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Page 24 text:
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W. RAYMOND RANDALL LEON R. CORLISS ELFRIEDA PFEIFFER I The Rainliow of Tones emitting from the portals of SHS originate from our stellar Music Department. G-Clefts and fortissimo's are di- rected by Mr. Raymond Randall, whose me- lodic courses give us bounties of musical knowledge. Bach and Beethoven find voices here, while the arresting tones of the A Cap- pella Choir send rivers of rhythm gushing down each corridor. Amid this maze of mel- ody, the Sophomore Choir can be heard trying their voices, while sweet tones emit from-the Girls' Choir. Clash of cymbals punctuate a Sousa march, and Tschaikowsky themes spill from the audi- torium's portals as the orchestra and band contribute to the merry-go-round of melody that makes up the lasting tonal quality of our own Music Department. GIANDE
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Page 23 text:
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a rts .4 N '15, 5 , it 1 Q. l J is t X - ' EDGAR l. BUGBEE Q 1 LESTER J MYERS 2 1 4 9 MAYO SO RGMAN Head MARY H. MILLIGAN ROBERT M WHITING A splash of paint initiating a future masterpiece created upon a well-used easel, a mound of clay transforming into the curves of a figurine beneath the fingers of a future DaVinci, and the maneuverings of a crayon fashioning a poster to preview a coming dance . . . From this bustle of paint and crayon emerge the painters and crayonists who constitute our wonderful Arts Department. Atop their paint-smeared star, we remember scenic wonders furnished for our theatrical stints, the labors of the graphic arts shop in printing our tickets and programs, and the foods concocted and the clothing sewn by our future chefs and Vogue models in the home arts classes. We cast an extra handful of stars to our worthy Arts Department!
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Page 25 text:
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ROBERT P. SERAFINO ENDA H. RIORDAN WILLIAM P. MARA EMILY GASPERINO ANITA MURRAY RAOUL d'ESTE PALMIERI, III ISABEL F. FISCHER 'ii L. LOUIS MARTINELLI sLANci-ie E. vAuoREuiL l lv Q J. BIBIANA sum: I we 5-,:+E '5' I i Q languages Our aspirations - beams of dreams from that star beyond, our language books - means of realizing dreams in the language and literature of other peoples. Step by step we conquered the intricacies of many a for- eign tongue - French, German, Italian, Span- ish, and Latin. We struggled through Caesar's Commentaries and German script, but we saw our star shining somewhere beyond us, giving us hope that we would soon be able to think in the language. Some of us may forget the confusing peculiarities of coniugations and declensions but we will long remember the self-disciplining concentration we experienced. lf 0 l
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