Thomas Dale High School - Reflector Yearbook (Chester, VA)

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Glenn Bartley and Marshall Crow exhibit patchwork pants, the in” look for the male sect. 8

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Besl ©Y udk lo F Rtfrt SU)f€.l md cute o . SIpi hkt b prp nouJ rwd ijodd RepWij Cjb -V br. ' Ho ' t iyj u qfd eoeeudb. Q c b uobn q bus£. tjc u cte.sefc.ofc xV l £ e c co BN d hpu£ lopds od dtxu 1 Lcee ]B ep R Teens sport a new look influenced by an action generation. 1 I Seniors Susan Roop and Phyllis Ferguson portray their active imaginations and originality through an art masterpiece. 7

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Students Ask, “What’s It All About?” Esther Chappel and Pat Harlow don the new mod hairdo. 1967 was a stupendous year for creative youtl in all phases of life from fads to books, art, actors, music, and movies. Granny glasses added to the mod mode of long hair and mini-skirts, while plaid, paisley, and patchwork pants were in” for the male sect. Op art and kinetic sculpture were increasingly popular. John Barth’s Gile’s Goat-Boy and the Princetonian Guide to Where the Girls Are were absolute musts for any well read teenager. In the television spotlight the maniacal, mischief-mak- ing Monkees replaced Batman, that famous Gotham City bachelor. Cockney Micheal Caine proved to be a bigger box-office attraction than cool, collected Sean Connery. Flint nosed out 007 in the super spy movies. The Bible and Dr. Zhivago were the more serious movies with an attraction for the young; and Alfie, a film on the harsh, hard facts of life caused many young people to ask themselves the question, What’s it all about?” 9