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Page 29 text:
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1 GU Tt.Twum.eKTonxA.wK | S3 0l)e Glass ®t» WE, the Senior Class of the year of our Lord, nineteen hundred and twenty-six in full possession of sound mind and geometrically inclined reasoning powers, do hereby will and bequeath all our worldly goods and possessions in the event of our immediate evacuation herefrom: 1. To Mr. Halsted—The joys and accomplishments which have been ours these four years, and furthermore our honest appreciation and good wishes for the future. 2. To the faculty—All the amazing wonders and astonishing news they may have gained from old forgotten notes and quiz papers, which we have left behind in the haste of our departure, for the ceaseless efforts which they have made in our behalf. o. To the student body—We herewith dedicate our reverence and defence of our Alma Mater and right to the T. H. S. Flag, song, pride in her achievements and in her accomplishments. 4. To all the organizations of the school—Our earnest and untiring efforts, also our best wishes for the future. 5. To Leland Lamb—Howard’s Freshman Sweetheart. 6. To Leslie Little—Alvin’s size and strength. 7. To Bill Fuller—Joe’s originality. 8. To anyone who should need it—Katherine’s good humor. 0. To Harold Johnson and Edward Ingersoll—All curling irons of the senior girls. 10. To Bernice Nelson and Max Watkins—All Senior delinquent slips. 11. To Bud Estes—Wilbert Katz’s interest in the Cheese Club’s Matrimonial papers. 12. To Future Commercial Students—Loss of religion in Typewriting room and seats in Room 3. 13. To Dale Goosman—Max’s ventriloquial verbosity. In witness whereof, We the Class of 1926, have set our hands and seal this First day of May, Anno Domini, one thousand, nine hundred and twenty-six. SENIOR CLASS In testimony to the truth whereof we, the subscribers, have set our hands in witness hereunto. LLOYD D. HALSTED. BERTHA ENYEART. CHARLES DAVISON. [23]
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Page 28 text:
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) DD TheTecim eWTonrt VtawK ® c Plays Presented by the Class of 1926 AS JUNIORS “2UJam and €tia” James King—A rich man Joe Jones Corinthia—The parlor maid Elva Epley Julia Dewitt—His eldest daughter Margaret Costello Clinton DeWitt—His son-in-law Max Heskett Eva King—His youngest daughter Mildred Rigg Aunt Abby Rocker—His sister-in-law Lucy Jobst Dr. Jack Delameter—His neighbor Howard Westwood Horace Pilgrim—His uncle Frank Fuller Adam Smith—His business manager Charles Davison Lord Andrew Gordon—His would be son-in-law Howard Zook SYNOPSIS ACT I—In Mr. King’s home, Long Island. Morning. ACT II—The same. Ten days later. Note: Curtain is lowered during Act Two to denote the passing of one hour. ACT III—The King farm in New Jersey. Three months later. AS SENIORS Lightnin’ Rill Jones John Marvin Raymond Thomas Lemuel Townsend Rodney Harper Everett Hammond Nevin Blodgett Oscar Nelson Fred Peters Walter Lennon Zeb Crothers Liveryman Teddy Mildred Buckley Mrs. Jones Mrs. Margaret Davis Mis. Harper Freeda Emily Jarvis Mrs. Moore Mrs. Jordan Mrs. Preston Mrs. Stair Mrs. Corr.hall “lUgbtntn’ ” Howard Westwood Cha !es Halsted Melvin Phillips Joe Jones Max Heskett Lloyd Walter Frank Fuller Alvin Morris Kenneth Malone Herbert Casey Arthur Stephens Mervin Deck Wayne McCoy Margaret Costello Elva Epley Odus Bates Verna Jewell Gertrude Ray Nora Ward Helen Cummings Mildred Worthman Ellcne McClanahan Blanche Barnes Lucy Anderson Prologue: John Marvin’s. ACT I—The next day. Scene 1. Office of the Calivada Hotel on the State Line between Nevada and California. Scene 2. That night. ACT II—Six months later. Superior Court at Reno. ACT III—The Hotel. The same evening. Around Lightnin’ and his Calivada Hotel, Winchell Smith and Frank Bacon have woven a story full of real human, heart interest. As we follow the many adventures and misadventures of Lightnin’; his contacts with the various types of our American people; try with him to solve the problems confronting many; we find ourselves moved to laughter and tears. Our interest moves on through the theft of the timberland; tne scenes in the court room; the rivalry of the judge and lawyer over the hand of the fascinating Mrs. Davis; on to the final action where, back in the hotel which is again his own, Lightnin’, in his characteristic way assumes the responsibility of bringing together Mildred and John. [22]
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Page 30 text:
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11 ® PTL Tecumseh. Toirt WawK IZbl Q) )t Qropbecp “The Magic Loom” A Plan in One Act CAST OF CHARACTERS Osao-------------------------------------------------------An Old Sorcerer. Zetcamma ’ce —.------------------------------------- His Son and Messenger Members of the Class of ’26 of Tecumseh High School. SCENE I. (The scene is laid in Southwestern Arizona, in the country inhabited by the Apaches, in a small rude hogan made of Pueblo adobe. Just outside the hogan are all the Trails of the World. Inside the hogan there is in the center of the room, a pot hanging from a tripod over a fire, which is blazing brightly. In one corner, there is a pile of costly furs, stretched out to make a rude bed. In the other corner stands a huge loom, which completely fills the end of the room. At this loom sits an old Indian, with wrinkled face and long, coarse, black hair and bright, beady, black eyes. His eyes move restlessly as he weaves different colored threads into the great rug upon which he is working. As the curtain rises, the old Indian is mumbling to himself and suddenly calls. A young man enters.) Osao—Zetcamma ’ce, is there any one near? Zetcamma ‘ce—No, father, no one is here now. Osao—-Then, my son, my rug shows a group of young people who are just now setting forth on their first years of unguided work. These people wonder what is to happen to them after each has gone his way, but they know not whereby they may find out. Go to them, my son, tell them that here, where all the Trails of the World meet, they may hear their future. Go to the High School at Tecumseh, Nebraska, my son, and bring me the Senior Class. Zetcamma ’ce—Yes, father, I will bring them that they may know what lies before them. (Zetcamma ’ce departs on his mission.) Curtain SCENE II. (Two months later) Enter Zetcamma ’ce followed by the Senior Class. Charles D.—We have come. Oh great Osao, because we wish to know what the future holds for us. Osao—I sent for you, my children, because I thought you wished to know what was in store for you. Here is the Rug of Life. Be seated, all of you, and its mystic threads will unfold what life holds for you. (Osao reads—Class seated in semicircle. Charles Davison who is the Senior President, I see will become a famous professor of Mathematics in Columbia University. I see—I see Leroy Betzelberger as the chief commissioner of roads in his own home county. It may be well to add that there is one road which is kept in excellent condition. Then comes Ellene McClanahan who, I think, will teach school but will soon tire of that and start keeping house on a farm. Herbert Casey is very funny, as every one knows. But when he takes Harold Lloyd’s place as a comedian, his humor will be even more pronounced. For Margaret Costello, I see the future of a very noted elocutionist with prolonged study in Paris. Katherine Buerstetta, the threads say, will paint some very famous pictures and will be an illustrator for a late fashion magazine. May Carman, I see, becomes proficient as a typist and will be a private secretary ‘o Katherine. Here are three boys whose future is the same. These are Wilbert Katz, Melvin Phillips and Olna Current. They will together own a large ranch in Wyoming on which they will make many improvements. f24]
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