Stockton College - El Recuerdo Yearbook (Stockton, CA)

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Troubadours This select group of singers were the offi- cial carolers of Stock- ton and nnade many guest appearances at local clubs, especially at Christmastime. Front Row: Rl)s Garcia. Genevieve Cebaliza, Landra Mooberry, Barbara Waare. Deloys Wheeler. Glenna Mowry. Carol Ballin. Row 2: Marlene Long, Margaret Allen. Jean Dalglaish. Carlita iiaacs. Lila Cool. Dian Bonfilio. Row 3: Richard Rithwain. Don Farrell. Del Simmoni. Jaclie Reevei. Row 4: John Arnold, Emerson Sutton. Arthur Bati. Don Bennett. Dave Doyle, Jamei Tomlinton, Rochelle Bathor at the piano. Mixed Chorus Mixed Chorus, under the direction of Frank Thornton Smith, was the featured attraction of the annual Christmas party. At Easter, Troubadours and a selected group from Mixed Chorus presented The Crucifixion at a downtown church. Richard Rithwain. Darlane Rodman, Ba-, Pnqti 106

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Colt Band The Stockton College Colt Band, under the direction of Arthur hHolton. competed in the state music festival held at San Francisco State College and returned home with a superior rating for the second consecutive year. Excellent half-time performances were a specialty of the Colt Band, pictured above in a routine representing a bull fight, using themes from ' Carmen ' for Colt- El Camino football game. Drum Majors and Drum Majorettes: Judy Dodgen, Bob Stanley, Leilani Herplch, Ronnie BJack, Mary Doll. Band Members: Front Row: Pete Lucchesi, Bob McCall Manuel Fernandez. Don Gonzales. Don Tapia. Eddie Avila. Carlos Alonzo, Les Gini, Charles Marshall, Nancy Hanlts, Carol Avery, Marlene Kundert. Judy Alexander. Loretta Stanneic, Marge Belknap. Carol Crapple. Maud Teverbaugh. Row 2: Jean Reyburn, Donna Carlson. Marilyn Burgess, Carolyn Breakttetd, Mary Drummond, Bill Mongolo, Melvin Cook, Jared Richardson, Marlene Miller, Pat Moresco, Pat Baker. Barbara Canepa, Elda Garner, Row 3: David Marshall, Milo Kvidera. Roberta Odgers, John Newell. Glenn Money, Bill Sattler, Thelma Tarklngton, Luther Miller, Charles Newman. Roy Chambliss, Andrew Thompson, Carl Kennard, Terry Scott, Bill Haley, Ray Howley, Larry LeFevre, Tommy Campbell. David Wood. Bill Crandall, Arthur Holton. director; Frank Becknell. Steve Weesner, Othel Easter, Patricia Carido. Adrian Sims. Rex Proper, Buddy Washington, Raymond Hall, Bobby Crieg. Gary Carver, Gene Moccafiche, Leroy Johannaber, David White. Shirley Wright, Helen Huffman, Lynn Rimer, Charles Lorenson, Dan Ramirez, Bob Graneveld. First Orchestra Front Row: Irene Marfinez. Julie Wager, Kathy Bisagno. Bertha Anderson, Sue Francis, Arleno Ramer, Barbara Buckius. Row 2: Bob Jamieson. Mike Thomas (ompty seat; he took this picture), Joan White, Barbara Denny. Marilyn Burgess, Ted Reyes, Jack Cole. Milo Kvidera. Mike Saxton. Alex Wessitsh. Ruth Hawkins, Margot Kampe. Row 3: Evelyn Perl. Rachel Alvarez, Henry Avila, Judy Alexander. Glenn Money, Lou Karim, Peggy Joy, Danny Portlllo, Alan Snow, John Coffey. Eddie Avila, Pauline Holdren, Pat Dennis, Claudia Ormsbee, Janice Bowman. Page 105

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I Oratorio Chorus Students Interested In learning to sing classic, romantic, and contemporary oratorios enjoyed Mr. J. Russell Bodley ' s Oratorio Chorus. The students spent the fall semester preparing a full production of Handel ' s Messiah. In the spring the class was scheduled to produce Ralph Vaughn Williams ' Sancta Civltas. ' Stockton College students participating in the Messiah, pictured above, were Joyce Albright, Henry Avila, Adele Cantele. Lois Cogorno, James Dean, Bill Dodge, Don Douglas. Florence Erojo, Janet Falrbanlcs, Allen Geyer, Arlyce Johnson, Don Keller, Trevor Kohler, Robin Locke, Katherine MacKenzie, Sandra Melbs, Faye Osbourne, Polly Osbourne, Frank Panonclalman, Sue Seaman, Lloyd Schopp. Marlene Sutherland, and Sandra Wright. Opera Class The gigantic task of producting an uncut version of the opera, Boris Goudonoff, was undertaken quite successfully by Dr. Lucas Underwood ' s Opera Class. This performance received acclaim in a nationally recognized magazine. Boris Goudonoff was the first west coast performance by a college and the second student presentation of this opera In the United States. Page 107