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Page 14 text:
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IN MSMORIAM VICTOR KUHARSKY IN REMEMBRANCE OF VICTOR As summer skies and fragrant flowers Appear now on the scene Our thoughts now rest upon a youth, A youth of just fifteen. He won the hearts of all his mates And held them to the end. His happy laugh and roguish eyes Endeared him as a friend. His mem’ry always will remain With those who don’t forget, We'll think about his carefree ways With sorrow and regret. Though swiftly every day may pass Our mem’ries won’t depart. We feel that he will always be Enshrined in every heart. —Eugene Martin —Cecelia Kakowski GENEVIEVE OAKLEY IN REMEMBRANCE OF GENEVIEVE Always in memory we’ll keep, Her sparkling eyes, her hair. Her gentle words and lovely smile, So good, so bright, so fair. A sweet heart-filling cheerfulness Like springtime of the year. Seemed ever on her radiant face Whenever she was near. When the bright autumn leaves shall come, And come they surely will. She'll be recalled from days long past By friends who love her still. —Ruth Sarasin
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Page 13 text:
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9 Charles Viets “Charlie” “Men of few words are the best men. Otto Vogt “June” Class Basketball 2 Booster Club 1, 2 “The use of money is all the ad' vantage there is in having money. Louise Wathle “Low” Owl Staff 3 Scouts 1, 2, 3, 4 Booster Club 1, 2 “Whence is they learning? Hath they toil or books consuming the midnight oil? Dorothey Wayner “Dottie” Class Basketball 2, 3, 4 Booster Club 1, 2 Cheerleading 2, 3 “Give her time to use her brain. And fame and honor she's sure to gain. Frances Wojciechowski “Fran” Booster Club 1, 2 “Life's a jest and all things show it; I thought so once and now I know it. Anna Yurtin “Ann” Varsity Basketball 1, 2, 3, 4 Glee Club 3 Student Council 4 Booster Club 1, 2 Class Secretary 1, 2, 4 “A comrade blithe and full of glee Who dares to laugh out loud and free. SENIOR ALPHABET A is for Arthur who draws with the best And Alma who plays and solves problems with zest. B is for Bob and his eyes of light blue And tricky is he at basketball too. C is for Carol whose humor is great Cameron too—“sodium thio sulfate”. D is for our Dottys never seen without a smile And great is their ability to dress in latest style. E is for Eddie who walks with such strides But rarely he walks—more often he rides. F is for Forbes with complexion so fair, Very handsome is he with his dark, wavy hair. G is for Gene good-natured is he; Personality plus, we all agree. H is for Hazel a buxom young girl With pensive blue eyes and blonde tresses that curl. I is for insults inadvertently given So Seniors take pity and say we're forgiven. J is for Jimmy—a joking, young lad A fellow ne'er bothered by anything sad. K is for Kenneth who works with such ease And also for Kathryn who’s not hard to please. L is for Lester and Lucille who play The very latest music in a lilting-tilting way. M is for Mary—vigorous of mind And many a class could use more of her kind. N is for Nancy—a charming girl is she Who's sure to be successful, whatever she may be. O is for Otto, a strawberry blond; He drives a red car of which girls are fond. P is for Phyllis, so dainty and sweet Also for Peggy, so light on her feet. Q is for questions—we've asked them galore And yet after four years, we've got plenty more. R is for Rosemary, who's fond of all games; She's full of ambition and high are her aims. S is for Shirley—so rosy and fair She works in the office with diligence rare. T is for teachers who well we all know Will be very sorry to see this class go. U is for unity, a trait of our class A goal for the Juniors to try and surpass. V is for vigor—we possibly may Lack in our work but make up in our play. W is for William with so winning a smile He shines in our Chem class and dances with style. And last of all we finish up with X and Y and Z But Seniors blessed with such odd names you very seldom see. So Seniors now we take the time to bid you all “adieu And hope to see as good a class in nineteen forty-two. —CECILIA KAKOWSKI —EVELYN THOMSON —EUGENE MARTIN
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Page 15 text:
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CLASS WILL a We, the members of the Class of 1941 of Thomaston High School, being of sound mind and body, do ordain and proclaim the following to be our last will and testament to be executed in agreement with the provisions herein. Article I. To the Faculty: Fond recollections of the class we used to be. Article II. To the Freshmen: Our best wishes for as successful a high school career as ours has been. Article III. To the Sophomores: Our ability to throw our troubles to the winds. Article IV. To the Juniors: We leave the following individual legacies: To Stella Baldwin: Marion Lackman's quiet demeanor. To Robert Bellmay: Lucille Gotsell’s speed in typing. To Betty Bidwell: Cameron Smith's aptitude for chemical equations. To William Blacker: Otto Vogt's super- abundance of leisure time. To Helen Budney: Mildred Skerstonas’ neat locker. To Allen Davis: Walter Daras' interest in the great outdoors. To Catherine Dickson: Mary Conaghan's ease in getting to her favorite place to swim. To Thomas Dickson: John Dodd's skill in woodworking. To Fred Dilger: Brother Roy's terpsicho- rean grace. To Adolph Farchaus: Gloria Sciarra's collection of pins to adorn his sweater. To Calvin Foster: Raymond Krzyczkowski’s skill in circling the base path. To Charlotte Guertin: Lester Terrill's nonchalance in playing the clarinet. To Calista Hentz: Louise Wathle's meticulous attention to details. To Edward Higgins: Ray Johnston’s access to the family cars. To Irene Hodkoski: Milcha Czyz’s toy dogs to add to her collection of quadrupeds. To George Innes: Douglass Coy’s mania for automotive engines. To Charlotte Jennings: Phyllis Lumbard's zest for Scouting. To Floyd Johnston: Eugene Martin's ex- perience in parliamentary procedure. To Cecelia Kakowski: Betty Grabherr's and Frances Wojciechowski’s blond tresses to make her a second Alice Faye. To Lorraine Kelley: Rosemary Lyon's prowess as a guard, to balance her skill as a forward. To Alex Kilpatrick: James Haddon's mild temperament. To John Kovaleski: Forbes Gibbs’ beautiful slice in table tennis. To Phyllis Lamb: Dorothy Doty’s abundance of alumni material to help her in her Owl work. To Anthony Lauretano: Edward Konitski's ability to run interference on the football field. To Edna Levesque: Genevieve Krotik’s repose of manner. To William Lumpkin: Charles Viets’ unobtrusive behavior. To Zigmund Magdziarz: Robert Johnson’s and Lillian Melvin's talents for oratory and oral reading. To Ella Marlak: Jule Barrett's poetic versatility. To Katherine Monahan: Shirley Blanchard's household efficiency. To Thomas Monahan: Walter Senk’s apparent obliviousness to the other sex. To William Mushlook: Margaret Lowther’s even disposition. To Doris Neddermann: Carolyn Thom- son's competence as stage manager. To Edmund Nelson: William Aldrich's success in the field of photography. To Marjorie North: Delphine Ciafardone’s ability to chew gum and play the trumpet simultaneously. To Susie Nowakowski: Nancy Stoddard’s bubbling laughter. To William Nyerick: Jack Torrence’s ease in taking the broad jump. To Barbara Odell: Margaret Sawick's cleverness in arranging up-to-the-minute coiffures. To Mildred Oleshko: Peggy Kipp's and Dorothy Wayner’s attractive assortment of hair bows. To Olga Oleshko: Kathryn Koriza’s keen enjoyment of dancing. To Irene Rayder: Phyllis Platts’ leisurely manner of traversing the halls. To Grace Reardon: Anna Yurtin’s thoroughness in taking minutes in meetings To Ronald Reardon: Benny Grohoski’s burning pace on the cinder track. To Joseph Reynolds: Bruno DePecol's in-dustriousness in study hall.
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