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Page 41 text:
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rt, drafting draw creative schemers Arts and drafts designers conjure up crea- tive schemes. Fashioning avant garde media into Paulite- patented prototypes, art classes chart 1969 calendars, draft house plans that potentially threaten to upstage the most unique blueprints in House Beautiful, and design posters just a little bit better . Q-tips and mascara brushes find their way into the artists' collection of useful oddities. The entire school knows that silk screen production is underway when art students begin wearing the colorsl' of their innovational designs on uniforms and hands. Level-headed draftsmen pursue the mas- tery of draft-craft . Drafting classes delineate three dimensional projections and haunt class- rooms with tape measures and note pads to determine if St. Paul measures up architec- turally. When assignments pile up, drafting aces echo their own favorite formula for suc- cess: If you can't make it, fake it. Through every misadventure, quick-draws are hooked on a feeling for artistic schemes. ,.,.1u...., ABOVE: Two heads are better than one , concludes Steve Weitzmann as Sister Cather- ine Philip offers constructive criticism. ABOVE LEFT: Janet Biermann inspects final prospects for the Scholastic Art contest. FAR LEFT: Five-finger finesse proves handy as Joe DeSchryver labors over drafting pro- jections. BELOW LEFT: With a variety of art projects simultaneously underway, Jan Kramer, Nancy Kliber, and Lisa Fisher offer better ideas to an appreciative Lisa Ferrell. LEFT: The usefulness of a T-square is never to be underestimated. Mike Nally grapples with the impulse to show Mike Pendy what drafting is really all about. 37
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Page 40 text:
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Page 42 text:
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BELOW: Senior Kathy Sheridan searches for an appropriate article for a current events report, RIGHT: Science projects, papers, and religion abstracts demand wide varieties of research ma- terials. Linda Vogt attacks thematic complica- tions with exploratory strategy. imc: SN. Q' rs i 38
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