 an T K J 9-avposas ' ' 4... , l L ' f v I y f X .75 f? A f 43.76 Dopsv Dan s Daydream ll I TO HORACE IN THE ABSENCE OF MISS GRIEVE Ah, Horace, why didst thou contrive To write in verse for me to read, Misunderstand And throw my hand In gesture indicating need? Need? Yes need! to me 'tis clear- I need Miss Grieve to now be here! I've struggled, fought with verb and tense, Been spurned by purpose clause and such, My mind's a blank, I'll never thank You for disrupting me so much! When you preferred subjunctive's use, I fear a screw somewhere was loose! THE TATLER Marilyn Stilwell XIII. MUSIC Music, when soft voices die, Vibrates in the memory- Odours, when sweet violets sicken Live within the sense they quicken. Rose leaves, when the rose is dead, Are heaped for the beloved's bedg And so thy thoughts, when thou art gone, Love itself shall slumber on. Percy Bysshe Shelley LA MUSIQUE La chanson quand les voix molles meurent, Dans Fame fait tremblementg L'arome quand diminuent les fleurs Habite la joie en l'inventant. Le feuillage de rose quand la rose perit Fait la couche de celle qu'on aimeg Ainsi ton esprit quand tu n'es plus ici, Par amour dormira tout de meme. Translation: Richard Jones, XII. 61
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Page 62 text:
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one readsthem pronouncing them accord- ing to the pronunciation of one's own dialect. In the western world we write the symbol 5. This symbol is like a Chinese character in that it does not represent a sound but an idea. Thus an Englishman sees it and pronounces it five , a French- man reads it cinq g a Spaniard cinco and a German feunf. But to all these people, regardless of the manner in which they pronounce it, the symbol 5 has the same meaning. Similarly a Chinese char- acter is pronounced quite diiferently in the various dialects and also in the lan- guages of Korea, Japan, and Annam but will always have the same meaning re- garless of pronunciation. The character which means five is read wu in north China, ng in Canton and Hong Kong, and go in Japan. The earliest characters were pictures and very simple. Thus one, two, and three are simply one, two and three, horizontal lines respectively. A small square forigin- ally a circlel represents mouth or opening ,' the same square with three short. hori- zontal lines above it representing the breath means words or the verb to talk C just hot air coming out of the mouthlb. The sign for person below a horizontal line repre- senting the horizon denotes any of the following: under, below, down, lower, to descend, inferior. Conversely the sign for person above a horizontal line denotes any of the following: on, upon, up, above, upper, to ascend, to mount, superior. You can easily see how fascinating the study of Chinese characters may become! It is small wonder that the study of Chinese is annually attracting more and more keen-minded students in our univer- sities. Ability to read the language in its literary form opens up the world's greatest and most comprehensive national litera- ture, while even being able to speak it in any of its dialects broadens one's horizons so that one can span the oceans and em- brace the continents. l.0.?. To George Gyulveszi Crack! . . went the gun: he ran with all his might: He sprinted very fast: there was no one else in sight. Imagine his surprise, as the finish-line he passed, To find he'd run the wrong way and come in last, G. Miller, Grade 12. 60 ACTIVITY IN SPANISH Talk about Latin being a dead language! It's not half as dead as Spanish around T.D.H.S. So moribund is this modern Romance language that we now have only one active senorita in our entire enrolment. There is, of course, the odd student here and there who is known to have at least some elementary training in Spanish: however, the only person who has per- severingly adhered to the language is Betty Williams of Grade XIII. Passing through the lower hall between 4:00 and 4:30, one may often observe this lone figure labouring over exercises or following in her text while Senorita Os- trander reads forth strange and guttural sounds, known only to these two. It is not surprising that this quiet- spoken miss has patiently continued her extra-curricular study of Spanish for three years when one realizes her eagerness to become adept at the language. An inter- view with her did not succeed in securing much definite information with regard to her aims, but it is understood that she hopes to undertake missionary work in South America. Whatever is Senorita Williams's objective, the language depart- ment hereby wishes her every success. ' The following is a fanciful Spanish poem with Betty's translation: Desgarrada la nube: el arco iris brillando ya en el cielo y en un fanal de lluvia, y sol el Campo envuelto. . . . iEl limonar florido, el cipresal del huerto, el prado verde, el sol, el agua, el iris . . .I j el agua en tus cabellos! . . . Y todo en la memoria se perdea como una pompa de jabon al viento. Torn is the cloud, the rainbow Shining in the sky, And in the rainiiow, The sun-wrapped meadows lie. The lemon trees in bloom and the evergreen The garden wall yon, The sun, the rain, the rainbow, the meadow green! The rain your hair on! And all was gone in my mind, Soap bubble Hitting in the wind. THE TATLER
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Page 64 text:
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LETTRE DE PARIS Paris, France, le 8 fevrier, 1950. Chers lecteurs du Tatler: En reponse a la demande de votre tres aimable professeur, Mlle Ostrander, voici quelques lignes sur la vie et les vues de Paris. N'ayez pas peur, ce sera un recit bien court. Un peu de courage, et vous y etes! Vous avez tous entendu parler de la Place de la Concorde, cette grande place au bord de la Seine, dominee par son obelisque, decoree de ses fontaines et de ses statues. Regardons donc cette place, les avenues qui s'y croisent les gens qui la traversent, et nous verrons un peu ce qu'est Paris. Concorde , vous le savez, veut dire paix ou harmonie . Quel drele de nom, car c'est sur cette place meme que tant d'aristocrates francais, y compris le roi Louis XVI et la reine Marie Antoinette, ont ete executes pendant la Revolution. Actuellement il ne reste aucune trace de toute cette horreur, et la place a repris la serenite de son nom. Eh bien, nous voici au pied de ce grand obelisque egytien qui se trouve au beau milieu de la place. Regardons l'autre e6te de la Seine, la rive gauche. A peu pres en face, mais a droite, s'eleve le d6me splendide des Invalidesg c'est sous ce deme que Napoleon est enterre dans son sarco- phage de porphyre rouge. Et un peu plus loin, au-dessus des arbres et des toits, se dresse la Tour Eiiel, que couronne, la nuit, une lumiere rouge. A notre gauche s'etend le quartier latin, un des plus Vieux quartiers de la ville. Et voici la Sorbonne, l'ame de ce quartier etudiant. On peut y passer bien des heures a parcourir ses rues etroites, a visiter ses' vieilles eglises et ses nombreux cafes ou les etudiants discutent de l'art, de la philosophie et de l'amour. Et maintenant, si nous nous retournons, laissant derriere nous la Seine, a notre gauche s'allonge l'avenue des Champs- Elysees, une des plus belles avenues du monde. Montons cette avenue celebre. Admirons ses beaux magasins, ses arbres magnifiques, et, si nous sommes fatigues, asseyons-nous dans un de ses cafes dont les tables bordent partout le trottoir. Au bout des Champs-Elysees surgit, mages- tueux, l'A'rc de Triomphe de l'Etoile sous lequel est enterre le Soldat Inconnu. Et 5? pourquoi dit-on de l'Etoile ?: douze avenues rayonnent autour de l'Arc! Si nous aimons la musique et le theatre, allons de la Concorde jusqu'au quartier de l'Opera. Tous les soirs, a Paris, pour cent francs, on peut prendre une bonne place pour la representation d'un opera, d'un ballet, ou dl'une piece de theatre. Et apres le theatre prenons un taxi a Mont- martre, ce coin pittoresque avec ses caba- rets, ses music-halls, ses boites de nuit. Et n'oublions pas que ce n'est qu'une petite promenade d'une vingtaine de minutes de la Concorde a Notre-Dame, depuis tant de siecles le symbole de la vie religieuse de la France catholique. Je vous conseille d'y aller le dimanche, d'admirer les vitraux, de contempler la pompe de la grand'messe, et d'entendre les grandes orgues magnifiques. Jetons de nouveau les regards sur la Place de la Concorde elle-meme. A n'im- porte quelle heure de la journee on voit quelque part sur la place des gens qui viennent de sortir du Metro, la couleur rouge des taxis Renault, des amoureux qui, suivant le coutume ici, s'embrassent part- out sur la voie publique. De ce cete-ci un artiste s'occupe a peindre un coin quel- conque de la Seineg la-bas c'est un acteur qui court a une repetition, un musicien a un concert ou un etudiant a sa classe. Et malgre le bruit infernal des autos, on entend le cri d'un Vieux vendeur de jour- naux, le Bonjour, cava bien? de deux amis, ou l'accent etranger d'un touriste Gui demande des renseignements. Voila la Place de la Concorde, telle que je l'ai vue. Voila mon recit termine. Si vous avez ete assez courageux pour parcourir ces lignes, mes felicitations. A vous et a vos professeursjmeilleurs voeux, bon courage, et bonne chance. H. Donald Nobbs, T.H.S. '40 l....O.T... ADVERSUS LABORI Puellam video. Puella aegra est. Puella parva est. In cathedra sedet. Cathedra antiqua est. Puerum video. Puer aeger est. Puer parvus est. In cathedra sedet. Cathedra antiqua est. Cathedra eadem est. Edith Moon, XII. THE TATLER
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