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Page 83 text:
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X I fe t 4 I 1 I x, A ulA' 1 ' S , If ' 5 A 1. X !,- -- Sv, ,, X. , s. , .., . , , ' X -f x ., . .-, N I :A ,ki ' ' Xi I XX wx, X ,L 5' ' I ,A qi' if X5 ii X .v.. , ' 4 i , I fl! '1 x - ., 4 DLSZC A X 4 X E t' lg How sweet the moonlight sleeps upon this bank, Here will we sit. and let the sounds of music Creep in our ears. Oh! it comes o'er me like the gentle south, That o'er the violet breathes, and charms the soul. Soft stillness ana' the night Do well become the touches of sweet harmony., WILLIAM SHAKESPEARE lflu. '--, ,.--....,. 'X . -PL e .gt 551.1-av:--K...-fe .E A, A 'X 1 .rug
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Page 82 text:
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i pH'mv cs- .. rc s- XJ X i f X f? 9 f gtk f The Senior Glass of the Qathedral Qlfigh School presents Watch CYowf Step, Wilton - CC JJ it A Comedy in Three Acts By Eugene Hater Monday evening, May 12, 1930 CAST OF CHARACTERS Wilton Crossley, alias Thompson, the Creighton's hired man ........ Charlie Claxon, a young Southern real estate agent ................... .......Thomas McGill ..........Edward Bartelme Frank Creighton, scion of one of the best families in the South ....... ............ j ohn Facette Douglas Lane, a friend ot the Creightons .................. .. Virginia Creighton, Frank's autocratic sister ............................... Bess Creighton, Virginia's democratic sixteen-year?old sister... Aunt Loui' Farness, aunt of the Creightons .........................,.... Peggy, the cook of the Creighton 'family ......,...................... Synopsis of the Scenes Act I Living room of the Creighton estate. Act ll Same, one week later. Act lll Same, one week later. Executive Staff Business... Publicity.. Stage ........ .........Francis Whiteaker ..........Mildred Beauto ...............Marydean Pelletier ..........lnez McCumber ..........Patricia Hurley ty Leota Lne Alberta Sherman Kathryn l:,no Helen Collins Marjorie Donovan Eleanor Payton john Murray William Egan A ,egg Properties ........ ......... M arie Kastern, Florence Starihu KN ,, 41 ' E' -
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Page 84 text:
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I ,-' , 1-' V ,, . - k-, , ,fa3,..' j , xi, ,j f ri' 3, 2, ,sity l 1 1 52 .f Left to Right-Henry Fairbanks, Charles Bouchard, Francis Bennett, john Howe, Francis Whiteaker, Ehomag wggiqns, Thomas Manley, Thomas McGill, Gerald Schwentskofski, Terrance Bachand, eonar a ie. q3oys' glee Club Cardinal Newman wrote of music in education: To my mind music is an important part of education where boys have a turn for itg it is a great resource when they are thrown on the worldg it is a social amusement, perfectly innocent, and what is so great a point, employs their thoughts. The appeal of music is primarily to the emotions and it is through this medium that we shall be able to teach and develop the aesthetic self. impulses of worth will be aroused and translated into action. This is the first claim school music can make. Be- sides this living motive power there are also all the qualities possessed by any other sub- ject that lays claim to education value. This is the justification then of a Boys' Glee Club at Cathedral. They have taken an active part in several Assembly programs. Thomas Higgins delighted the audience on Saint Patrick's Day by his pleasing rendition of a group of songs in honor of That Irish Mother of Mine. Charles Bouchard offered attractive solos in the Bethlehem program. Thomas McGill, Francis Whiteaker, and Francis Bennett were always willing to lend their assistance to the making of enjoyable programs. john Howe, Thomas Manley, and Gerald Schwentskofski will be with us again next year to furnish more delightful programs. rf' -14- , . H+, av ,f . ,W M ., As- 4 1 , ,,. - AV j .
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