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Page 28 text:
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Reuue troubles and rehearsals build to MUSICAI JNOPOl Hard work and limit- less cooperation make up the PRR, which holds two performances every year. The Revue is writ- ten, staged, and acted entirely by the students. Dutch girls and boys set the scene in Garden Gaittj by singing In an Old Dutch Garden. Sweet William, Dick Whitaker, tries to overwhelm his fair flower, Daisy, Mari- ann Goodwin, with his sing- ing of A Bicycle Built for Two. Swingin ' Man! Gone beat- niks Renee Wise and Larry Brown swing in Mania while onlookers try to be way out. Bob Warren, Jim Surface, Steve Deal, and Bill Sharp portray bathing beauties along Atlantic Avenue in Mu- sical Monopoly. Horrible Harry, Dan Graves, and Mr. Dillon, Tim Wits- man, almost come to blows over who can outdo the other as they sing I Can Do Any- thing Better Than You. Suzan White, Karen Baker, Carole Schweiger, Caryl Rog- ers, Jenny Cord, and Mary Ann Wimmer seem happy to be jail guards in Musical Mo- nopoly.
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Page 27 text:
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WITH OUR BEST FOOT FORWARD
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Page 29 text:
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triumphs Merrtj Marketing finds a confused shopper, Susan Schmidt, trying desperately to hunt bananas. Clerks Chris Miller, Ron Banta, Ed Diehl, and Ron West reply, Yes, We Have No Bananas. Janet Fields sings of short- nin ' bread as her fiendish lit- tle pride and joy, Mary Kay Little, tugs at her dress. Act Chairmen— T ie Mania: Ranee Wise, Mary Lou Propps, Klaska Haugh; Merry Marketing: Emily Cronau; Alphabet Antics: Judy Skomp, Betty Harry- man; Garden Gaity: Pat Myers, Janet Campbell, Jane Platte; Musical Monopoly: Carol Vance, Lynda Bell; Merry Marketing: Brenda Halbrooks. Cadaver-carriers Donna Walter, Judy Harsin, and Janet Van Sandt portray Casey ' s Cavalcade of Mournful Melodies. Chorus girls Wes Thompson, Steve Switzer, Dick Woodbury, and Gary Wallace kick high to show off their cur ' es in Alpha- bet Antics. Rock-n-Rollers Judy Dee- ter, Karen Stocking, Pam Butler, and Sharon Miner play leap frog while Nancy Stewart supervises the ABC Chipmunks Judy Craig, Jane Carson, and Betty Hart look contented, but they cause all kinds of mischief during their intermission act. As the closing chorus sings The Re ' ue Is Over, the 1959 PRR ends.
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