St Saviour High School - Thabor Yearbook (Brooklyn, NY)

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GLORIA PARRELLI From Bob Hopes program to the Texaco broadcast of the opera ply Glorlas ethereal rnterests The paradoxlcal Miss Parrrellr can drscourse w1th as much lognc as she can sprtn kle her conversatlon wxth wrt For four years as celllst Glona was an tntegral part of the school orchestra Lrkewrse she balanced the class finances for many terms Her great IH terest IH domestrc arts culrnary and other wrse make Glona a supporter of the home ben zizful FLORENCE PINERA Glancmg across the book shelves of this at ractlve brunette one dlscovers the mystery novels of Agatha Chrrstne and Ellery Queen Fashron Edntor of Salmtor Florence follows clothes accented by orrgrnal leather lapel pms she deslgns 1n her lersure trme i MARY RAINSFORD XM' W usrc hath charms especlally when rt aafnblnys rendr on of Claopznr Nocturne: W t mformatron about current s aqtgtyxh often rn the rt al drscussron Though thls a uate pref s solvrng rnvolved mathe matrcal pro ?-5,53 fasfbeen successful rn the your fl Hel as Alu nae Edttor of Salmtor A11 r her tasteful selectnon of smart attlre w 1ch has made her one of the best dressed senlors the trends of Mademoixelle. She prefers sport .S , i . . . , ' i a ' m. f ,... I . 30

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PATRICIA NUSSEY As Busrness Manager of Tbabor Pat com brned efficrency wrth practrcallty Bemg a firm belrever 1n the wrsdom of advertrsmg and havmg an eye for beauty Pat contrlbuted attractrve posters for the varrous school prolects Her collectrve 1nst1nct appears her large assortment of records Paz keeps a full date book Her ambrtrons mclude a col lege educat1on and eventually a career 1n journalism and commercral advertlsmg EILFEN O CONNELI Erleen rs one of those grrls who belreve that alls rrght wrth the world For thrs reason she has garned many frrends at Samt Savrour Musnc rncludxng today s merry tunes and yesteryears melodlous classlcs af fords her many enyoyable hours W1th sev eral of the other glrls of her class Erleen has gone 1n for bowlrng Erleen drsplayed her l-'nowledge of color schemes and symmetrrcal arrangement 1n the Crusade Brrdge decora trons EILEEN O NEIL An evenness of dlsposrtron and a calmness of manner descrrbe Erleen and her tradxtronal temperament Thus flaxen halred lass prefers to see modern Hctron portrayed on the screen before she peruses the contents of a best seller Erleen feels that amateur photography wrll revrve many excrtmg moments rn retro spect However desrgnrng her own clothes has grven her an 1ncent1ve for more mten srve study rn thrs art For future hrghlrghts rn fashron consult Erleen 9 I . 9 l . Q Q 4 ln . 4 4 . 4 ' 14 , 4 4 , 4 4 4 4 4 7. y .. 4 1. . - - 11 - 4 . , 4 4 . . . . . , 4 . , , . . a ' ' 1 ,, . ,, . . . J 4 4 4 4 . ' 4 - a K . 4 . , .

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KAIHLEEN RYAN Kay the senior cbanteufe IS a mmrature versron of Helen OConnell Economrcs IS the forte of thns blond harred classmate A facrle mmd and a natural talent for art add to her mental equrpment From her freshman days to her senxor year Kay J antlcs have en tertamed fellow Savrourrtes As class m qzmzlor Kay wrll open any dlscusslon and wrll keep lf lively by her Whys and where fores MARY SCANLON Because of her youth Mary must defer the begmnmg of her nurse trarnrng In the mterrm however she wrll avarl herself of a scholarshlp award toward a medrcal as contrrbutron to the war effort rn the capaclty of Navy nurse Mary wlll dance attention on her charges w1th the same courteous mxen as she gracefully prrouettes her way through 1 e DOROTHY SCHESLER Somehow sprrngtrme remrnds one of Dot tze The llghtheartedness and the sweetness attached to the season are her possessrons A tmp trlted nose enhances the ptquancy of her expressron Because alrplanes have al ways mtrlgued her the Army Arr Corps rates hrgh m Domer estrmatron As News Edrtor of S4111 ator she IS a verrtable scoop snooper As her classmates say goodbye to Dome they hope that sprrngtrme wlll always remaln rn her heart 31 . . I K K . . K . , . C 7 ' 7 . . a , . . . I . I sistant course. She aspires to give a personal l'f . , - - C ' , . . . , . . . ' . . a . ' . ,'