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Page 30 text:
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26 Once In preparation for their spring concert, instrumentalists con- centrate on a selection. Amid the Christmas toyshop chaos, “playboy bunnies” flaunt their floppy ears and twitch their “cotton tails.” Queen Agravain, Anne Cline, frowns at the odor of a sleeping potion, billowing in the face of Princess Winifred, Donna Sholar. Upon a Mattress
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Page 29 text:
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imaginative Geek Week garb Thomas Baugh and Judy McClenny react to the rhythm of the “Sheepherder’s” beat at the Geek Week Dance. Teresa Clemons and Joe Potts pose together, crowned with their symbols of Geek Week royalty. Organization minimizes work behind the ballot table which attracts couples as they arrive. Refusing to relent to obnoxious Geek Week rules, Debbie Cadger bounces on a “hoppity-hop” for her punishment. 25
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Page 31 text:
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culminates performing season Once Upon a Mattress conclud- ed the 1969-70 performing arts series at Thomas Dale. This well- known contemporary musical spoofed the fairy tale, “The Princess and the Pea,” and boast- ed a cast of nearly two hundred music and drama enthusiasts. As the climactic production of the year, Mattress played three nights to full house audiences. Employing Cockney and Irish brogues, actors demonstrated their skills in ““Mr. Flannery’s Ocean,” a one-act play which received an excellent rating in the District Drama Festival. The Doctor in Spite of Himself provided school and community entertainment for No- vember onlookers. The produc- tion dealt with broad farce—an innovation in plays on the TD stage. When Chester’s John Rolfe Players staged The Lion in Winter, they indoctrinated two Thomas Dale students for leading roles. Junior Anne Cline portrayed the petulant Princess Alais, while freshman Doug Shook assumed the character of the simpleton prince, John. “Christmas Wonderland,’ a joint band and chorus show, created a joyous atmosphere for the Yuletide season. Especially delightful was the toy shop scene, which featured animated building blocks, tin soldiers, and foreign “walky-talky” dolls. Chorus members vocalized on sacred and = secular numbers while the band provided ap- propriate background instrumen- tation. In May, school muv- sicians entertained with popular and classical tunes in their spring concert, and accompanied solo and choral vocalists in Once Upon a Mattress. Meade Harrison boisterously dismisses the pleas of Dave Haines in the one act play “Mr. Flannery’s Ocean.” 27
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